Essential Prose Series

Celebrating the joys of pop music and the musicians who live to play it; while taking an insider’s look at what the digital age has done to the artist, the business and the sound. The golden days of MaryAnne’s singing career, of sold-out concert halls and hit records have given way to shabby rooms and paltry CD sales, battered by YouTube and streaming. But, MaryAnne, nearing 60, refuses to retire. When her party-animal single daughter becomes pregnant, MaryAnne rebels against becoming a grandmother and putting her dwindling career aside to help her daughter raise an infant. It’s left to her live-in lover to try and sew the family back together while MaryAnne clutches her six-string for dear life.

Winner of BEST CRIME NOVELLA at The Crime Writers of Canada Awards of Excellence 2022 Set in Toronto 1970, just as the FLQ crisis emerges to shake an innocent country, eleven year old Johnny Wong uncovers an underbelly to his tight, downtown neighbourhood. He shares a room with his Chinese immigrant mother in an enclave with American draft dodgers and new Canadians. He is befriended by Rollie, one of the draft dodgers who takes on a fatherly and writing mentor role. Johnny's mother is threatened by the “children's warfare society.” A neighbour is found murdered. He suspects the feline loving Catwoman next door and tries to break into her house. Ultimately he is betrayed but he must act to save his family. He discovers a distant kinship with Jean, the son of one of the hostages kidnapped by the FLQ who have sent Canada into a crisis. As his world spins out of control, his only solace are letters to Dave Keon, who “as Captain of the Toronto Maple Leafs, can be trusted.”

Less than an hour after Millington receives his permanent resident visa, he wonders if his husband Jay would now end their marriage. And Jay has multiple reasons to. Millington is an ex-Methodist minister, who once believed he could be celibate. When he fled Caribbean Methodism and came to Montreal, he thought he'd resolved the issues that made him leave, but he comes to understand that psychological trauma, childhood conditioning, parental and community expectations and his own need for community and family valorization are not easily exorcised. The third installment in the No Safeguards quartet of novels.

At the heart of I’ll Be resides a highly unreliable narrator. As he fumbles through his days, he breaks boundaries that are larger than the seemingly insignificant tasks at hand: the concept of space is uncertain, language is broken, history is rewritten, identity itself remains a question. The futility of language is a theme that surfaces continually. In a commentary on the nature of political systems, for example, the narrator points out its inadequacy in facilitating truthful communication: “To be fair, this country is safe, no one I know has fallen from a sniper’s rifle, and not since 1970 have tanks roamed the streets. But that was in another province, another language, so it may not have happened.” Between sentences strife with comma splices, existentialist questions, and other deconstructionist strategies, the novel is peppered with poetic metaphor and laugh-out-loud humor that is sometimes dark, and always searching. By working to unravel every strand of our understanding of the external world, the novel, in turn, reveals the frailty of our thought process, inner constitution, and essentially our humanity.

A brooding fugitive hides out in a crumbling hotel that was once filled with celebrities enjoying the successes of postwar America. He is a racist with a criminal past, an anti-hero who reflects on the ruins of the South and simultaneously on the life of a German performance artist called Jupp. The fictional Jupp is a thinly-veiled cipher for the late real-life German artist, Joseph Beuys, and the photos in the novel are photos of the performances by the controversial Beuys. At once echoing the moody worlds of W. G. Sebald and incorporating outrageous elements of pulp fiction, this novel of dark romanticism is not for optimists seeking redemption, but for those willing to take a look into a searing heart of darkness.

A rich mix of acclaimed and award-winning stories. Containing a rich mix of acclaimed and award-winning stories, Cut Road is a masterful exploration of the loss and scars that conflict always leaves behind. Where soldiers abandon too much of themselves in war zones, parents relinquish control of their children, and friends struggle with change and tragedy. From the working soul struggling with grief to the wounded veteran seeking redemption in a coffee shop to the sweaty tree-planter fleeing a burning forest, in this collection no one—least of all the reader—is left unscathed.

Kaidenberg's Best Sons is an enthralling portrait of a community starting over in a new land. In a series of linked stories, author Jason Heit explores the lives and fortunes of people bound together by tradition, heritage, and history, yet riven by envy, greed, and lust. When a community of Eastern European settlers in North Dakota learn that there is promising farmland available in the newly established province of Saskatchewan, they load their wagons and head north. Along with their furnishings, they also pack up their resentments, desires, and ambitions and bring them to a new, unsettled land. Heit deftly captures both the promise of a new start in a new land and the long shadow of the past that is cast over the characters as they rebuild their lives.

