The Atlantic

<i>Exit West</i> and the Edge of Dystopia

Mohsin Hamid’s striking, lyrical new novel explores how lives can be upended in the blink of an eye.
Source: Muhammed Muheisen / AP

Saeed and Nadia, the two central characters in Mohsin Hamid’s fourth novel, , meet at the beginning of the book, at a night class on “corporate identity and product branding.” He invites her for coffee in the cafeteria. They trade instant messages at work, and go for dinner at a Chinese restaurant. That the banality of their courtship plays out as their country is lurching toward civil war is deliberate: is a story about how familiar and persistent human existence is, even at the edge of dystopia. But it’s also a warning against the assumption that the end of the world will leave rich,

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