Anthem Series on Russian, East European and Eurasian Studies
By Anthem Press
()
Unavailable in your country
Unavailable in your country
About this series
This volume brings together articles written by experts in the literary history of Central and Eastern European literatures. The overarching topic is the export of Socialist Realism into Europe after WWII, but the authors are interested not so much in highlighting the generalised, top-down mechanism of the project, as in the particularities of each specific national and cultural context. Research shows that in practice the introduction of the Soviet cultural model was not quite the smooth endeavour that it was intended to be; rather, it was always a work in progress, often born out of a give-and-take with the local authorities, intellectuals and interest groups. Those in charge negotiated the precarious terrain of local cultural and political controversies, caught between tradition and innovation in some countries, or, in others, between a sincere interest in the new concept of art and a complete refusal to accept new rules. Paradoxically, among all the different experiences of introducing, importing imposing Socialist Realism in the specific national contexts, the one thing in common is that each case was a response to the local conditions, a process of working through the challenge of inscribing a staunch theory into the daily reality of an unfamiliar country, language and culture.
The general approach shared by the authors is based on the premise of there having been a mutual influence between the various forces engaged in the process – be it between the ‘host cultures’ and ‘the centre’ (i.e., the Soviet authorities), traditional groups and advocates of artistic innovations, similar creative movements in different countries, or political rivals and various interest groups from the literary milieu. But the interrelationship between the texts in this collection is also dialogic: selected with a view of complementing each other, often offering different perspectives on the same issue. Thus, the socialist realist episode in the Yugoslav arts and letters can be regarded either as a short episode, a foundation of the national myth, or a chapter in the ongoing rivalry between competing parties in the creation of a national canon (Peruško, Norris, Ivić). The Czech case can be seen as exemplary strenghtening of traditional pre-war censorship mechanisms or as an awkward attempt to accommodate the Soviet version of a new positive hero (Janáček, Schmarc). The role of leftist intellectuals returning from exile, their interactions with Soviet representatives, as well as the framing of these interactions in the national cultural debate in East Germany and Hungary were both similar and distinctly different (Hartmann, Fehervary, Robinson, Skradol; Scheibner, Kalmár, Balázs). Even in the case of the loyal Soviet satellite Bulgaria, Soviet style institutions can be analysed differently, depending on whether one takes a synchronic view at the time of their imposition, or a diachronic view, observing their evolution over time (Volokitina, Doinov). At the same time, Soviet efforts directed at the creation of a unified socialist cultural sphere were quite versatile, and by no means limited to activites in specific countries (Zubok, Djagalov, Ponomarev). Finally, when it comes to the demise of Socialist Realism as a Pan-European project, having a country-specific perspective next to a more general, European picture is productive for an assessment of the true significance of the events in question (Dobrenko, Günther).
The texts are divided into sections which reflect the organising principle of the volume: an overview with a focus on specific case-studies and an analysis of distinct particularities with attention to what patterns of negotiation and adaptation were being developed in the process. Most of the contributions rely on archival resources, often previously unexplored, and all of them place the issue they are concerned with into a broader institutional, social and cultural context.
Titles in the series (3)
- Secret Agents and the Memory of Everyday Collaboration in Communist Eastern Europe
Whilst debates over secret agents and the public revelation of lists of former collaborators have fascinated both post-Communist societies and the wider world, it is surprising how little has been written either on the nature of Communist-era collaboration or the processes through which post-Communist societies have sought to make sense of what collaboration was, and how it should be dealt with in the present. This is surprising given the amount of work that has been produced on the themes of resistance and victimization. Unlike more popular (and often lurid) accounts of collaboration, which naturalise the concept as an obvious and incontestable characterization of Communist-era behaviour, ‘Secret Agents and the Memory of Everyday Collaboration in Communist Eastern Europe’ rather interrogates the ways in which Post-Socialist cultures produce the idea of, and knowledge about, ‘collaborators’. It addresses those institutions which produce the concept and examines the function, social representation and history of secret police archives and institutes of national memory that create these histories of collaboration. This work seeks to provide a more nuanced historical conception of ‘collaboration’, expanding the concept towards broader frameworks of cooperation and political participation in order to facilitate a better understanding of the maintenance of Eastern European Communist regimes. This work contends that secret police files are too often used to provide a one dimensional historical account of the ‘mechanisms of oppression’. It demonstrates, through case studies, how secret police files can be used to produce more subtle social and cultural histories of the socialist dictatorships. Of particular importance is the focus on the microhistorical. Contributions here explore the motivations and moralities of becoming an agent, the personal decisions and social consequences such steps involved as well as the everyday milieus in which agents lived and were active. This book analyses communities of cooperation, with particular focus on local and mid-level party organizations, organs of the church organs and artist or intellectual networks. Ranging across differing categories of collaborators and different social milieux across East-Central Europe, this work provides a comparative account of collaboration and participation with a range hitherto unavailable.