Walking Leonard and Other Stories, is a short story collection of roughly 30,000 words in the literary fiction genre. The stories depict unspoken pivot points in the lives of ordinary people. Themes include responsibility and violation between parent and child, nature as a protective force, and the shucking off of various selves in the process of a lifetime. The stories spring from the foothills of southern Alberta, specifically Calgary, and some even more specifically from the historic neighborhood of Bowness, once a small town in its own right.

Twelve years in America and Eziafa Okereke has nothing to show for it. Desperate to re-write his story, Eziafa returns to Nigeria to find a woman he can mold to his taste. Eighteen-year-old Zina has big dreams. An arranged marriage to a much older man isn't one of them. Trapped by family expectations, Zina marries Eziafa, moves to Houston, and trains as a nurse. Buffeted by a series of disillusions, the couple stagger through a turbulent marriage until Zina decides to change the rules of engagement.

Adversity is a sweet gift wrapped in soiled newsprint. Pain is a reminder that we are still alive. Anxiety is fear of tomorrow, and guilt is fear of yesterday. At the bottom end, it’s about scrutinizing the tiny stuff that nobody cares about. Rocks, dead leaves, dirt, lint, dust, bugs, mice, and pocket change. At the top end, it’s about the miracle of life itself, of being alive and being surrounded by amazing, surprising, astounding living things. Both ends get seriously taken for granted. We live our lives in the safe middle ground, midway between the micro and the macro. Unca Dave’s Wilderness let’s us take a moment to ponder on how ducks learn how to count, or why trees talk to each other, or how a repulsive worm can become a butterfly. And how we, lowly humans, can also metamorphize.

When King Priam's pregnant daughter was fleeing the sack of Troy, Stan was there. When Jesus of Nazareth was beaten and crucified, Stan was there - one cross over. Stan has been a Hittite warrior, a Roman legionnaire, a mercenary for the caravans of the Silk Road and a Great War German grunt. He's been a toymaker in a time of plague, a reluctant rebel in the Peasants' Revolt of 1381, and an information peddler in the cabarets of post-war Berlin. Stan doesn't die, and he doesn't know why. And now he's being investigated for a horrific crime. As Stan tells his story, from his origins as an Anatolian sheep farmer to his custody in a Toronto police interview room, he brings a wry, anachronistic perspective to three thousand years of Eurasian history. Call Me Stan is the story of a man endlessly struggling to adjust as the world keeps changing around him. It is a Biblical epic from the bleachers, a gender fluid operatic love quadrangle, and a touching exploration of what it is to outlive everyone you love. Or almost everyone.

Mel Buckworth, dependable family man, loses his manufacturing job through recession. Having lost his sense of purpose his pride sidelines him as he discerns his lack of digital skills so apparent in his children's generation. He is galled by his daughter Dani's university friend, Stanley Best, who is about to achieve fame in the fields of nano technology and artificial intelligence. As Mel desperately attempts to find equilibrium he estranges his family, leaves his wife and enlists the help of a greedy grad student. Will Baker teaches Mel the skills he will need to wreak revenge on a system seemingly discarding him. As his aptitudes grow he begins to use the internet, the very thing he despised, as a weapon to inflict his reprisals. Slowly he turns terrorist to deliver his message: that humans will succumb to machines and the social system controlling them. As his acts grow more lethal, Mel knows he must make an indelible declaration. A “manifesto” to be remembered.

A ghostly tale of family ties and madness. A young man, Ray, returns to where he was born, Weyburn, SK, after several years traveling anonymously around the country. He’s recently been suffering from frightening nightmares and he feels they may have something to do with his past, especially within the walls of the abandoned former mental asylum where his father had worked and his mother had been a patient. Old loves, old wounds and old grievances are rekindled, made especially difficult by the fact that his brother is the town sheriff and is also married to Ray’s former girlfriend. The presence of an older, mute, indigenous woman adds to the mystery

About coming out and coming of age. In Catch and Release, twenty-one-year-old Lucca looks back on her childhood and adolescence as she comes to terms with both her sexual orientation and her mental illness. When she falls in love with the brilliant and beautiful Adèle, Lucca is forced to acknowledge not only that she is not and never has been straight, but also that her relationship with a teacher in high school was not as harmless as she might have thought.

