Literature in Translation Series

Now I've killed another person. I'm a serial killer. Sure, two people is hardly serial, but it's a good start. I'm still young. Who knows where opportunities might lead me? Opportunity makes the thief, or the murderer, or even the pastry chef. It's well documented. Mama's Boy Behind Bars is the second book in David Goudreault's wildly successful and darkly funny Mama's Boy trilogy. Once again written with gritty humour in the form of a confession, Mama's Boy Behind Bars, picks up where the first book in the series left off. Mama's Boy finds himself in jail following a tender and violent search for his long-lost mother. In an attempt to survive his incarceration, he sets out to make a name for himself in the prison and is desperate to achieve his ambition of joining the ranks of the hardcore criminals. But things get wildly complicated when he falls in love with a prison guard. Can Mama's Boy juggle love and crime?

Shortlisted for the 2017 Brage Prize Fanny, a 17-year-old high school senior, has lost both her parents in a car accident. Granted permission to live independently in the family home located on the outskirts of a small Norwegian town, the days pass by as she performs her daily routine: going to school, maintaining the house, chopping and stacking wood, and keeping the weeds at bay. As Fanny grieves and attempts to come to terms with the sad circumstances of her life, a fairy tale-like world full of new possibilities begins to emerge around her. Written by Rune Christiansen, one of Norway's most exciting literary talents, and masterfully translated by Kari Dickson, Fanny and the Mystery in the Grieving Forest is a beautiful, poetic portrait of grief, friendship, independence and transgression.

Inspired by Erik Satie's work of the same name, Sports and Pastimes is the latest novel by acclaimed Montreal playwright and author Jean-Philippe Baril Guérard. Translated by Aimee Wall (whose translation of Vickie Gendreau's Testament for BookThug in 2016 drew critical reviews), this fast-paced story follows the daily life, at once empty and overloaded, of a group of friends who spend all their energy trying to distract themselves with huge hits of endorphins, art and various substances, navigating pleasure and boredom, the extraordinary and the banal, as (more or less) worthy representatives of the best and worst of what their era has to offer.

At the book fair in Rimouski, a woman picked up my first book to read the back cover. She put it back down, avoiding my eyes. It's heavy, cancer and death and all that. I wish books were more interactive. Like video game controllers. They could vibrate at the end of each chapter. But that's not how life works. I wonder what death is like. Do you vibrate? Do the words GAME OVER appear? In 2012, Vickie Gendreau was diagnosed with a brain tumour and wrote a book narrating her own death. Testament could have been Gendreau's first and only novel, but she kept writing, furiously, until the very end. Published posthumously after Gendreau's death in 2013 at age 24, Drama Queens continues her exploration of illness and death that began in Testament, but with even greater urgency and audacity. In her singular voice, Gendreau mixes genres and forms, moving from art installations to fantastical little films to poetry, returning again and again to a deeply raw and unflinching narrative of her increasingly difficult days. With rage, dark humour, and boundless spirit and imagination, Drama Queens, translated by Aimee Wall, records the daily life of a young woman living with a failing body, the end in sight, and still so much to say.

You're the clump of blackened spruce that lights my gasoline-soaked heart It's just impossible you won't be back to quench yourself in my crème-soda ancestral spirit Irreverent and transcendent, lyrical and slang, Heating the Outdoors is an endlessly surprising new work from award-winning poet Marie-Andrée Gill. In these micropoems, writing and love are acts of decolonial resilience. Rooted in Nitassinan, the territory and ancestral home of the Ilnu Nation, they echo the Ilnu oral tradition in Gill's interrogation and reclamation of the language, land, and interpersonal intimacies distorted by imperialism. They navigate her interior landscape—of heartbreak, humor, and, ultimately, unrelenting light—amidst the boreal geography. Heating the Outdoors describes the yearnings for love, the domestic monotony of post-breakup malaise, and the awkward meeting of exes. As the lines between interior and exterior begin to blur, Gill's poems, here translated by Kristen Renee Miller, become a record of the daily rituals and ancient landscapes that inform her identity not only as a lover, then ex, but also as an Ilnu and Québécoise woman.