- Ethnographies of Grey Zones in Eastern Europe: Relations, Borders and Invisibilities
Over the last two decades, Eastern Europe has experienced extensive changes in geo-political relocations and relations. Attempts to establish liberal democracies, re-orientations from planned to market economics, and a desire to create ‘new states’ and internationally minded ‘new citizens’ has left some in poverty, unemployment and social insecurity, leading them to rely on normative coping and semi-autonomous strategies for security and social guarantees. Such processes testify to a paradoxical situation between the political attempts to create well-functioning, modern civil societies, and the reliance on normative laws on the margins of society. This anthology explores aspects of everyday uncertainty, which are defined as ‘grey zones’. Within anthropology, grey zones have been conceived of in relation to political corruption and zones of ambiguity related to violence. Yet, the authors propose to expand the term to include situations where uncertainty and ambiguity have become part and parcel of everyday life and where the indefinable defines the situation. This book views these various grey zones not merely as legacies of socialism but as something in and of themselves; thus it deploys the notion of grey zones in order to find new ways of approaching and conceptualizing current situations in Eastern Europe, ways that are not preconfigured in terms of post-socialism or transition.
- Socialist Realism in Central and Eastern European Literatures under Stalin: Institutions, Dynamics, Discourses
This volume brings together articles written by experts in the literary history of Central and Eastern European literatures. The overarching topic is the export of Socialist Realism into Europe after WWII, but the authors are interested not so much in highlighting the generalised, top-down mechanism of the project, as in the particularities of each specific national and cultural context. Research shows that in practice the introduction of the Soviet cultural model was not quite the smooth endeavour that it was intended to be; rather, it was always a work in progress, often born out of a give-and-take with the local authorities, intellectuals and interest groups. Those in charge negotiated the precarious terrain of local cultural and political controversies, caught between tradition and innovation in some countries, or, in others, between a sincere interest in the new concept of art and a complete refusal to accept new rules. Paradoxically, among all the different experiences of introducing, importing imposing Socialist Realism in the specific national contexts, the one thing in common is that each case was a response to the local conditions, a process of working through the challenge of inscribing a staunch theory into the daily reality of an unfamiliar country, language and culture. The general approach shared by the authors is based on the premise of there having been a mutual influence between the various forces engaged in the process – be it between the ‘host cultures’ and ‘the centre’ (i.e., the Soviet authorities), traditional groups and advocates of artistic innovations, similar creative movements in different countries, or political rivals and various interest groups from the literary milieu. But the interrelationship between the texts in this collection is also dialogic: selected with a view of complementing each other, often offering different perspectives on the same issue. Thus, the socialist realist episode in the Yugoslav arts and letters can be regarded either as a short episode, a foundation of the national myth, or a chapter in the ongoing rivalry between competing parties in the creation of a national canon (Peruško, Norris, Ivić). The Czech case can be seen as exemplary strenghtening of traditional pre-war censorship mechanisms or as an awkward attempt to accommodate the Soviet version of a new positive hero (Janáček, Schmarc). The role of leftist intellectuals returning from exile, their interactions with Soviet representatives, as well as the framing of these interactions in the national cultural debate in East Germany and Hungary were both similar and distinctly different (Hartmann, Fehervary, Robinson, Skradol; Scheibner, Kalmár, Balázs). Even in the case of the loyal Soviet satellite Bulgaria, Soviet style institutions can be analysed differently, depending on whether one takes a synchronic view at the time of their imposition, or a diachronic view, observing their evolution over time (Volokitina, Doinov). At the same time, Soviet efforts directed at the creation of a unified socialist cultural sphere were quite versatile, and by no means limited to activites in specific countries (Zubok, Djagalov, Ponomarev). Finally, when it comes to the demise of Socialist Realism as a Pan-European project, having a country-specific perspective next to a more general, European picture is productive for an assessment of the true significance of the events in question (Dobrenko, Günther). The texts are divided into sections which reflect the organising principle of the volume: an overview with a focus on specific case-studies and an analysis of distinct particularities with attention to what patterns of negotiation and adaptation were being developed in the process. Most of the contributions rely on archival resources, often previously unexplored, and all of them place the issue they are concerned with into a broader institutional, social and cultural context.
