Foro di Studi Avanzati Series

Aristotle and Plotinus set the horizon of inquiry--thinking is thinking on thinking. Discussion of mind, meaning, and subjectivity begins with the question, How is thinking on thinking different from the kind of thinking with which we are familiar? The answer is that 'thinking on thinking' is about the presuppositions, concepts, and problems that generate questions in ancient and modern metaphysics, epistemology, aesthetics, philosophy of mind, and philosophy of language. Topics examined include the nature of intentionality and meaning, identity and relation, mind and consciousness, self-identity and subjectivity--which lead into discussions concerning other minds, the limits of thought and language, and the emergence of aesthetics of the self. The effects of 'thinking on thinking' are mapped, particularly in parsing problems in ancient, modern analytic, and phenomenological thought, with advocacy of its importance in the present age.

Although wisdom and beauty are prized everywhere, in what exactly they consist is a matter of dispute that even has tragic political implications. As the traditional elites of fifth-century BCE Athens felt their social privileges being chipped away by democratic encroachments, they clung to their traditional belief that they--and they alone--were "beautiful and good" enough to rule. Plato's alternately comic and serious dialogue Charmides is set in this Athens and explores the nature of temperance (sōphrosunē: in eating, in drinking, in life in general). In this book,. Cohen-Taber uses the dramatic structure of this dialogue to show how Socrates challenges the elitist views of his two interlocutors, revealing Plato's critiques of aristocrats' smug complacency about their supposed exclusive natural beauty and intellectual capacities (kalokagathia) that grant them the natural right to rule. Plato decided to write the dialogue because he saw this claim of superiority as continuously threatening to destabilize his polis. This leads Plato, Cohen-Taber argues, to suggest alternative, and more egalitarian, accounts of wisdom and beauty as the drama about sōphrosunē unfolds. These accounts are thoroughly moral, and therefore open to people from any economic class.

Aristotle sets the horizons of our inquiry: What is it when we say we know something? And is the object of knowledge a universal or particular [tode ti] object? Aristotle's critique of Plato's theory of form/Forms in light of his notion of actuality has generated a variety of topics that frame our inquiry: "Understanding Eidos as Form in the Works of Aristotle as Plato's Critical Student"; "Aristotle on Plato's Forms as Causes"; "Notes on the Relationship between Plato's Parmenides and Aristotle's Metaphysics Alpha"; "'Separate' and 'Inactive'? Aristotle's Most Challenging Critique of Plato's 'Forms'"; "Too Much Unity in a City Is Destructive of the City: Aristotle against Plato's Unification Project of the Polis"; "Aristotle on the Soul as Actuality"; "Delphic Piety in the De Anima of Alexander of Aphrodisias"; "Aristotle and Plotinus: Act and Potency and the Two Acts"; and "Al-Fārābīon Habit and Imagination." Here, the Peripatetic readings of form and actuality are parsed from the precipice of historical, analytic, and continental approaches to the mind/language/object problem, with advocacy of the importance of Aristotle's contribution to this inquiry for the present age.

This commentary on Plato's Philebus reconciles a close analysis of the text with a new interpretation of the dialogue. In Philebum focuses on the overarching metaphysical and cosmological coherency of the dialogue rather than its ethical import. This interpretation contrasts with the more common segmented philological analysis of this most evocative of Platonic dialogues. Plato's late ontology and theory of an immanent Good portray a very different philosophical terrain than that of the transcendental visions of the Good found in other dialogues. The final chapter of In Philebum, entitled "The Life of the Speculative Philosopher," extends this analysis of the dialogue to contemporary speculative philosophy. Based on Plato's portrayal of a fourfold onto-cosmology and of the Good as measurability, proportionality, and intelligence, In Philebum makes connections between the doctrine of measured order-relations, triadicity, quadratic structure, and self-explanation that figure predominantly in contemporary speculative philosophy. It is intended for a broader audience of readers of Plato as well as for graduate students and commentators on Plato. In Philebum contains a Prolegomenon on the controversies surrounding the structural divisions of the Philebus as well as an up-to-date bibliography and general index.