Working Preachers Series

Preeminent biblical scholar and preacher Walter Brueggemann says the book of Jeremiah is not a sermon, but it does sound the cadences of the tradition of Deuteronomy that serve as sermons--that is, as expositions based on remembered and treasured tradition. In this volume, Brueggemann conducts an experiment in homiletics. He wants us to wrestle with the question, What if we allow the canonical shape of the book of Jeremiah to instruct us concerning the shape and trajectory of the sermon? More specifically, he wonders: What if the book of Jeremiah is treated as a long sermonic reflection about the traumatic events that led to exile and displacement for the people of Judah? Why did it happen? Is God faithful? Does God punish? Is there any future? This theme and these questions can also be related to the crucifixion of Jesus and the displacement experienced by his followers. Brueggemann extends his wonderment further to the displacement experienced in modern American culture, as events jolt our notions of exceptionalism and chosenness. All of those same propensities were at work in ancient Israel in the wake of the displacement of Jerusalem, a wake given voice in the book of Jeremiah. Brueggemann analyzes the various parts of the sermon through the organization of the book of Jeremiah, looking at Introduction, Body, and Conclusion, comparing them to Good Friday, Holy Saturday, and Resurrection Sunday. The task of the preacher mirrors the task of the prophet who seeks to pluck and tear down, as well as to plant and to build. The preacher cannot, as he says, participate in a cover-up. The preaching task requires honesty about what God requires and a clear proclamation of what God has done and will yet do.

Prolific author William H. Willimon makes the compelling case that two key pastoral tasks--preaching and leadership--complement, correct, strengthen, and inform one another. Preaching is the distinctive function of pastoral leaders. Leadership of the church, particularly during a challenging time of transition in mainline Protestantism, has become a pressing concern for pastors. This book shows how the practices, skills, and intentions of Christian preaching can be helpful to the leadership of a congregation.

Preachers often feel stuck when met with quickly shifting and dense media topics that flood the headlines. If and when they determine it is appropriate to address issues that arise in the news cycle, they are often at a loss for how to speak about them from the pulpit. When preachers understand that a responsibility to sustain life is embedded in the purposes of preaching, they discover greater fluidity between the everyday world, the biblical text, and preaching itself. Preaching the Headlines reframes preaching as an ongoing conversation between the modern world and the world of the Bible, exploring where the divides between the two may be less rigid than we often acknowledge. The preacher uses what they know about life as a bridge to the text, while life in the text provides the bridge back to faith in the contemporary world. The goal of the book is to help preachers do theological reflection on the everyday world as an integral part of sermon development. The process offered in this book is not a substitute for basic methods of sermon development nor a model of exegesis for preaching. Preachers will use this process as a supplement alongside their current method of sermon preparation. Before the preacher can ever translate the meaning embedded in the headlines, they have to learn more about the topics they seek to preach about. They do this by digging behind the headlines and expanding their own resources beyond theological traditions alone. This work is done in order to think earnestly about how faith might spur transformative action in our world for more just ways of living together.

Words bombard us every day. Words can be noisy and cheap. And yet, words are all preachers have. In Writing for the Ear, Preaching from the Heart, Donna Giver-Johnston addresses the question: How do you capture ears in an era of noise? Many preachers want to get away from their notes and make a more personal connection with their listeners, but they have not been mentored in methods that enable them to do that. Grounded in a theology of incarnation and articulation and coupled with an awareness of what listeners most need and want to hear, Giver-Johnston explains how preachers can communicate more effectively--how they can write sermons for the ear, with the fewest, most impactful words to craft a memorable message. She also provides guidance on how to preach sermons by heart, without notes, to communicate a message that captures the ears and hearts of listeners. In a time when attention spans are shortening and church participation is declining, this book provides a proven method for preachers to communicate in ways that are meaningful and memorable to aching ears today and that can change the world for good, and for God, one longing heart at a time.

Comedians tend to view the world somewhat askew or askance, and that view--a kind of hermeneutical lens for discerning the comedic in daily life--serves to frame, reframe, and even de-frame reality. Preachers do the same, viewing the world askance through a theological lens of discerning God in daily life. That theological view allows one to preach hope in the face of despair, seeing the world in terms of God's justice and declaring the promise of life out of death. Divine Laughter: Preaching and the Serious Business of Humor looks closely at both the cultural phenomenon of stand-up comedy and theories of humor, asking what preachers can learn from both. Karl N. Jacobson and Rolf A. Jacobson offer preachers a means of growth in their art and an approach to reading Scripture both for its humor and through the lens of humor. The book models approaches to the biblical text that allow the Bible to be funny and that bring humor to the text. Divine Laughter brings the task of preaching into conversation with both the comedic parts of the Bible and the theological parts of the comedic, in order to bring a new kind of life to preaching. As a serious look at humor and laughter in the Bible, the book explores the theological implications of what it means if we think of God, Jesus, and even the Holy Spirit as filled with laughter. Preachers are invited to wonder at and chuckle their way through examples of God's laughter in the Bible, thinking about what that means for God's people, for the life of faith, and for preaching to God's people.

