The Paris Review

Are We All Living in a Simulation?

In his monthly column, ConspiracyRich Cohen gets to the bottom of it all. 

The best conspiracy theories make sense of what has always seemed senseless. They let you believe you are finally connecting the dots, finding the missing pieces, experiencing the world as it really is. The most powerful theories—the mind blowers—name something you’ve always known, even if you hadn’t known it consciously, or did not believe it could be named. There is no invention, just discovery. The best explain why you feel like you’re being watched, have lived all this before, knew what would happen before the film even started. That’s the case with what’s become my favorite conspiracy theory: the notion, argued by futurists and tech visionaries, that we live not in the real world but in a simulation, an intricately detailed game cooked up by a demigod, hacker, or AI mastermind, which, if true, explains the uncanny sense that this is not my real life, that these are not my real memories. Or, as my friend Mark, standing on Oak Street Beach at 2 A.M. with Chicago aglow behind us, said, “None of this shit’s real, man. We’re all just figments in a crazy dream.”

This idea that this is not the real world is way older than. You hear it in the Hasidic wisdom of Isaac Bashevis Singer’s “Gimpel the Fool”: “No doubt the world is an entirely imaginary world, but it is only once removed from the true world.” You hear it in the writing of the nineteenth-century naturalist Philip Henry Gosse, whose book argued that the fossils that proved the world is older than the six thousand years of Genesis had been put in the ground by God to test man’s faith. You hear it in the Buddhist folk tales, most famously the “butterfly dream” of Zhuangzi, in which the author is uncertain if he is a man who dreamed he was a butterfly, or a butterfly dreaming that he’s a man. It’s the uncanniness you experience not when you are drunk and not when are you are high, but when you are drunk and high, the insight you stumble across the way you stumble across certain bars only when it’s very late and you are very lost and absolutely need them to exist. It’s not that the stimulant creates the dream, but that it opens your eyes to the big truth you’ve been trained not to see.

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Acknowledges
The Plimpton Circle is a remarkable group of individuals and organizations whose annual contributions of $2,500 or more help advance the work of The Paris Review Foundation. The Foundation gratefully acknowledges: 1919 Investment Counsel • Gale Arnol

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