Outspoken Authors Series

Cory Doctorow burst on the SF scene in 2000 like a rocket, inspiring awe in readers (and envy in other writers) with his bestselling novels and stories, which he insisted on giving away via Creative Commons. Meanwhile, as coeditor of the wildly popular blog Boing Boing, he became the radical new voice of the Web, boldly arguing for internet freedom from corporate control. Doctorow’s activism and artistry are both on display in this Outspoken Author edition. The crown jewel is his novella The Great Big Beautiful Tomorrow, the high-velocity adventures of a transhuman teenager in a toxic post-Disney dystopia, battling wireheads and wumpuses (and having fun doing it!) until he meets the “meat girl” of his dreams, and is forced to choose between immortality and sex. Plus a live transcription of Cory’s historic address to the 2010 World SF Convention, “Creativity vs. Copyright,” dramatically presenting his controversial case for open-source in both information and art. Also included is an international Outspoken Interview (Skyped from England, Canada, and the U.S.) in which Doctorow reveals the surprising sources of his genius.

Nalo Hopkinson has been busily (and wonderfully) “subverting the genre” since her first novel, Brown Girl in the Ring, won a Locus Award for SF and Fantasy in 1999. Since then she has acquired a prestigious World Fantasy Award, a legion of adventurous and aware fans, a reputation for intellect seasoned with humor, and a place of honor in the short list of SF writers who are tearing down the walls of category and transporting readers to previously unimagined planets and realms. Never one to hold her tongue, Hopkinson takes on sexism and racism in publishing in “Report from Planet Midnight,” a historic and controversial presentation to her colleagues and fans. Plus... “Message in a Bottle,” a radical new twist on the time travel tale that demolishes the sentimental myth of childhood innocence; and “Shift,” a tempestuous erotic adventure in which Caliban gets the girl. Or does he? And Featuring: Our Outspoken Interview, an intimate one-on-one that delivers a wealth of insight, outrage, irreverence, and top-secret Caribbean spells.

In a candid and intimate new collection of essays, poems, memoirs, reviews, rants, and railleries, Piercy discusses her own development as a working-class feminist, the highs and lows of TV culture, the ego-dances of a writer’s life, the homeless and the housewife, Allen Ginsberg and Marilyn Monroe, feminist utopias (and why she doesn’t live in one), why fiction isn’t physics; and of course, fame, sex, and money, not necessarily in that order. The short essays, poems, and personal memoirs intermingle like shards of glass that shine, reflect—and cut. Always personal yet always political, Piercy’s work is drawn from a deep well of feminist and political activism. Also featured is our Outspoken Interview, in which the author lays out her personal rules for living on Cape Cod, finding your poetic voice, and making friends in Cuba.

Widely respected in the so-called “mainstream” for her New York Times bestselling novels, Karen Joy Fowler is also a formidable, often controversial, and always exuberant presence in Science Fiction. Here she debuts a provocative new story written especially for this series. Set in the days of Darwin, “The Science of Herself” is a marvelous hybrid of SF and historical fiction: the almost-true story of England’s first female paleontologist who took on the Victorian old-boy establishment armed with only her own fierce intelligence—and an arsenal of dino bones. Plus… “The Pelican Bar,” a homely tale of family ties that makes Guantánamo look like summer camp; “The Further Adventures of the Invisible Man,” a droll tale of sports, shoplifting and teen sex; and “The Motherhood Statement,” a quietly angry upending of easy assumptions that shows off Fowler’s deep radicalism and impatience with conservative homilies and liberal pieties alike. And Featuring: our Outspoken Interview in which Fowler prophesies California’s fate, reveals the role of bad movies in good marriages, and intimates that girls just want to have fun (which means make trouble).

John Crowley's all-new essay “Totalitopia” is a wry how-to guide for building utopias out of the leftovers of modern science fiction. “This Is Our Town,” written especially for this volume, is a warm, witty, and wonderfully moving story about angels, cousins, and natural disasters based on a parochial school third-grade reader. One of Crowley’s hard-to-find masterpieces, “Gone” is a Kafkaesque science fiction adventure about an alien invasion that includes door-to-door leafleting and yard work. Perhaps the most entertaining of Crowley's “Easy Chair” columns in Harper's, “Everything That Rises” explores the fractal interface between Russian spiritualism and quantum singularities—with a nod to both Columbus and Flannery O'Connor. “And Go Like This” creeps in from Datlow's Year's Best, the Wild Turkey of horror anthologies. Plus: There's a bibliography, an author bio, and of course our Outspoken Interview, the usual cage fight between candor and common sense.

