Warlord Chronicles Series
Written by Bernard Cornwell
Narrated by Tim Pigott-Smith and Jonathan Keeble
4.5/5
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About this series
With Excalibur Bernard Cornwell draws his Arthurian trilogy to an exciting close that will have listners gripping their headphones.
If Arthur existed (and I am quite certain he did) then he was probably the great British war leader who won the battle of Mount Badon. No one knows where it was fought, or how it was fought, but we do know that the battle took place and it was the one great defeat inflicted on the English invaders of Britain. In Excalibur we follow Arthur and Derfel to that enormous struggle and incredible victory. It not only throws the Saxons back, but reunites Arthur and Guinevere. He might hope now to be left alone, to have a time of peace after gaining a great victory, but new enemies arise to destroy all he has achieved. First is Mordred himself, the crippled king who owes everything to Arthur and now tries to kill his benefactor. Mordred's ally is Nimue who has come to hate her mentor, Merlin. And so the story ends as it has always ended, at Camlann . . . 'and so my lord was gone. And no one has seen him since.'
Titles in the series (6)
- The Winter King
1
It takes a remarkable writer to make an old story as fresh and compelling as the first time we heard it. With The Winter King, the first volume of his magnificent Warlord Chronicles, Bernard Cornwell finally turns to the story he was born to write: the mythic saga of King Arthur. The tale begins in Dark Age Britain, a land where Arthur has been banished and Merlin has disappeared, where a child-king sits unprotected on the throne, where religion vies with magic for the souls of the people. It is to this desperate land that Arthur returns, a man at once utterly human and truly heroic: a man of honor, loyalty, and amazing valor; a man who loves Guinevere more passionately than he should; a man whose life is at once tragic and triumphant. As Arthur fights to keep a flicker of civilization alive in a barbaric world, Bernard Cornwell makes a familiar tale into a legend all over again.
- The Winter King
1
It takes a remarkable writer to make an old story as fresh and compelling as the first time we heard it. With The Winter King, the first volume of his magnificent Warlord Chronicles, Bernard Cornwell finally turns to the story he was born to write: the mythic saga of King Arthur. The tale begins in Dark Age Britain, a land where Arthur has been banished and Merlin has disappeared, where a child-king sits unprotected on the throne, where religion vies with magic for the souls of the people. It is to this desperate land that Arthur returns, a man at once utterly human and truly heroic: a man of honor, loyalty, and amazing valor; a man who loves Guinevere more passionately than he should; a man whose life is at once tragic and triumphant. As Arthur fights to keep a flicker of civilization alive in a barbaric world, Bernard Cornwell makes a familiar tale into a legend all over again.
- Enemy of God
2
At the end of The Winter King Arthur fought the battle that forces unity on the warring British kingdoms and now he sets out to face the real enemy—the English (it is one of the great ironies of the Arthur stories that he should have become an English hero when, if he existed at all, he was a great war-leader who opposed the invading Sais). First, though, Merlin leads a perilous expedition into the mysterious west to retrieve a cauldron, one of the treasures of Britain—this cauldron story is almost certainly the root of the holy grail strand in the Arthur tales. The treasures of Britain, Merlin believes, will bring the old Gods onto the side of the British in their struggle against the Saxons (and the Christians, whom Merlin hates). But the treasures will also set Briton against Briton—especially as Guinevere, now Arthur's wife, wants to make a magic of her own. 'Chaos was now thick across Britain, for someone had spilt the Cauldron's power and its horror threatened to engulf us all.'
- Excalibur
3
In The Winter King and Enemy of God Bernard Cornwell demonstrated his astonishing ability to make the oft-told legend of King Arthur fresh and new for our time. Now, in this riveting final volume of The Warlord Chronicles, Cornwell tells the unforgettable tale of Arthur's final struggles against the Saxons and his last attempts to triumph over a ruined marriage and ravaged dreams. This is the tale not only of a broken love remade, but also of forces both earthly and unearthly that threaten everything Arthur stands for. Peopled by princesses and bards, by warriors and magicians, Excalibur is the story of love, war, loyalty, and betrayal-the work of a magnificent storyteller at the height of his powers.
- Excalibur
3
With Excalibur Bernard Cornwell draws his Arthurian trilogy to an exciting close that will have listners gripping their headphones. If Arthur existed (and I am quite certain he did) then he was probably the great British war leader who won the battle of Mount Badon. No one knows where it was fought, or how it was fought, but we do know that the battle took place and it was the one great defeat inflicted on the English invaders of Britain. In Excalibur we follow Arthur and Derfel to that enormous struggle and incredible victory. It not only throws the Saxons back, but reunites Arthur and Guinevere. He might hope now to be left alone, to have a time of peace after gaining a great victory, but new enemies arise to destroy all he has achieved. First is Mordred himself, the crippled king who owes everything to Arthur and now tries to kill his benefactor. Mordred's ally is Nimue who has come to hate her mentor, Merlin. And so the story ends as it has always ended, at Camlann . . . 'and so my lord was gone. And no one has seen him since.'
Bernard Cornwell
Bernard Cornwell was born in London, raised in Essex and worked for the BBC for eleven years before meeting Judy, his American wife. Denied an American work permit he wrote a novel instead and has been writing ever since. He and Judy divide their time between Cape Cod and Charleston, South Carolina.
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