A modern-day fable and mythic bildungsroman, The Faerie Devouring tells the story of a young girl raised by her grandmother (a stalwart matriarch and wicked fairy godmother) following her mother's death during childbirth. The absent mother haunts the story of this girl whose greatest misfortune is to have been born female. In this critically-acclaimed coming-of-age story by Quebecois author Catherine Lalonde, and translated by Oana Avasilichioaei, questions of what it means to be born female and grow into a woman are explored. The story is rife with song, myth, phantasmagoria, spells, desire, ferocious poetic telling, wild imagination, and unruly language. Lalonde uses the form of a disenchanted and metaphorical fable to recount what it means to find a life force in one's lineage, even when one is born into "nothing."

At the end of this story I'm going to kill myself. And then die. That's the way it is. All good things must come to an end, including me. Mama's Boy Game Over is the third and final book in David Goudreault's bleakly comic bestselling Mama's Boy trilogy. Mama's Boy has been transferred from prison to a psychiatric hospital. He manages to escape, and goes on the run in Montreal, hiding in plain sight. In his short but eventful life, Mama's Boy has already managed to achieve most of his ambitions: fame, fatherhood and friendship, at least in his own rather skewed perspective. But one goal remains: tracking down and reuniting with his estranged mother. By turns poignant and deeply uncomfortable, Mama's Boy's final journey is a wild, desperate bid for freedom, love, and family.

Having grown up as an only child in Northern Sweden, Lydia is used to isolation and being on her own. She fills her days with her love of animals, nature, and hard work. She eventually settles into a career as a vet in rural Norway and embraces the rhythms of country life. In a series of poetic sketches, Lydia tends to the animals in her community, spends time with her aging parents, and falls in love. Despite an increasing need for closer human contact that begins to encroach on her contented solitude, ultimately it is Lydia's satisfaction with her inner life that speaks of an elegance and hope often lost in these clamoring times. Winner of the Brage Prize, the most prestigious award in Norwegian Literature, The Loneliness in Lydia Erneman's Life is a quiet, beautiful exploration of solitude and how we relate to other beings. It has been lauded by European critics for doing something very rare: offering deep pleasure and joy in reading with little theatrics.Written in concise prose, the gravity and tranquility of this novel make it a gift—a soothing, contemplative offering about the depths of our inner worlds.

Spawn is a braided collection of brief, untitled poems, a coming-of-age lyric set in the Mashteuiatsh Reserve on the shores of Lake Piekuakami (Saint-Jean) in Quebec. Undeniably political, Gill's poems ask: How can one reclaim a narrative that has been confiscated and distorted by colonizers? The poet's young avatar reaches new levels on Nintendo, stays up too late online, wakes to her period on class photo day, and carves her lovers' names into every surface imaginable. Encompassing twenty-first-century imperialism, coercive assimilation, and 90s-kid culture, the collection is threaded with the speaker's desires, her searching: for fresh water to "take the edge off," for a "habitable word," for sex. For her "true north"—her voice and her identity. Like the life cycle of the ouananiche that frames this collection, the speaker's journey is cyclical; immersed in teenage moments of confusion and life on the reserve, she retraces her scars to let in what light she can, and perhaps in the end discover what to "make of herself".

Finalist for the 2021 Governor General's Literary Award for Translation. Sandrine's father is dead, and her mother has vanished into her grief. Alone and suffering from an incurable disease, the eleven-year-old girl finds companionship in her doctor, Tiresias, who morphologically changes sex in unpredictable ways (and seemingly without anyone noticing). A transformational tale about the mysteries of identity and the power dynamics that surround it, The Neptune Room pieces together life's terrible but tender metamorphosis, opening a door onto a universe of beauty, mourning, and renewal. Praise for The Neptune Room "The Neptune Room is a frenetic read, bursting with cultural, political, and philosophical references." —Montreal Review of Books "The beautiful prose elegantly carries the pain while imbuing each word with significance; it's something so rarely found today. Put this in an English Undergrad class, and you'll have students analyzing the work for months, reeling with ideas until the end of the semester." —The White Wall Review

