The Atlantic

In <em>Life Itself</em>, Death Is the Ultimate Plot Twist

The writer and director Dan Fogelman (<em>This Is Us</em>) has crafted a film with an all-star cast—Oscar Isaac, Olivia Wilde, Antonio Banderas—but an absolutely miserable script.
Source: Amazon Studios

Halfway through —Dan Fogelman’s multigenerational saga of love, death, and manufactured trauma—the film abruptly cuts from a tragic scene to a brand-new story. A rich vineyard owner in Spain, Mr. Saccione (played by Antonio Banderas), pours himself a glass of Manzanilla and rambles to his employee Javier (Sergio Peris-Mencheta) about his childhood, his fractured relationship with his parents, and his lingering guilt over his wealth. It’s an entrancing speech, helped by the fact that it’s delivered by Banderas, who’s always mesmerizing to watch in his

You’re reading a preview, subscribe to read more.

More from The Atlantic

The Atlantic5 min readAmerican Government
What Nikki Haley Is Trying to Prove
This is an edition of The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here. Nikki Haley faces terrible odds in her home state of
The Atlantic7 min readAmerican Government
The Americans Who Need Chaos
This is Work in Progress, a newsletter about work, technology, and how to solve some of America’s biggest problems. Sign up here. Several years ago, the political scientist Michael Bang Petersen, who is based in Denmark, wanted to understand why peop
The Atlantic3 min read
They Rode the Rails, Made Friends, and Fell Out of Love With America
The open road is the great American literary device. Whether the example is Jack Kerouac or Tracy Chapman, the national canon is full of travel tales that observe America’s idiosyncrasies and inequalities, its dark corners and lost wanderers, but ult

Related Books & Audiobooks