The Atlantic

The Strange Beach Novel That Would Make Mallarmé Proud

Chloe Aridjis’s <em>Sea Monsters</em> doesn’t care much for plot, instead seductively gathering energy through images, repetition, and metaphor.
Source: Catapult

Chloe Aridjis is not a novelist who appears to care about plot, so let’s get the story of Sea Monsters, her third book, out of the way. Its protagonist, a moody, Morrissey-loving teenager named Luisa, meets a boy named Tomás and lets him persuade her to run away from home. The two take the bus from Mexico City to Oaxaca, where they camp in a beach town called Zipolite and where Luisa rapidly loses interest in Tomás, replacing him with a silent, mysterious-seeming figure. After a while, her father tracks her down, and she returns to Mexico City.

These events are less plot, in truth, than scaffolding. derives little energy from what happens to Luisa, or from how she changes during her travels. Instead, it works like a poem, gathering steam through image, fighters soaring through their choreographed moves. She riffs like a poet, too, letting each image twist and grow into the next.

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