Sympathy for the Charlie

In sitcoms, there’s a thing that will sometimes happen when a new character is introduced to the show: The newbie, often but not always a fleeting love interest of one of the main characters, will arrive on the scene … and then promptly be dismissed as narratively expendable. Tasha on Insecure, Emily on Friends, the Mother (her name is pretty much irrelevant) on How I Met Your Mother: They are good characters who serve, in the end, primarily as foils for the people the audience already knows—the people the audience has been trained, episode after episode, to care about. Issa. Rachel. Robin. So: After Ross, reciting his wedding vows to Emily, pledged his undying love to Rachel … Friends proceeded to treat the bride’s anger not as an eminently reasonable reaction to this turn of events, but rather as proof of her unfitness to become a permanent member of the tight-knit group at the show’s core. (This despite the manifest evidence that Emily’s love life, too, is DOA.)

Here, via the character whose chief flaw was