The Paris Review

Tina Barney’s Embarrassment of Riches

Tina Barney, Self-Portrait, 2014.

For the photographer Tina Barney, proximity to, and membership in, the upper class has come to define her body of work chronicling the life of the patrician set. Her images, taken over some forty years, are at once a choreographed glimpse into the lives of the leisure class and candid meditations upon universal themes of family. Barney’s recently published an —with an introduction by Peter Galassi,

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