Media in Action Series
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About this series
Titles in the series (5)
- Ethnomethodologie reloaded: Neue Werkinterpretationen und Theoriebeiträge zu Harold Garfinkels Programm
1
Harold Garfinkels 1967 erschienene »Studies in Ethnomethodology« gelten als Gründungsdokument der Ethnomethodologie und haben längst den Status eines soziologischen Klassikers. Doch so bekannt dieses Buch ist, so wenig wurde es tatsächlich gelesen. Angesichts radikaler Veränderungen der Lebenswelt unterziehen die Beiträger*innen des Bandes die »Studies« gut 50 Jahre nach ihrer Ersterscheinung einer Relektüre. Sie decken bisher verborgene Bezüge auf, rekapitulieren methodologische und empirische Anschlüsse an Garfinkel, diskutieren Parallelen und Differenzen zu anderen soziologischen und kulturwissenschaftlichen Forschungsprogrammen und demonstrieren das kritische Potenzial der Ethnomethodologie.
- Digitale Materialität: Eine Ethnografie arbeitsteiliger Visual-Effects-Produktion
2
Das Digitale gilt als artifiziell, synthetisch, fluid. Was, wenn sich derart jede Stofflichkeit gestaltet, die es zu bearbeiten gilt? In der arbeitsteiligen, teilautomatisierten Herstellung von Filmbildern stellt digitale Materialität Projektteams vor allerlei praktische Probleme, die diese zu bewältigen wissen. Ronja Trischler beobachtet die schrittweise Entstehung medialer Bilder in Visual-Effects-Firmen in Deutschland und England und zeichnet grundlegende Praktiken des gemeinsamen digitalen Gestaltens nach. Ihr Fokus auf Alltagsvollzüge digitaler Arbeit eröffnet eine gehaltvolle Perspektive auf digitale Kreativarbeit — und deren Materialisierung ganzer Bilderwelten.
- Mit Adorno im Tonstudio: Zur Soziologie der Musikproduktion
4
Das Aufzeichnen von Musik im Tonstudio wird bisher eher selten als eigenständige Form des Musizierens verstanden. David Waldecker untersucht diesen Prozess mit Bezug auf Adorno, praxeologische Ansätze und eigene Feldforschung im Bereich Hardcore und Jazz. Er zeigt, wie im Studio durch dessen technische und räumliche Besonderheiten und Rolle in der Produktion bestimmte Formen des Musikmachens erzeugt werden. Zugleich liefert er eine Auseinandersetzung mit aktuellen Ansätzen in der Musiksoziologie und der Ethnographie aus Sicht der Kritischen Theorie Adornos.
- Interrogating Datafication: Towards a Praxeology of Data
3
What constitutes a data practice and how do contemporary digital media technologies reconfigure our understanding of practices in general? Autonomously acting media, distributed digital infrastructures, and sensor-based media environments challenge the conditions of accounting for data practices both theoretically and empirically. Which forms of cooperation are constituted in and by data practices? And how are human and nonhuman agencies distributed and interrelated in data-saturated environments? The volume collects theoretical, empirical, and historiographical contributions from a range of international scholars to shed light on the current shift from media to data practices.
- Guides of the Atlas: An Ethnography of Publicness, Transnational Cooperation and Mountain Tourism in Morocco
5
How do digital media technologies shape or restructure social practice? And which transitions and demarcations of different forms of publicness arise in this context? Simon Holdermann examines this question in his ethnography of everyday life in the High Atlas Mountains of Morocco. In order to approach the ongoing, historically situated social transformations of the region, he analyses a variety of media practices concerning the organizational work and transnational cooperation that take place there - in particular at the intersection of mountain tourism, NGO work, and local self-government.
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