"In a way, the language is the protagonist in this book. It is luminous and vibrant, full of associations, reflections and quotes. The words embrace the world with sensuality, humour, wonder and a confusion of feelings." —Fredrik Wandrup In a hotel, high up in a mountain village, two sisters aim to reconnect after distant years that contrast their close, almost twin-like upbringing. Martha has just been discharged from a sanatorium after a mental breakdown. Ella agrees to keep her company in the hope that the clean winter air will provide clarity—and a way back to their childhood connection. It's only when plans go awry, and Martha disappears in a rage, that Ella discovers a new sense of self outside her filial role. This identity is reinforced by various encounters: the hotel receptionist who takes her under her wing; the enigmatic love interest; the wistful, drunken Salvation Army soldier; the carpenter. And not least, Ella's encounter with the writings of Stefan Zweig, which have a profound impact. Winner of the Critics' Prize 2018 and shortlisted for the Booksellers' Prize 2018, Mona HØvring's work is as sharp as it sensitive; insightful as it is original when exploring the many distractions of the heart.

The figure of the father occupies a particularly significant place in Qu�b�coise literature--there's a real fascination with fathers, and this recurring persona populates fiction, films, and the stories people tell of their families and themselves. Thus, it's not surprising that, as he witnessed his own father's frailty, Fran�ois Turcot--one of Quebec's most celebrated young literary voices--would write his own dedication to his vanished father, entitled My Dinosaur. In this, his first collection of poems to be published in English (and translated by renowned poet Er�n Moure), Turcot excavates, reconstructs, and pays tribute not just to the father, but also to the figure of the son, and to writing itself as key to story, emotion, memory, and history. The dinosaur of My Dinosaur is that of the distant father, sought in mourning, by the son. With luminous and lucid writing, Turcot excavates the fossil gaze of his father, in an elated elegy composed of poems both tensed and open, minimalist and talkative, serious and droll, alternating the voice and writings of the father with the fictions and assemblies of the son--reminding us that a man's story can only be told by assembling the shreds and bits that we've accumulated over the course of our lives. As prolonged metaphor for all disappearances and for the endurance of memory, Turcot's meticulous assembly in My Dinosaur is a tribute to all our Dads. Turcot's surprisingly light and wryly humorous poems will resonate deeply with readers who are inquisitive about the role of family and memory in the construction of identity and self. Scholars who are exploring literary work on grief, and anyone who has lost a parent and felt grief but also curiosity about their lives will connect with Turcot's reflections in My Dinosaur. And finally, fans of the poetics and translation practice of Er�n Moure will delight in this new work that has earned comparisons to Moure's own elegiac work in Kapusta (Anansi, 2015).

Suzanne Leblanc's The Thought House of Philippa transposes a theory of individuality into a stunningly reflective, sensuous and frank philosophical novel. Setting the chapters in the various rooms of the house Ludwig Wittgenstein designed for his sister in Vienna, Leblanc's novel lays out P.'s intensely emotional and intellectually acute way of seeing the world and her place in it. Prompted by early isolation, P. moves towards the Great World of others and Nature, alienated from the everyday, yet devoted to a deeper connection, in an exploration that is profound and moving. Ideas crucial to Wittgenstein's work—limit, freedom, interior and exterior, self and world—echo and shift in Leblanc's precise, incantatory prose, propelled through the architecture. The distinct voices of the novel's four sections act as musical movements, constructed from repetition, variation and development of language, in alternating keys of austerity and splendour. The effect—a pure expression of the passion of clear thought, the adventure of solitude, and the beauty of uncompromising encounter—is utterly riveting. A sui generis experimental novel not to be missed.

