Edition Museumsakademie Joanneum Series
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About this series
Titles in the series (3)
- Der Berg im Zimmer: Zur Genese, Gestaltung und Kritik einer innovativen kulturhistorischen Ausstellung
2
Ende 2007 wurde in der Innsbrucker Hofburg die Ausstellung »Berge - Eine unverständliche Leidenschaft« eröffnet. Der Ehrgeiz des Projektteams war eine neuartige Form der Konzeption, Dramaturgie und Gestaltung. Die Reaktionen auf dieses Experiment, das neue Wege des kulturhistorischen Ausstellens ausprobierte, waren sehr positiv und ermutigend. Dieses Buch dokumentiert das Projekt, seine Entstehung, seine Realisierung und die Diskussionen, die es ausgelöst hat. Die Collage aus Bildern, Interviews, Zitaten, Kritiken, literarischen und wissenschaftlichen Texten verlässt ausgetretene Pfade der Ausstellungsdokumentation und macht Lust auf eine Fortsetzung der Diskussion. Eine Inspiration für die eigene Museums- und Ausstellungspraxis.
- Dauerausstellungen: Schlaglichter auf ein Format
3
Dauerausstellungen, Schausammlungen, ständige Ausstellungen - Präsentationsformen, in denen Objekte aus musealen Sammlungen auf Dauer veröffentlicht und im Zusammenhang gedeutet werden, gelten als wesentlich für die Identität von Museen. Nicht zuletzt scheinen zentrale gesellschaftliche Funktionen der Institution an ihre Existenz und Kontinuität gebunden. Dieser Band zeigt die Entwicklung der ständigen Ausstellungen in den diversen Sparten auf und geht in Gesprächen mit Museumsverantwortlichen und Experten aktuellen Trends nach. Die Beiträge bieten Anregungen zur Bearbeitung und Aktualisierung existierender Dauerausstellungen und fragen nach Sinn und Potenzial entsprechender Interventionen.
- Does War Belong in Museums?: The Representation of Violence in Exhibitions
4
Presentations of war and violence in museums generally oscillate between the fascination of terror and its instruments and the didactic urge to explain violence and, by analysing it, make it easier to handle and prevent. The museums concerned also have to face up to these basic issues about the social and institutional handling of war and violence. Does war really belong in museums? And if it does, what objectives and means are involved? Can museums avoid trivializing and aestheticising war, transforming violence, injury, death and trauma into tourist sights? What images of shock or identification does one generate - and what images would be desirable?
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