Edwards and Hutchings Murder Mysteries Series
By R. D. Blake
()
About this series
Leaving St. Milborn-Under-the Hill and the murders that had been committed there, David Hutchings and Clare Edwards want to believe the chief part of the guilt and the loneliness and, too, the punishment for their past sins are now behind them, that the budding dawn of a new day is waiting there in London for the two of them as they return to England's greatest city. All they have to do is to turn their faces toward its glow to feel its invigorating warmth and the promise of a new life together.
Little are they aware that death continues to stalk them, ponderously and relentlessly. Just as they discover they are not truly free of their pasts, they soon find themselves once again entangled in a series of murders that have as their source events from an age now thought irrelevant and best left discarded on the rubbish heap of history. They realize, as they did in St. Milborns, that the past never cedes its right to exist. It stretches out its dead hands to continually warp and distort the present and the future.
David and Clare thought they had found a path toward redemption and forgiveness through each other. That they might finally be healed. They soon find that hope to be as ethereal as the reasons for these murders. For every new uncovered fact and connection to the deceased brings no greater clarity, only added confusion and less substance to the possible theories for their gruesome passings. Yet even as David's and Clare's nascent relationship founders and then breaks as a further outcome of the deaths surrounding them, the impetus for the solution is found in their renewed pain and desolation, in the lies and the loss of trust in each other, and in the danger that lurks steadily closer.
Titles in the series (2)
- Between The Crosses Row On Row: Edwards and Hutchings Murder Mysteries, #1
1
It is often said the past is an unstoppable current, flowing relentlessly into the present and forever shifting the contours of the shores that might have once constituted the future. This is no less true in small villages where memories are long and the effects of both good and evil dwell in the minds and hearts of its residents for generation after generation. David Hutchings and Clare Edwards arrive at the Tudor Arms in the village of St. Milborn-Under-the-Hill for ostensibly different purposes: he for an historical investigation, she for a first holiday following many years of putting it off and being forced to take one. They soon discover they have a connection to each other, but it is not that which brings them into closer proximity, more than either of them wishes. No, it is the death of one of the villagers. Even before that event, even before they arrive in St. Milborns, they discover there are secrets within the precincts of the village, secrets despite its bucolic and peaceful setting that speak of long-held animosities, secrets that have obscured the truth behind other deaths. Yet it is David's and Clare's own pasts, the actions they undertook years earlier, the sins they committed which they believe impossible of forgiveness or redemption, that goad them along the path that will ultimately solve not only the most recent murder but the uncovering of the evil which links them all together.
- Bound by Gold Chains: Edwards and Hutchings Murder Mysteries, #2
2
Leaving St. Milborn-Under-the Hill and the murders that had been committed there, David Hutchings and Clare Edwards want to believe the chief part of the guilt and the loneliness and, too, the punishment for their past sins are now behind them, that the budding dawn of a new day is waiting there in London for the two of them as they return to England's greatest city. All they have to do is to turn their faces toward its glow to feel its invigorating warmth and the promise of a new life together. Little are they aware that death continues to stalk them, ponderously and relentlessly. Just as they discover they are not truly free of their pasts, they soon find themselves once again entangled in a series of murders that have as their source events from an age now thought irrelevant and best left discarded on the rubbish heap of history. They realize, as they did in St. Milborns, that the past never cedes its right to exist. It stretches out its dead hands to continually warp and distort the present and the future. David and Clare thought they had found a path toward redemption and forgiveness through each other. That they might finally be healed. They soon find that hope to be as ethereal as the reasons for these murders. For every new uncovered fact and connection to the deceased brings no greater clarity, only added confusion and less substance to the possible theories for their gruesome passings. Yet even as David's and Clare's nascent relationship founders and then breaks as a further outcome of the deaths surrounding them, the impetus for the solution is found in their renewed pain and desolation, in the lies and the loss of trust in each other, and in the danger that lurks steadily closer.
R. D. Blake
R.D. Blake recently retired from a successful accounting and business career. Even as a child, he had an interest in science in general and space in particular and loved reading science fiction. As a parent, he enjoyed entertaining his young children with inane and wild stories he would make up on the spot. And now he is turning that interest and talent toward a larger audience. He currently resides in Kitchener, Ontario Canada.
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