The Atlantic

<em>Leave No Trace </em>Shows How to Critique Society—Without Demonizing an Entire System

<em>The Atlantic</em> looks back on the key film moments of 2018, this time a wrenching interview with a survivalist war veteran in Debra Granik’s drama.
Source: Bleecker Street

Over the next month, The Atlantic’s “And, Scene” series will delve into some of the most interesting films of the year by examining a single, noteworthy moment. Next up is Debra Granik’s Leave No Trace. (Read our previous entries here.)


The most impressive thing about is that the enemy of the film is not the government. Yes, Debra Granik’s story is about a father, Will (Ben Foster), and his daughter, Tom (Thomasin

You’re reading a preview, subscribe to read more.

More from The Atlantic

The Atlantic4 min read
Hayao Miyazaki’s Anti-war Fantasia
Once, in a windowless conference room, I got into an argument with a minor Japanese-government official about Hayao Miyazaki. This was in 2017, three years after the director had announced his latest retirement from filmmaking. His final project was
The Atlantic5 min read
The Strangest Job in the World
This is an edition of the Books Briefing, our editors’ weekly guide to the best in books. Sign up for it here. The role of first lady couldn’t be stranger. You attain the position almost by accident, simply by virtue of being married to the president
The Atlantic2 min read
Preface
Illustrations by Miki Lowe For much of his career, the poet W. H. Auden was known for writing fiercely political work. He critiqued capitalism, warned of fascism, and documented hunger, protest, war. He was deeply influenced by Marxism. And he was hu

Related Books & Audiobooks