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1 | LANDSCAPE

Look into my ball

Claire Gillo shows you how to shoot landscape scenes through a crystal ball for a different approach on the genre

There’s something very satisfying about holding a glass ball in your hand… The subject is projected upside-down through the ball, and inside you have an encapsulated scene.

For our shoot, we used a Pro-sized Lensball (www.lensball.com, £30/$40). There are cheaper alternatives, but we found the quality of the Lensball to be excellent.

Once you’ve got your ball in your hands, you’re ready to head out. For selecting a good location, watch out for unwanted reflections. If you shoot during the day, you’ll most likely want to pick a shady spot. It can look effective to play around with a lens flare technique, which is a technical flaw – so if you want to avoid this, stay out of the sun! It’s also vital to take a cloth with you and wipe away any fingerprints, which would ruin the final result.

You can play around with how and where you place your ball. Try balancing it on rocks, sand, earth, in your hands: there are many different possibilities.

During editing, we flipped the scene round 180 degrees so the scene in the ball is the correct way up.

1 The setting

Pick a stunning setting with a strong focal point to achieve the best results. We shot from Bantham Beach in Devon, so we had the iconic Burgh Island for our main focal point. We also headed down just before sunset and did our photoshoot during the golden hour to ensure that the colours in the sky would be warm and appealing in the final shot.

2 Lens choice

We opted to use a 50mm f/1.8 lens. Prime or telephoto lenses with a longer focal length (50mm or above) are best for this subject, as they compress the elements in the scene. Prime lenses are also much faster and can be opened to wider apertures to give you control over depth of field.

3 Camera settings

We put our camera into its Aperture Priority mode and opened the aperture to f/2.8. This ensured the background blurred nicely while keeping the scene in the ball sharp. As we were shooting at such a wide aperture setting, we kept the ISO at 100: we could still-hold the camera by hand, eliminating the need for a tripod.

The image is the correct way up as a