Winner of the 2016 Grand Prix litt�raire Archambault Written with gritty humour in the form of a confession, Mama's Boy recounts the family drama of a young man who sets out in search of his mother after a childhood spent shuffling from one foster home to another. A bizarre character with a skewed view of the world, he leads the reader on a quest that is both tender and violent. A runaway bestseller among French readers, Mama's Boy is the first book in a trilogy that took Quebec by storm, winning the 2016 Grand Prix litt�raire Archambault, and selling more than twenty thousand copies. Now, thanks to translator JC Sutcliffe, English readers will have the opportunity to absorb this darkly funny and disturbing novel from one of Quebec's shining literary stars.

Tess and Jude live in small-town Quebec and spend their time travelling all across North America—using Google maps—which provides them the luxury of adventure while remaining in the comfort of their own home. But Tess and Jude are dreamers, and their online adventures eventually give rise to a desire to actually travel somewhere. They settle on Bird in Hand, Pennsylvania, and begin scheming to raise the cash they'll need for the trip. After a series of hilarious ideas that never pan out, they turn to a local experimental author (who has a major crush on Tess) and convince him to apply for an arts council grant on their behalf. But when they actually receive the grant money, can the pull it all together for a real adventure? Funny, smart and wonderfully human, Document 1 is a tragicomic tale of two dreamers and their quest for adventure, as well as a satirical take on the world of letters.

From celebrated Quebecois author Bertrand Laverdure comes Universal Bureau of Copyrights , a bold, strange and addictive story that envisions a world where free will doesn't exist, and an enigmatic global corporation buys and sells the copyrights for all things on Earth, including real and fictional characters. Through this novel, which is part poetic narrative, part sci-fi-dystopian fantasy, readers become acquainted with the main character, a man who deconstructs himself as he navigates the mystifying passages of the story. Having no control over his environment, time continuum, or body, he is a puppet on strings, an icon in a video game and, as he eventually discovers within the bowels of the Universal Bureau of Copyrights, the object of countless copyrights. With touches of Vonnegut's Breakfast of Champions and Sterne's Tristram Shandy, Universal Bureau of Copyrights packs a multitude of modern cultural references into an audacious exploration of identity and one's place in the world.

Winner of the 2021 Governor General's Literary Award for Translation Winner of the 2021 Nelson Ball Poetry Prize In this stunning long poem, Chantal Neveu draws from the lexicons of science, art, revolution and corporeal movement to forge intense and extended rhythms that invoke the elements and spaces making up our world. This is poetry capable of holding life and death, solidarity and love. Renewal. Breathing. In its brevity and persistence, This Radiant Life is a material call for action: it asks us to let go, even just a little bit, of our individuality in favour of mutuality, to arrive separately yet in unison at a radiance in which all living beings can thrive.

Guinea-Bissau, 2012. Mixing fiction and fact, Sylvain Prudhomme revisits the famous '70s music group Super Mama Djombo, as seen through the eyes of Couto, the laconic guitarist. After learning of the death of the singer, Dulce--once the love of his life&mdashCouto wanders through the capital city, from bar to bar, friend to friend. Thirty years file past in his memories: of the woman he loved, of guerillas fighting against Portuguese colonizers, and of the golden days of a legendary band that played all over the world with a sound that was new, fresh, and driven by the pride of an entire country. Tension mounts page after page as the group prepares a final concert in Dulce's honour, even as a coup d'�tat is prepared by her husband, Guinea-Bissau's Army Chief of Staff.

From award-winning writer Bertrand Laverdure comes Readopolis, a novel translated by Oana Avasilichioaei. It's 2006 and down-and-out protagonist Ghislain works as a reader for a publishing house in Montreal. He's bored with all the wannabe writers who are determined to leave a trace of their passage on earth with their feeble attempts at literary arts. Obsessed by literature and its future (or lack thereof), he reads everything he can in order to translate reality into the literary delirium that is Readopolis--a world imagined out of Chicago and Montreal, with few inhabitants, a convenience store, a parrot, and all kinds of dialogues running amok: cinematic, epistolary, theatrical, and Socratic. In the pages of Readopolis, Laverdure playfully examines the idea that human beings are more connected by their reading abilities than by anything else. Funny and sardonic, whimsical and tragic, this postmodern novel with touches of David Foster Wallace and Raymond Queneau portrays the global village of readers that the Internet created, even before the 2.0 revolution.