Related to Anthem Series on Russian, East European and Eurasian Studies
Related ebooks
Sherlock Holmes: Victorian Knights #4 Rating: 0 out of 5 stars0 ratingsKyron and The Meadow Monster Rating: 0 out of 5 stars0 ratingsGabriel: The Shattered Star Rating: 0 out of 5 stars0 ratingsFinding Treasured Gold Rating: 0 out of 5 stars0 ratingsMessages from the Heart of Love - Spirituality Basics in 144 Empowering Quotes Rating: 0 out of 5 stars0 ratingsStrangers' Voices In My Head: A Journey Through What Made Me Who I Am from My Mind Rating: 0 out of 5 stars0 ratingsVincent Price Presents: Gallery #4 Rating: 0 out of 5 stars0 ratingsGlobo Arte March 2022 magazine Rating: 0 out of 5 stars0 ratingsFrom the Heart Rating: 0 out of 5 stars0 ratingsMighty Morphin Power Rangers Archive Vol. 1 Rating: 0 out of 5 stars0 ratingsJudo Girl: So You Want a Revolution? Rating: 0 out of 5 stars0 ratingsFlying Saucers Vs. the Earth #4 Rating: 0 out of 5 stars0 ratingsThe Way of Courage Rating: 0 out of 5 stars0 ratingsPolitical Power: Michele Bachmann Rating: 0 out of 5 stars0 ratingsSoma Rating: 0 out of 5 stars0 ratingsRuth & Freddy #0 Rating: 0 out of 5 stars0 ratingsPolitical Power: Portrait Gallery Rating: 0 out of 5 stars0 ratingsNurse Best's Medicinal Cocktails and Mocktails: Over 100 Cocktail and Mocktail Recipes Rating: 0 out of 5 stars0 ratingsTrapped in the Tower Rating: 0 out of 5 stars0 ratingsTony & Cleo: Beginnings Rating: 0 out of 5 stars0 ratings10 Things You Should Know About Rating: 0 out of 5 stars0 ratingsFAME: Psy Rating: 0 out of 5 stars0 ratingsLet Me Tell You Some Stories Rating: 0 out of 5 stars0 ratingsDollz #2 Rating: 0 out of 5 stars0 ratingsReach Your Dreams: Five Steps to be a Conscious Creator in Your Life Rating: 0 out of 5 stars0 ratingsYour Guide To: Fearless Entrepreneurship Rating: 0 out of 5 stars0 ratingsGrit Book I: The Voices You Form Rating: 0 out of 5 stars0 ratingsVincent Price Presents #06 Rating: 0 out of 5 stars0 ratingsRoo and the World of Crum Rating: 0 out of 5 stars0 ratingsJeremiah's Path to Confirmation: And his Pocketbook of seven, nine plus three Rating: 0 out of 5 stars0 ratings
European History For You
The Time Traveler's Guide to Medieval England: A Handbook for Visitors to the Fourteenth Century Rating: 4 out of 5 stars4/5Mein Kampf: English Translation of Mein Kamphf - Mein Kampt - Mein Kamphf Rating: 3 out of 5 stars3/5Oscar Wilde: The Unrepentant Years Rating: 4 out of 5 stars4/5Dry: A Memoir Rating: 4 out of 5 stars4/5The Rise and Fall of the Third Reich Rating: 4 out of 5 stars4/5Masters of the Air: America's Bomber Boys Who Fought the Air War Against Nazi Germany Rating: 4 out of 5 stars4/5The Quite Nice and Fairly Accurate Good Omens Script Book: The Script Book Rating: 5 out of 5 stars5/5The Rise of the Fourth Reich: The Secret Societies That Threaten to Take Over America Rating: 4 out of 5 stars4/5Jane Austen: The Complete Novels Rating: 5 out of 5 stars5/5The Gulag Archipelago [Volume 1]: An Experiment in Literary Investigation Rating: 4 out of 5 stars4/5Ordinary Men: Reserve Police Battalion 101 and the Final Solution in Poland Rating: 4 out of 5 stars4/5The Anglo-Saxons: A History of the Beginnings of England: 400 – 1066 Rating: 4 out of 5 stars4/5Killing England: The Brutal Struggle for American Independence Rating: 4 out of 5 stars4/5The Negro Rulers of Scotland and the British Isles Rating: 4 out of 5 stars4/5The Five: The Untold Lives of the Women Killed by Jack the Ripper Rating: 4 out of 5 stars4/5The Anarchy: The East India Company, Corporate Violence, and the Pillage of an Empire Rating: 4 out of 5 stars4/5The Faithful Spy: Dietrich Bonhoeffer and the Plot to Kill Hitler Rating: 5 out of 5 stars5/5The Dark Queens: The Bloody Rivalry That Forged the Medieval World Rating: 4 out of 5 stars4/5The Forgotten Highlander: An Incredible WWII Story of Survival in the Pacific Rating: 5 out of 5 stars5/5King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa Rating: 4 out of 5 stars4/5Finding Freedom: Harry and Meghan and the Making of a Modern Royal Family Rating: 3 out of 5 stars3/5Putin's People: How the KGB Took Back Russia and Then Took On the West Rating: 4 out of 5 stars4/5Celtic Charted Designs Rating: 4 out of 5 stars4/5A Short History of the World: The Story of Mankind From Prehistory to the Modern Day Rating: 4 out of 5 stars4/5Galileo's Daughter: A Historical Memoir of Science, Faith and Love Rating: 4 out of 5 stars4/5Blitzed: Drugs in the Third Reich Rating: 4 out of 5 stars4/5The Gulag Archipelago [Volume 2]: An Experiment in Literary Investigation Rating: 4 out of 5 stars4/5Celtic Mythology: A Concise Guide to the Gods, Sagas and Beliefs Rating: 4 out of 5 stars4/5The Law Rating: 4 out of 5 stars4/5The Six Wives of Henry VIII Rating: 4 out of 5 stars4/5
Related categories
Reviews for Anthem Series on Russian, East European and Eurasian Studies
0 ratings0 reviews