About this series
When Nathan Monatgue Porter, occultist and civil servant, catches the attention of Sir Jack Sauvant, he is invited to Sir Jack's Sussex country house to attempt some grisly magical experiments. Little does he know that it is Sir Jack's maid, Deirdre Wend, who actually holds the key to forbidden knowledge - but she won't give it up unless he takes her to the pictures first.
A Lovecraftian pastiche for fans of Clive Barker and Ray Bradbury, a standalone prequel to The Crows.
Titles in the series (5)
- Overexposure: Pagham-on-Sea
When Charlie, an affluent, award-winning photographer, catches sight of a glamourous man at a party and immediately forgets what he looks like, she has to see him again. And again. And again. Getting close to the eldritch stranger whose image evades her memory begins to take its toll, and as a bond forms between them, Charlie's obsession threatens to consume her. Is enforced separation the cure, or it already too late? OVEREXPOSURE is a one-shot psychological horror short with Weird elements, which contains a scene of on-page self-mutilation, gore, and features mental health deterioration. Reader discretion is advised.
- The Sound of Darkness: Pagham-on-Sea
Alone in his Luton flat, Murat 'Mat' Yildiz finds his living room light has blown, and he is unable to go in. There is a distinctive sound in the darkness that he has wanted to hear since childhood - but growing up in the Jubilee council estate, Pagham-on-Sea, has left him with some gnarly memories of what lurks in the estate's dark corners. Murat relives a memory from 1998, but what did he really see in the darkness that night, and is it time for him to face his fear?
- The Sussex Fretsaw Massacre: Pagham-on-Sea
It's Halloween night and anxious, inexperienced Olly Wilson has been hired to drive five obnoxious people to a political party conference, but is hopelessly lost. Meanwhile, in a nearby manor house in the middle of nowhere, human-passing eldritch horror Ricky Porter wants to see his own future, but the ritual involves human sacrifice. The omens tell him five unfortunate souls are doomed to die before midnight - but his living, sentient house (and queerplatonic partner) just wants a quiet night watching films and bans him from taking their deaths into his own hands. When Olly and his five passengers show up on the doorstep unexpectedly after some car trouble, bodies are already doomed to hit the floor - and Olly's life is about to change forever.
- The Day We Ate Grandad: Pagham-on-Sea
Three possible futures. Two versions of the apocalypse. One chance to save the world. Wes Porter, a severely depressed insanity-inducing playboy, is detoxing from hallucinogens that have unlocked his ability to see versions of potential futures - and he's just foreseen two ways the world could end. Normally, Wes would leave the hero bullshit to somebody else, but he can't abdicate responsibility this time... not when both those apocalypses might be his fault. With some prompting from a mythological bard-prophet who may or may not be real, and a lot of assistance from his monster-eating baby sister who desperately wants to move out of his apartment, and their soothsayer cousin who has his own demons to fight, Wes attempts to save [his] world... but have his poor decisions doomed them all? THE DAY WE ATE GRANDAD is the third book in the Pagham-on-Sea series. It is a dysfunctional family cosmic horror novel for fans of WHAT WE DO IN THE SHADOWS, THE MAGNUS ARCHIVES, and THE CALL OF CTHULHU, with themes of bereavement and grief, generational trauma, and a dash of Roman/Welsh mythology.
- The Reluctant Husband: Pagham-on-Sea
When Nathan Monatgue Porter, occultist and civil servant, catches the attention of Sir Jack Sauvant, he is invited to Sir Jack's Sussex country house to attempt some grisly magical experiments. Little does he know that it is Sir Jack's maid, Deirdre Wend, who actually holds the key to forbidden knowledge - but she won't give it up unless he takes her to the pictures first. A Lovecraftian pastiche for fans of Clive Barker and Ray Bradbury, a standalone prequel to The Crows.
C. M. Rosens
C. M. Rosens is an author and fairy godmother of two based in England and Wales, but is lucky enough to have family and friends all over the world. She is a lover of the Gothic, the Paranormal and the just plain Weird. She wanted to go into acting once but was persuaded to "get a real job". As a result, she has a PhD in Medieval Welsh History, an academic alter-ego, and works part-time at a gym for job security. Summon her with chocolate, ghost stories and central heating. Find her on social media: Twitter: CMRosens Facebook: CMRosens Pinterest: CMRosens Instagram: cm.rosens
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