The innovative novels and stories of Michael Blumlein, MD, have introduced new levels of both terror and wonder into the fiction of scientific speculation. His work as a medical researcher and internist at San Francisco’s UCSF Medical Center informs his tales of biotech, epigenetics, brain science, and what it means to be truly if only temporarily human. Our title piece, “Thoreau’s Microscope,” inspired by a historic High Sierra expedition with Kim Stanley Robinson and Gary Snyder and first published here, is a stunning mix of hypothesis and history, in which the author inhabits Thoreau’s final days to examine the interaction of impersonal science and personal liberation. A journey as illuminating as it is intimate. Plus… A selection of short stories with Blumlein’s signature mix of horror, “hard” science, and wicked humor. “Fidelity” coolly deconstructs adultery with the help of an exuberant tumor, an erotic cartoon, and a male malady. “Y(ou)r Q(ua)ntifi(e)d S(el)f” will reset your Fitbit and your workout as well. “Paul and Me” is a love story writ extra-large, in which an Immortal from Fantasy comes down with a distinctly human disorder. In the chilling “Know How, Can Do” a female Frankenstein brings romance to life in the cold light of the lab. And Featuring:Our overly intrusive Outspoken Interview, in which the ethics of experimental medicine, animal surgery, the poetry of prose, cult film acclaim, Charles Ludlam, Darwin, and gender dysphoria all submit to examination.

James Patrick Kelly is known for finding the future unnervingly nearby, and he enters with his deep empathy and dry humor at the ready. A longtime favorite of SF readers is at the top of his game here. In the title story, a college acid trip becomes a window into an unexpected and apparently unavoidable future. In “Itsy Bitsy Spider” a disappointed woman’s robotic girlhood takes her by the hand and leads her back to the destiny that eluded her. Two short plays render alien invasion terrifyingly mundane and death annoyingly impermanent. “The Best Christmas Ever” is celebrated by sims and droids instead of the usual jolly elves. Our Outspoken Interview and a bibliography round out this long-awaited new collection.

“Arctic Sky” tells of a young climate activist who discovers her own courage in the frozen depths of a Russian prison. “Palimpsest” is set on a bionic (living)space station that launches explorers into the farthest reaches of Time and Space. In “The Room on the Roof” an ancient culture meets modern mysteries with unexpected results. Our non-fiction title piece, “Utopias of the Third Kind,” is a first look at actual utopias that are responding to our looming dystopian nightmare. “Hunger” is a short story that finds both understanding and forgiveness for humankind’s original sin. Our Outspoken Interview and a bibliography round out this new collection.

Having stormed mainstream literature from the outskirts, Lethem has won a readership both wide and deep, all of whom appreciate his literary excellence, his mordant but compassionate humor, and the cultish attentiveness of his SF origins. He has earned the right to tread anywhere, and his many admirers are ready to follow. This collection compiles his intensely personal thoughts on the most interesting and deplorable topics in post-postmodern America. It moves from original new fiction to insights on popular culture, cult and canonical authors, and problematic people. Plus… “David Bowman and the Furry-Girl School of American Fiction” is a personal true adventure, as Lethem tries (with the help of a seeming expert) to elbow his way into literary respectability. “The Collapsing Frontier” and “In Mugwump Four” are fictions mapping ominous new realms. “Calvino’s 'Lightness' and the Feral Child of History” is an intimate encounter with a legendary author. In “My Year of Reading Lemmishly” and “Snowden in the Labyrinth” he explores courage, art, and the search for truth, with wildly different results. And Featuring: Our usual Outspoken Interview, in which Lethem reveals the secret subtext of his books, how he spent his MacArthur award money, and how a Toyota he owned was used in the robbery of a fast-food restaurant.

Wry, dark humor burnishes visionary SF in these often prophetic, sometimes troubling, but always fascinating tales that combine and masterfully conflate the disparate worlds of corporate tech and literary art. “After the Thaw” is a hi-tech take on an ancient idea: immortality. “Terrible Trudy on the Lam” based on actual events, is a modern fable about a zoo escape, a private eye, a vaudeville act and keeping your mouth shut. “Night Shift at NanoGobblers,” written for a NASA website, is about asteroid-altering AIs and their world-weary earthbound handlers. “Transitions” deals with jet lag when your flight is decades late. Gunn’s long-awaited third collection is rounded out by incisive and affectionate portraits of her SF colleagues, mentors, and friends, beginning with Ursula Le Guin. All illuminated of course by our artfully intimate interview.