The Marseilles Trilogy Series

An ex-cop takes on the mafia in the blockbuster novel that kicks off the Marseilles trilogy with what “may be the most lyrical hard-boiled writing yet” (The Nation). In Jean-Claude Izzo’s “Mediterranean noir” mysteries, the city of Marseilles is explosive, breathtakingly beautiful, and deadly. Total Chaos introduces readers to Fabio Montale, a disenchanted cop who turns his back on a police force marred by corruption and racism and, in the name of friendship, takes the fight against the mafia into his own hands. Ugo, Manu, and Fabio grew up together on the mean streets of Marseilles where friendship means everything. They promised to stay true to one another and swore that nothing would break their bond. But people and circumstances change. Ugo and Manu have been drawn into the criminal underworld of Europe’s toughest and most violent city. When Manu is murdered and Ugo returns from abroad to avenge his friend’s death, only to be killed himself, it is left to the third in this trio, Det. Fabio Montale, to ensure justice is done. Despite warnings from both his colleagues in law enforcement and his acquaintances in the underworld, Montale cannot forget the promise he once made Manu and Ugo. He’s going to find their killer no matter the consequences. “One of the masterpieces of modern noir.” —The Washington Post “Like the best noir writers—and make no mistake, he is among the best—Izzo not only has a keen eye for detail . . . but also digs deep into what makes men weep.” —Time Out New York “The holy grail of noir fiction . . . a fast paced and stylishly told modern tragedy.” —NB Magazine

The final book in the Marseilles trilogy, following Chourmo, from “a talented writer who draws from the deep, dark well of noir (The Washington Post). Ex-cop, loner, Fabio Montale returns in this stunning conclusion to Jean-Claude Izzo’s Marseilles trilogy. Italian Mafiosi are hunting journalist-activist Babette Bellini, and the body count is growing as they close in on their prey. In desperation, Bellini seeks help from her former lover, Montale. Before he has time to shake off his most recent hangover, Montale is receiving sinister phone calls from men with Italian accents who want him to find Bellini for them. Like a woman he can’t leave, like strong liquor he can’t refuse, Marseilles lures Montale back into its violent embrace. Solea is Izzo’s heartfelt cry against the criminal forces corrupting his beloved city. It is his farewell to Marseilles and to its ideal protagonist, Fabio Montale. It concludes an unforgettable trilogy that epitomizes the aspirations and ideals of the Mediterranean noir movement. Praise for Izzo’s Marseilles Trilogy “One of the masterpieces of modern noir.” —The Washington Post “Izzo’s ability to describe Marseilles and to make his readers feel the multiracial reality of that city so directly and authentically is fascinating.” —Andrea Camilleri, New York Times–bestselling author of the Inspector Montalbano series “Sensationally readable . . . Full of fascinating characters.” —Chicago Tribune “Terrific.” —The New York Times “Like the best noir writers—and make no mistake, he is among the best—Izzo not only has a keen eye for detail . . . but also digs deep into what makes men weep.” —Time Out New York

Second in the renowned Marseilles trilogy following Total Chaos, “one of the masterpieces of modern noir” (Michael Dirda, The Washington Post). This second novel in Izzo’s acclaimed Marseilles trilogy is a touching tribute to the author’s beloved city, in all its color and complexity. Fabio Montale is an unwitting hero in this city of melancholy beauty. Montale has left a police force marred by corruption, xenophobia, and greed. But getting out is not going to be so easy. When his cousin’s son goes missing, Montale is dragged back onto the mean streets of a violent, crime-infested Marseilles. To discover the truth about the boy’s disappearance, he infiltrates a dangerous underworld of mobsters, religious fanatics, crooked cops, and ordinary people driven to extremes by desperation. “Noir at its finest.” —The Times Literary Supplement “Izzo, who died in 2000, is more than adept at noir conventions—gritty light, sudden switches of scene, the pervasive rot of cynicism, which sullies even the best intentions. But what makes his work haunting is his extraordinary ability to convey the tastes and smells of Marseilles, and the way memory and obligation dog every step his hero takes.” —The New Yorker “Like the best American practitioners in the genre, Izzo refrains from any sugarcoating of the city he depicts or the broken and imperfect men and women who people it.” —Publishers Weekly “This hard-hitting series captures all the world-weariness of the contemporary European crime novel, but Izzo mixes it with a hero who is as virile as he is burned out.” —Booklist