Years after the death of her mother, Mareika Doerksen moves through her adolescence with feelings of loss, confusion, and isolation as she seems somewhere between not being a child and not being a complete woman. Her father, a Mennonite only ethnically and socially, and a long-time atheist, has always been distant but pragmatic as he prepared her for the day he expects her to abandon their homestead on the Canadian Prairies for an education once impossible for women of their time. They move day to day avoiding the tragedies, traumas, and social expectations they rebel against in their Mennonite community during the infancy of Canada. But with the looming arrival of the 1910 Halley’s Comet, so too comes a handsome, charismatic Doomsday preacher. He captivates Mareika as he offers her solace and his ear. Meanwhile the local Bishop with a troubling and violent past sewn to the Doerksens, too, becomes obsessed with the maturing Mareika and sets out with the goal of saving her from the chiliast stranger and her atheist father.

The Boy's Marble tells the story of experiencing a war through the eyes of a child. Separated as children during the Sarajevo Siege, the narrator meeets someone who reminds her of the boy even twenty years later in Montreal, Canada. They were supposed to run away together, only he never came. She has not seen him since and wonders whether this person she met could really be him. Amongst the many books that can be classified as war-fiction, this novel is different as it looks at this difficult tragedy through the eyes of a child in a, one could say, healthy way. The narrator does not sweep the painful and tragic memories under the rug, but she also does not place them onto her primary radar. The story unfolds in a way that does not burden the reader even more, but wakes in him hope, love and helps understand just how useless, meaningless and absurd war is. The story helps the reader find the strength and meaning to live without hate and recover a lost innocence. In essence, the novel is a brilliant anti-war story, very timely and necessary exactly now.

Winners And Losers: Tales of Life, Law, Love and Loss is a collection of linked short stories that turns a dazzling searchlight on the inner workings of the legal profession, told from the viewpoint of a feisty narrator finding her way through a hostile and competitive law environment. By the end, the reader will have undergone a sprawling journey through a lifetime in practice, where the pit-bull litigator is tenderized through the clients, the work, the failure of her own marriage, by single mothering. Because the protagonist doesn’t judge, because she lays out the evidence in her search for the truth in a circling, coyote-like fashion, the reader lives that tracking inquiry along with her.

Beginning with dangerous thoughts from Neruda's memorias, and brooding over the legends of the Haida people in British Columbia (the white raven) and Italian superstitions (the black cat), the protagonist transports the reader into the world of Canadian immigration post-WW2. On the one hand, there is the memory never wiped from the mind of the protagonist who returns and sees his old hometown as it once was. Additionally, there is the suffering caused by migration. Like the hunter who, after a few years of living in Canada, returns home to enjoy the fruit of a pension - and realizes the reality that awaits him is no longer his reality. In a moment of despair, he goes into the woods and takes his own life.

Albert Einstein noted that energy cannot be created or destroyed, only changed from one form to another. Kat, a middle-aged marketing executive from Vancouver, ponders the truth behind Einstein’s law as she tours the antiquities of Italy. In Pompeii, volcanic ash remains in the shape of a woman bear witness to her futile escape of the rage of Mount Vesuvius. Kat, a widow with blood on her hands, contemplates the ancient woman’s destiny and her own. To escape the consequences of past choices, Kat abandons her travel companion and sometime accomplice. She links up instead with Franco, a street artist painting in the Roman twilight near Bernini’s sculpture of an elephant. Becoming Franco’s patron is the easy part. Kat learns that Einstein’s theory holds in everyday life. She cannot escape past decisions. Murder undetected remains murder after all.

Beginning in Saigon during the Vietnam War and ending in present day New York, Catinat Boulevard tells the story of two friends Mai and Mai Ly. While Mai flirts with American GIs in rowdy bars along Catinat Boulevard, Mai Ly joins the communist resistance in the jungle. The story also follows Nat, Mai’s half Vietnamese-half African-American son abandoned in a Saigon orphanage.

The B-Side of Daniel Garneau concludes a rollicking three-book series set in Toronto featuring the misadventures of boyfriends Daniel and David, their eccentric family and friends. As Daniel prepares to graduate from med school and propose marriage, David sets out to donate his sperm so his brother can have a baby. But as his celebrity ex, Marcus, launches his boldest exhibit yet, an unexpected crisis forces Daniel to re-evaluate his priorities in life. The B-Side of Daniel Garneau is the inspirational follow-up to A Boy at the Edge of the World (2018) and Tales from the Bottom of My Sole (2020). At turns both comic and tragic, it is a celebration of queer identities and non-traditional families, as Daniel struggles to discover himself and his path in the world. At its heart, it is a philosophical reflection on acceptance and living with courage and love.

The devil, a ghost, a doppelganger, a selkie, a hobgoblin – these creatures appear in Marianne Micros’s Statue, a collection of tales which combine traditional and ancient elements with contemporary issues and experiences. These fifteen stories show that the boundaries between fantasy and reality, art and life, life and death are fragile and inconstant. Micros seamlessly combines magic with the realities of daily life, showing the interrelationship of the natural and the supernatural and the significance of those interactions.