A few days ago, Karen was a writer and translator immersed in Copenhagen's creative scene, madly in love with her partner. Now she's a patient in a psychiatric facility.Hunger Heart is a sensual, profound work of autofiction about love, relationships, mental illness, and recovery by one of Denmark's most celebrated literary writers. Fastrup immerses us in the alienations of her breakdown and hospitalization: what it's like to apologize for threatening your loved one with a knife; how an eating disorder can begin with the discomfort of family and adolescence; and how to make the long journey back to one's creative life.But this is not primarily a book of heartache and damage. We are reminded of the electricity of love and the power of language to support our identities and our lives. Deeply courageous, captivating and affecting, Hunger Heart is as much a balm as it is a firework.

Aïcha lives with her mother in Montreal's Centre-Sud neighbourhood. She's only thirteen but claims to be older. She has never known her father, and resents her mother for leaving Hakim, her stepfather. Her only friends are Mel and Jo, two local prostitutes, and Baz, a musician in his twenties, who comes to her rescue one day and with whom she proceeds to fall in love. Her impossible love for Baz, her precociousness and her rebellious streak come together into an explosive cocktail. Raw and heartrending, Worst Case, We Get Married is the statement Aïcha gives to a social worker. From acclaimed Québécois writer Sophie Bienvenu, and translated by JC Sutcliffe, comes Worst Case, We Get Married, a powerful and moving coming-of-age novel. Originally published in French in 2011 as Et au pire, on se mariera, the novel was adapted into a film by Bienvenu and Léa Pool in 2017.

Winner of the 2016 Prix des Libraires Winner of the 2016 Quebecor Prize for the Trois-Rivières Poetry Festival Carole David's The Year of My Disappearance is a searing, surreal, darkly comic descent into a woman's psyche. From Governor General's Award winning translator, Donald Winkler, into English, comes this pitiless assault on the author's own torments and pretenses. Present here are figures lodged in her memory: lovers, strangers, her mother, and Bosch-like apparitions out of her dreams and imaginings. Through it all, a fierce combat is being waged between immolation and survival. As David has written, "I gave free range to the lives that dwelt within me." It's down this road the blind spot sings.

In A Step in the Right Direction, Søndergaard continues a line of thought he first developed in Bees Die Sleeping and continued in Vinci, Later (which was published in English in 2005). This new collection is "about" walking. It contains four major cohesive songs or cantos, each of which explores the act of walking from a different point of view: as a social activity, as an act of love, as a condition for thought, and as inspiration for art.

Secession/Insecession is a homage to the acts of reading, writing and translating poetry. In it, Chus Pato's Galician biopoetics of poet and nation, Secession - translated by Erín Moure - joins Moure's Canadian translational biopoetics, Insecession. To Pato, the poem is an insurrection against normalized language; to Moure, translation itself disrupts and reforms poetics and the possibility of the poem. In solidarity with Pato, Moure echoes Barthes: "A readerly text is something I cannot re-produce (today I cannot write like Atwood); a writerly text is one I can read only if I utterly transform my reading regime. I now recognize a third text alongside the readerly and the writerly: let's call it the intranslatable." In Secession/Insecession, a major European poet and a known Canadian poet, born on opposite sides of the Atlantic in the mid twentieth century and with vastly different experiences of political life, forge a 21st century relationship of thinking and creation. The result is a major work of memoir, poetics, trans-ethics and history. Chus Pato's Secession was chosen as 2009 Book of the Year by the Revista das Letras, literary supplement of Galicia Hoxe (Galicia Today).

