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    Noether's Theorem
    Striptease per a invidents: i altres narracions
    Ebook series2 titles

    Embat Series

    By Emili Olcina, Romà Guardiet and Ferran Sáez

    ()

    About this series

    "Bach, Cello Suite Nr. 5, Sarabande. I listen and it seems unending. / There is nothing there yet it hurts / A daunting lament and an absolute calm. / Impossible intervals converse on esoteric themes. / Polyphony arises / from a single melodic line with the scent of sea. / And I am moved by brutal feelings / I could never identify".
    Romà Guardiet is a physicist by education and film maker by vocation, and this can be detected in his approach. There are many ways of constructing a poem: from some kind of a wild verbal drunkenness to an emotional self-restraint that turns metre into algebra. The poems that the reader will find in the present book are, fortunately, equidistant from those two poles.
    (from the prologue by Ferran Sáez)
    LanguageEnglish
    PublisherLaertes
    Release dateMar 9, 2012
    Noether's Theorem
    Striptease per a invidents: i altres narracions

    Titles in the series (2)

    • 7

      Striptease per a invidents: i altres narracions
      Striptease per a invidents: i altres narracions

      Striptease per a invidents: i altres narracions

      Emili Olcina
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      "El notari va assentir amb el cap i s'aclarí la gola. -Disposo -va rellegir- que al meu cos mort li amputin el cap, les mans i els peus. Aquestes porcions serán inhumades. La resta del cadáver será lliurat als gossos a fi que el devorin.-" (Un deure de pietat) Tot i la diversitat dels escenaris i les situacions, des d'un striptease fins al terror fantasmal, des d'un duel fins a un contracte d'esclavatge, les narracions del recull están travessades per potents línies que les enllacen: l'amenitat que els infon la frescor i l'empenta de l'escriptura, l'humor (sovint molt negre), el recurs freqüent a l'erotismei, cohesionant el conjunt, la qualitat del text característica de l'autor.

      "El notari va assentir amb el cap i s'aclarí la gola. -Disposo -va rellegir- que al meu cos mort li amputin el cap, les mans i els peus. Aquestes porcions serán inhumades. La resta del cadáver será lliurat als gossos a fi que el devorin.-" (Un deure de pietat) Tot i la diversitat dels escenaris i les situacions, des d'un striptease fins al terror fantasmal, des d'un duel fins a un contracte d'esclavatge, les narracions del recull están travessades per potents línies que les enllacen: l'amenitat que els infon la frescor i l'empenta de l'escriptura, l'humor (sovint molt negre), el recurs freqüent a l'erotismei, cohesionant el conjunt, la qualitat del text característica de l'autor.

    • 13

      Noether's Theorem
      Noether's Theorem

      Noether's Theorem

      Romà Guardiet
      0 ratings
      0 ratings

      "Bach, Cello Suite Nr. 5, Sarabande. I listen and it seems unending. / There is nothing there yet it hurts / A daunting lament and an absolute calm. / Impossible intervals converse on esoteric themes. / Polyphony arises / from a single melodic line with the scent of sea. / And I am moved by brutal feelings / I could never identify". Romà Guardiet is a physicist by education and film maker by vocation, and this can be detected in his approach. There are many ways of constructing a poem: from some kind of a wild verbal drunkenness to an emotional self-restraint that turns metre into algebra. The poems that the reader will find in the present book are, fortunately, equidistant from those two poles. (from the prologue by Ferran Sáez)

      "Bach, Cello Suite Nr. 5, Sarabande. I listen and it seems unending. / There is nothing there yet it hurts / A daunting lament and an absolute calm. / Impossible intervals converse on esoteric themes. / Polyphony arises / from a single melodic line with the scent of sea. / And I am moved by brutal feelings / I could never identify". Romà Guardiet is a physicist by education and film maker by vocation, and this can be detected in his approach. There are many ways of constructing a poem: from some kind of a wild verbal drunkenness to an emotional self-restraint that turns metre into algebra. The poems that the reader will find in the present book are, fortunately, equidistant from those two poles. (from the prologue by Ferran Sáez)

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