The Guardian

Justin Timberlake review – pop's constant dancer grows old gracefully

O2 Arena, London Some scoffed at his Man of the Woods project, but its country-soul proves a classy way for the Tennessee boy to enter the next phase of his pop career
‘Country-soul turns out to be an astute, classy option for any aging male pop star’ ... Justin Timberlake performing at the O2 arena, London, 9 July 2018. Photograph: Dave J Hogan/Getty Images

Being in a boy band might be the time of your life, for a while, but after a few years the whole thing starts to look like a parable for human mortality. Sure, your voice might endure, but your body won’t keep dancing like that, and your fans will only ever span a single generation; like an iPhone or David Davis, obsolescence is built in.

So, what if, 37, whose time in boyband N*Sync was followed by a hugely successful and credible solo career that has faltered a little of late with 2013’s bloated and new album Man of the Woods, lampooned by critics for his anti-metropolitan switch from suits to plaid.

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