Beiträge zur Europäischen Religionsgeschichte (BERG) Series

The volume focuses on the various representations of the Beyond in later Antiquity, a period of intense interaction and competition between various religious traditions and ideals of education. The concepts and images clustering around the Beyond form a crucial focal point for understanding the dynamics of religion and education in later Antiquity. Although Christianity gradually supersedes the pagan traditions, the literary representations of the Beyond derived from classical literature and transmitted through the texts read at school show a remarkable persistence: they influence Christian late antique writers and are still alive in medieval literature of the East and West. A specifically Christian Beyond develops only gradually, and coexists subsequently with pagan ideas, which in turn vary according to the respective literary and philosophical contexts. Thus, the various conceptualisations of the great existential unknown, serves here as a point of reference for mirroring the changes and continuities in Imperial and Late Antique religion, education, and culture, and opening up further perspectives into the Medieval world.

Although the Petersens' name is quite known among specialists of Pietism, their work, their ideas and the development of their thought remain mostly unresearched. Elisa Belucci aims to shed more light on their works, analysing and interpreting them in relationship to the theological and socio-political context. In so doing, she fills some gaps present in the research on these authors: firstly, she analyses the positions presented in the Petersens' work until 1703 at length; secondly, she tries to unearth sources and influences; thirdly, she seeks to comment on the Petersens' ideas and positions in relationship to the historical context. The result is an entangled picture which questions the traditional distinction between "church Pietism" and "radical Pietism", "orthodoxy" and "radicalism/separatism", showing, instead, that these categories are sometimes too narrow to describe the position of certain authors, such as the Petersens.

Theurgy is commonly taken to denote a complex of rites which are based on the so-called Chaldean Oracles, a collection of oracles in hexameters, which were probably composed during the late 2nd century AD. These rituals are mostly known through Neoplatonic sources, who engage in a passionate debate about their relevance to the salvation of the soul and thus to the philosopher's ultimate goal. Ilinca Tanaseanu-Döbler examines the development of the discourse on theurgy, attempting to reconstruct what was understood as theurgic ritual in the late antique sources. Withstanding the temptation to impose a unity on the disparate sources which span several centuries, she thus goes beyond the picture of a coherent, extra-philosophical tradition drawn by the Neoplatonists to sketch the variations in the rituals subsumed under 'theurgy' and their function, and shows how every author constructs his own 'theurgy'. This perspective leads to consider theurgy as an example of an 'artificial' ritual tradition, composed from already existing elements to create something claimed as sui generis. Theurgy offers the great opportunity to look at such a tradition from its beginning up to its end and to analyse the mechanisms of inventing and reinventing such a ritual tradition in process.

Claudio Moreschini focuses on selected and as yet still understudied aspects of Boethius' life and works. He presents Boethius in the culture of the sixth century in Italy, outlines his great cultural project and discusses the problem of his Christian faith. The Consolatio Philosophiae is examined from the point of view of Latin Platonism, highlighting the aims of its poetry and its philosophical tenets. Moreschini also shows how Boethius combined Christian faith and philosophy in order to solve theological issues, most notably the Christological debates of his times or the question of the Trinity.