NPR

Saving 'Brooklyn Nine-Nine' Was Business, But The Love Of It Is Real

The roller-coaster experience of watching Fox's cop comedy knocked off and then revived had a lot to do with boring business concepts. But the people who love it desperately have good reasons.
Andy Samberg and Andre Braugher in <em>Brooklyn Nine-Nine</em>.

This piece discusses general Brooklyn Nine-Nine plot developments through the fifth season finale that aired on Sunday night.

It is a truth universally acknowledged that people become publicly infuriated when their favorite shows are canceled. It is another truth universally acknowledged that from time to time, shows are rescued — either by a network that changes its mind, or more often by a transfer from one home to another.

But it's a mistake to think that the first truth is necessarily the cause of the second. By the time a network cancels a show with passionate fans, it knows those passionate fans exist; inadequate devotion from the people who already watch is not the reason shows are canceled, particularly in a broadcast setting. (Cable and streaming models can be a little different, given that loving a show enough can justify subscribing.)

Consider the recent case of the police comedy , which was canceled by Fox on May 10 and picked up by NBC on May 11. The outpouring — or the wailing, or the agonizing, or whatever term you want to use — seemed to

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