This flip book is comprised of two novellas: In Sickness and In Health - Lily had epilepsy as a child, so her most cherished goal has always been to be “normal”. By age 45 she has a “normal” life, including a family, friends, and an artistic career, and no one, not even her husband, knows the truth about her past. But now some cartoons she drew threaten to reveal her childhood secret and destroy her marriage and everything she has worked so hard for. A moving novella about shame, secrets, disabilities, and the limits and power of love. Yom Kippur in a Gym – Five strangers at a Yom Kippur service in a gym are struggling with personal crises. Lucy can’t accept her husband’s Parkinson’s diagnosis. Ira, rejected by his lover, is planning suicide. Rachel worries about losing her job. Ezra is tormented by a mistake that ruined his career. Tom contemplates severing contact with his sisters. Then a medical emergency unexpectedly throws these five strangers together, and in one hour all their lives are changed in ways they would never have believed possible.

Every family has rituals and routines holding them together. But sometimes they are the very things that tear them apart. The Family Code is a gritty family drama featuring the troubled life of Hannah Belenko, a young single mother dogged by the brutality of past traumas and a code of silence that she must crack in order to be free—or else lose everything. Hannah was raised by this code and rules her own family by it. When she loses her daughter to the state and her boyfriend threatens her, she flees from Ottawa to Halifax with her remaining son, six-year-old Axel. While she bulldozes her way through everything and schemes to protect him, Axel flounders in the chaos. He begins to doubt his mother and her dream of a way out. With her life crashing down, Hannah is driven by desperation to survive yet hangs on to elusive hope.   With unvarnished and high-voltage prose, The Family Code unabashedly reveals the power and perils of parenting, but also the longing and vulnerability of children.

A young man down on his luck meets the woman of his dreams in an adult education course. But this is no ordinary male fantasy: the man is a Pakistani-Canadian artist with a treatable recurrent cancer; the young lady is an Indigenous princess just returned from art school in Europe to her father’s glass summer palace in Muskoka. This romantic comedy, set in mid-Toronto and on Lake Rosseau, plays with the intersection of Indigenous, settler, and immigrant success stories against the background of mortality and the stars.

The dream of an urban paradise comes true for the Raccoons of a small suburban city when they rise up, throw out their government, and create an ecological commonwealth. Touchwit, Clutch and Bandit are prepared to die for a free, healthy, and diverse city. But to earn their self-respect as citizens they must overcome their father Meatbreath, an autocrat obsessed with multiplying himself in a host of weaponised children. And to join a community of kinship they must find their future mates. Will the three cubs use the powers they have inherited from their father without being claimed by his evil? In this sometimes sentimental, sometimes heroic adventure story full of echoes of current issues and political personalities, Raccoons are the leading experts at survival, engaging the struggle for a better Earth with wonder, joy, and laughter.

Victor makes an ethical commitment. The reverberations of that choice surface in Canada, Egypt and Greece. Moving from a lecture hall in Montreal to a detention centre in Alexandria, from a descent into the catacombs of Kom el-Shoqafa to a vista high over the ports of Piraeus, from tequila blurred moments of ecstatic dance to the rigours of contemporary musical composition, an overlapping narrative emerges to question current allegiances and the history of rational law.

At the outbreak of the war in Ukraine in February 2022, Canadian author Marina Sonkina flew to the Ukrainian-Polish border to volunteer in a refugee camp using her knowledge of Russian and some Ukrainian. The suffering on a massive scale was beyond what she could possibly expect. "Putin's destruction of Ukraine left me with dismay and utter helplessness. The world order as we knew it, after WWII, was unraveling in Europe in front of my eyes, and I could do nothing about it. Evil always shouts loud; goodness is quiet. But when I came as a volunteer to a transition refugees centre at the Polish-Ukrainian border, I saw an outpour of good will on an unprecedented scale. This book is a celebration of magnanimity that lives in the heart of each of us and comes forth when called upon. It is also a homage to the millions of destitute Ukrainian women, faced with the daunting task of rebuilding their lives and the lives of their children with patient courage, moral grace, and faith in the ultimate victory of goodness over evil."

Joe Fiorito spent 18 hours in total, over the course of three days, on the corner of Victoria and Queen in downtown Toronto watching the city go by and recording what he saw. The rhythms of the city ebb and flow according to the time of day. The declarative sentence is the best brush to paint an objective portrait of the city we live in. It is an example of what happens when you stay in one place and observe a single place or thing for a very long time.