Los Angeles Times

How 200 historic Hollywood backdrops were saved from the dumpster

VALENCIA, Calif. - On top of a hill in Valencia, where the wind blows most days, the buildings are big, new and absolutely nonforthcoming. They could house anything - a doctor's office, a car dealership, a secret government agency. Inside one, against the back wall, lies a pile of large equally nondescript pieces of canvas. Most are long and tied up with string; some have been folded into thick squares and stacked. They could be anything - enormous window treatments or very thin floor coverings.

Until they are unrolled and reveal ... the world.

Hillsides, houses, airports and cathedrals; cityscapes, landscapes and the ocean rocking toward the horizon; courtrooms and bedrooms, bungalows and castles; gas stations, skyscrapers, apartment buildings; the roofs of Paris and New York, corridors, tapestries, train depots and a mineshaft burrowing into an icy mountain.

The magic of Hollywood, in a Valencia warehouse, rolled up and waiting to be claimed.

These are the 90 painted backdrops that remain of more than 200 saved through the Art Directors Guild Backdrop Recovery Project, a two-year attempt to keep a relatively few pieces of irreplaceable art and Hollywood history from the fate of so many sets, props, costumes and backdrops: the studio dumpster.

"Hollywood started as a green industry and then became brown," says former ADG president and Recovery Project founder Tom Walsh. "Everything was used repeatedly; nothing went into storage. Then when studios began to decline, they

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