The Guardian

Rediscovered masterpiece ‘was actually work of Malevich's pupil’

Art lover tracks portrait hailed as by Kazimir Malevich through Soviet archives
The portrait of Elizaveta Yakovleva. Photograph: Family of E Yakovleva, Saint Petersburg

Billed as a rediscovered masterpiece by Kazimir Malevich, the portrait of a bohemian Russian woman holding a red bag was the charismatic star of a London exhibition in 2014. Critics picked out the image for special praise in the Tate Modern show dedicated to the avant-garde painter.

But now the painstaking research of a Russian art lover has exposed art world chicanery that appears to lead from the Soviet culture wars of the 1930s to the misattribution of a painting since valued at millions of pounds.

Documents gathered by indicate that the portrait of the stage designer Elizaveta Yakovleva and her jaunty red bag is likely to be the work of the woman she once lived with in Leningrad, a former pupil of Malevich called Maria Dzhagubova. She had also designed the fashionably , or geometric-shaped, bag that Yakovleva holds.

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