On June 6, 2012, Vickie Gendreau was diagnosed with a brain tumour. In between treatments, between hospital stays and her "room of her own," she wrote Testament, an autofictional novel in which she imagines her death and at the same time, bequeaths to her friends and family both the fragmented story of her last year and the stories of the loved ones who keep her memory alive, in language as raw and flamboyant as she was. In the teasing and passionate voice of a twenty-three-year-old writer, inspired as much by literature as by YouTube and underground music, Gendreau's sense of image, her relentless self-deprecation, and the true emotion in every sentence add up to an uncompromising work that reflects the life of a young woman who lived without inhibitions, for whom literature meant everything right up until the end. In this way, Testament (translated by talented writer and translator Aimee Wall), inverts the elegiac, "grief memoir" form and plays with the notion of a last testament, thereby beating any would-be eulogists to the punch.

Finalist for the 2022 Governor General's Literary Award for Translation Winner of the 2022 VMI Betsy Warland Between Genres Award Remnants is an exploration of our relationships with family and perception, told through a profound investigation of a father's life and sudden death. Employing various voices and hybrid forms—including dialogues, questionnaires, photographs, and dream documentation—Huyghebaert builds a fragmented picture of a father-daughter relationship that has been shaped by silences and missed opportunities. The reader attempts to untangle fact from fiction: multiple versions of Huyghebaert's father are presented while remnants of his life disappear achingly quickly. What is left of someone who was not important enough to be archived? How do we talk about what no longer exists? Winner of the Governor General's Literary Award for French-language fiction, Remnants asks essential questions we often only peer at from the corner of an eye; questions about the value of life in its duration and passing. This is a transcendent work, ideal for readers of Annie Ernaux, Sophie Calle, and Maggie Nelson.

Having followed the brilliant virologist RÉgnier from Montreal to Marseille many years ago, Sadie now works as a researcher in a lab, spending most of her time among microscopic creatures who teach her about life as a parasite. By day, she pushes the limits of her understanding alongside RÉgnier, who taught her that to study viruses, she must think infectiously, allow herself to be contaminated by dangerous ideas. By night, Sadie loses herself in bars, music, drugs, sensuality. Until she gets a call from the past that lures her back across the Atlantic. When her estranged father tells her that a bizarre virus has been found in his hospital, Sadie returns to Montreal and her family, and all the unexpected changes time has wrought, to solve this new puzzle. Soon she realizes that the person she thought she was—someone who can leave everything behind—no longer exists. What is left for her instead is sinking into the unknown to find out what happens when ideas come to life. This is a deeply inventive and singular novel about the power of metamorphosis and symbiosis. Combining the cerebral and the sensual, Sadie X explores humanity's relationship to the rest of the world, and the role of rationale—and its limits in our multilayered, regenerative existences.

How much grief is too much? How far should we go to avoid pain? From the author of the international bestselling novel Agatha comes a literary thriller about grief, love, science, and societal norms. A Danish university research group is finishing its study of a new medicine, Callocain: the world's first pill for grief. But psychology professor Thorsten Gjeldsted suspects that someone has manipulated the numbers to hide a disturbing side effect. When no one believes him, he teams up with two young students to investigate: Anna, who has recently experienced traumatic grief herself, and Shadi, whose statistical skills might prevent her from living a quiet life in the shadows. Together, these sleuthing academics try to discover what's really happening before the drug is released to the entire population. Blue Notes is brimming with ethical and existential ideas about the search for identity and one's place in the world, while offering a highly original literary adventure that ultimately underscores the healing power of love.

Caroline is seven years old when her family flees Pinochet’s regime, leaving Chile for Montreal on Christmas Eve, 1986. She fears Santa won’t find them on the plane but wakes to find a new doll at her side, her mother preserving the holiday even amidst persecution and turmoil. This symbol of care is repeated throughout their relocation as her parents work tirelessly to provide the family with a new vision of the future. Once in Canada, Caroline accompanies her parents as they clean banks at night. She experiences racist microaggressions at school, discovers Québécois popular culture, and explores her love of reading and writing in French. Slowly, the Andean peaks disappear from Caroline’s drawings and a fracture between her parents’ identity and her own begins to grow. This expansive coming-of-age autobiographical novel probes the plurality of identity, elucidating the interwoven complexities of immigrating to a new country. As the Andes Disappeared tenderly reflects the journey of millions and is a beautiful ode to family commitment and the importance of home—however layered that may be.