The Paris Review

Relationships Normally Beyond Our Knowing: An Interview with Madison Smartt Bell

Linear time doesn’t exist in Madison Smartt Bell’s new fever dream of a novel Behind the Moon, at least not for long. The fractured narrative centers on a young woman named Julie who falls into a deep Badlands cave while fleeing would-be rapists. In her liminal, un-, or semi-conscious state, she’s able to interact with the prehistoric paintings on the cave walls. Elsewhere, in interspersed sections, her mother—who gave her up for adoption years earlier—is lured to the hospital to which Julie has been transferred and where she remains in a coma. A shady shaman also steps in to help, or to attempt to. The novel works in disordered and mystical ways. It maintains a remarkable ability to surprise.

Bell is likely best known forNarrative Form: Working with ImaginationCraft, and FormSave Me, Joe Louis Waiting for the End of the World Zero dbThe Barking ManBehind the Moon

You’re reading a preview, subscribe to read more.

More from The Paris Review

The Paris Review35 min read
An Eye In The Throat
My father answers the phone. He is twenty-three years old, and, as everyone does in the nineties, he picks up the receiver without knowing who is calling. People call all day long, and my parents pick up and say, “Hello?” and then people say, “It’s C
The Paris Review2 min read
Acknowledges
The Plimpton Circle is a remarkable group of individuals and organizations whose annual contributions of $2,500 or more help advance the work of The Paris Review Foundation. The Foundation gratefully acknowledges: 1919 Investment Counsel • Gale Arnol
The Paris Review6 min read
Consecutive Preterite
1.That summer I learned Biblical Hebrewwith Christian women heaving themselvestoward ministry one brick building at a time.We got along well, they and I and our teacher,a religious studies graduate student who spenteight hours a day transmitting the

Related Books & Audiobooks