Steve Thomason's plan was that after graduating from college, God would allow him to become a Disney animator so that one day he could open his own animation studio. It turned out God had other plans, and Thomason became a parish pastor--a pastor with a passion for both art and preaching. In The Visual Preacher: Proclaiming an Embodied Word, Thomason's winsomely illustrated text shows preachers visual techniques to study the Bible, construct a sermon, use the physical space where they preach, create two-dimensional images, and develop and use videos. Thomason shares his dual passions based on his conviction that the effectiveness of visual communication lies at the heart of thegospel itself--that it is the reason God took on human flesh in Jesus. Believing that pictures speak differently than words, he offers readers practical ways to combine visual communication with the Word of Scripture and the words of their sermon so that when they are done preaching, their listeners will say, "We have seen Jesus." He assures readers they don't have to be skilled artists or technological wizards to effectively use visuals in preaching. Rather, he presents basic principles he has learned as a working preacher and encourages readers to use the ones that make sense to them and to throw out the rest. Preachers are story-tellers, says Thomason. This book will help preachers create and use images that make them even better storytellers than they already are.

Old Testament scholar and interpreter Brent A. Strawn focuses on the importance of honesty in preaching, especially around three challenging Old Testament themes: sin, suffering, and violence. He makes the case that preaching honestly is critical in the church today. Without honesty regarding these topics, there is no way forward to reconciliation, health, and recovery. Further, it is imperative for today's preachers to deal with the questions of faith arising from these themes in the biblical text itself. In addition to key scripture passages, he turns to several contemporary authors and works as dialogue partners on the three themes. Asserting that keeping secrets can lead to a kind of sickness, Strawn uses texts from the Pentateuch and the Psalms to model honesty about sin, without which there can be no reconciliation, and honesty about suffering, without which there can be no healing. He also looks at the book of Joshua and various psalms to model honesty about violence, which can serve as a way to contain, limit, and ultimately transcend violence. Strawn frames these themes specifically for working preachers, so they can create sermons that speak to these thorny themes with depth and clarity.

"For everything there is a season," as the writer of Ecclesiastes reminds us, and that includes preaching. Beyond ordinary Sunday morning worship, many other "seasons"--special occasions--arise for preaching in the life of the church, whether by virtue of the secular calendar or celebrations or circumstances in the congregation or community. For Every Matter under Heaven: Preaching on Special Occasions offers preachers a process for creating sermons that are biblically grounded and relevant to the occasion. Two obvious occasions of this sort are weddings and funerals; however, church anniversaries, dedications of new buildings or furnishings, commitment of pledges in stewardship season, and ordination and installation services also call for preaching on a special theme or topic. In addition, some congregations acknowledge secular holidays, such as the Fourth of July and Thanksgiving Day, in worship. Pastors are often called on to preach at events outside the church. And all congregations face local or national tragedies and crises that call for a word from the Lord. These occasions require a different kind of sermon--or at least a different process of preparation. Most preachers have been taught that sermons begin with a biblical text, usually a text prescribed by a standard lectionary. Beverly Zink-Sawyer and Donna Giver-Johnston offer preachers a process for finding appropriate sermon texts for special occasions by considering the occasion itself, the listeners who might be gathered, and the ways God is at work in that time and place. Through this process, preachers can offer a word for every matter under heaven.

The characters in Scripture are often portrayed as one-dimensional--as caricatures instead of human beings with real needs, authentic pain, and compelling fears. When their problems are viewed as one-dimensional, so is their faith. Approaching biblical characters in this way can inhibit listeners' ability to hear the biblical witness as relevant to their own lives and can minimize the impact of Scripture on their faith journey. Real People, Real Faith provides practical tools to portray biblical characters as multidimensional human beings who encountered and journeyed with God. Placing high value on historical, cultural, and scriptural contexts, Cindy Halvorson demonstrates techniques for generating holistic characters, particularly by exploring archetypical human reactions and spiritual longings. She shows how the preacher can use this method to reimagine the biblical characters, present figures with whom listeners relate and empathize, and draw portraits of real people whose relationship with God is in many ways like listeners' own--people with whom they may sojourn and grow. When listeners are touched by a biblical character's story and shown how their relationship with God was transformed, they too may experience the Divine's love and care for them.