About this series
He refocused on Blotto just as the smile faded from the man’s lips and his mouth drew tightly closed, as if he were desperately trying to stifle a belch. His eyes shown suddenly wide and intense, yet their expression had not changed so much as become frozen in stasis. His shapeless body jerked once, his flesh seemed to roll as does water in a boat’s wake, and then his fat lips were parted by what first seemed his tongue, but was revealed to be a budding red rose, which emerged into the fire-light and blossomed its pedals, spilling blood onto the gangplank and filling the air with scent. Glancing to the hand with which the man gripped Rosethorn, Dravidian saw that she’d sprouted thorn-studded rose stems, which had penetrated Blotto’s beefy wrist and chewed their way through his body.
His heel lifted off the wood and his ankle seemed to lock with paralysis, and then his body listed to the right and he began to fall. The rose imploded as if growing in reverse, retracting into his mouth which fell shut with the clacking of teeth, and an instant later Rosethorn fell to the plank and Dravidian stooped to snatch her up. Blotto’s body fell into the void.
Titles in the series (5)
- Comes a Ferryman: The Ferryman Pentalogy, #1
1
The ferryman turned to face her and she quickly looked away—as if an owl had suddenly focused on her in the dark. Now that they’d reached the trunk of the river, he had relaxed the intensity of his rowing to a more casual pace, and was allowing the current to do most the work. (She didn’t dare risk activating the ring now!) Instead she looked at the floorboards, and after a few moments, remembered the book lying next to her. She reached toward it habitually—but froze when the raven cawed loudly and its red beam fell upon the back of her hand. A tense moment followed in which she looked from the ferryman to the raven then back again as her fingertips wavered over the golden cover. Then the ferryman motioned with his head, and the raven’s light swung away and switched off. She picked up the book slowly and placed it on her lap.
- The Tempter and the Taker: The Ferryman Pentalogy, #2
2
Shekalane looked at him with something akin to pity. "You speak as if Ursathrax were a person. A lover, perhaps." Jamais laughed. "I suppose that’s true. It is the hallmark of lonely people, to anthropomorphize. They do it to their pets quite frequently. But that is just one of her secrets … for while not a person same as you or I, she is, I believe, sentient. She is self-aware. Surely you have felt it, on those days when the leaves of the trees rustle even though there is no wind? She is alive … she has her moods and her trespasses, like every living thing. And also like every living thing, she is mortal. By which I mean she has a beginning, a middle, and an end, as do all things … and that, after five-hundred years, she is nearing her end." There was another long pause, and Shekalane looked at Dravidian, who said, "No. That is not possible. The Lucitor would not have created something so frail and temporal …" Jamais studied him for a beat. "And yet the sky is falling, is it not?"
- The Pierced Veil: The Ferryman Pentalogy, #3
3
He picked up one of the fur coats and helped her into it, then stroked the hair next to her temple, laying his head slowly back against the pillows. He gazed up at the gondola’s steel ferro (which loomed above them for the ship was right behind him and the flat-bottomed boat’s prow rested well above the waterline), and said, "Take hold of my ship’s ferro, Shekalane. And hold on tightly." She looked at the great black and gold ferro, which pointed like a scimitar at the ceiling of the cavern, and its comb of seven tines, six pointing forward and one back, then back at Dravidian, whom she kissed before pushing herself up by her arms and, with the assistance of Dravidian’s big hands on her waist, gripped the topmost tines, the forward of which was etched with the word ‘Jaskir’ and the backward of which was etched ‘Novum Venum.’ She looked down at him as he hiked her frayed dress up along her dirty thighs and realized she was breathing far too heavy and fast, and tried to calm herself by observing the grotto around them, the piled treasure, the phantasmagoria of mushrooms. But then his cheek grazed the inside of her thigh and he began kissing her leg softly, and she surrendered all pretense to being in any sort of control.
- Black Hole, White Fountain: The Ferryman Pentalogy, #4
4
The hologram faded away and a silence fell over the glade as Dravidian reseated himself upon the rock. Sthulhu remained respectfully silent. In his mind's eye Dravidian saw Pepperlung on the deck of their great dragger, The Vorpal Gladio, saw him glance over his shoulder at the prefect as his tone became grave: "Beware, Dravidian. The bride is just sightseeing but Asmodeus is here for you. You are the only ferryman up for elevation this year. Watch yourself. There will be a test, surely." The ground trembled suddenly and the remnants of the cage rattled as a minor Ursaquake shook the glade, and the sun orb went from gold to orange. A horse whinnied in the distance and Dravidian looked out across Parvus’ homestead to see a great steed leap up in its corral. The slightest push against the dilapidated boards would have freed it—but the creature either did not know or did not care. The horse, however mighty, knew its place. It knew in its primitive yet tamed wiring what Dravidian, in his advanced and now liberated own, did not: that nothing lay beyond its cage that did not already exist in abundance within.
- To the End of Ursathrax: The Ferryman Pentalogy, #5
5
He refocused on Blotto just as the smile faded from the man’s lips and his mouth drew tightly closed, as if he were desperately trying to stifle a belch. His eyes shown suddenly wide and intense, yet their expression had not changed so much as become frozen in stasis. His shapeless body jerked once, his flesh seemed to roll as does water in a boat’s wake, and then his fat lips were parted by what first seemed his tongue, but was revealed to be a budding red rose, which emerged into the fire-light and blossomed its pedals, spilling blood onto the gangplank and filling the air with scent. Glancing to the hand with which the man gripped Rosethorn, Dravidian saw that she’d sprouted thorn-studded rose stems, which had penetrated Blotto’s beefy wrist and chewed their way through his body. His heel lifted off the wood and his ankle seemed to lock with paralysis, and then his body listed to the right and he began to fall. The rose imploded as if growing in reverse, retracting into his mouth which fell shut with the clacking of teeth, and an instant later Rosethorn fell to the plank and Dravidian stooped to snatch her up. Blotto’s body fell into the void.
Wayne Kyle Spitzer
Wayne Kyle Spitzer (born July 15, 1966) is an American author and low-budget horror filmmaker from Spokane, Washington. He is the writer/director of the short horror film, Shadows in the Garden, as well as the author of Flashback, an SF/horror novel published in 1993. Spitzer's non-genre writing has appeared in subTerrain Magazine: Strong Words for a Polite Nation and Columbia: The Magazine of Northwest History. His recent fiction includes The Ferryman Pentalogy, consisting of Comes a Ferryman, The Tempter and the Taker, The Pierced Veil, Black Hole, White Fountain, and To the End of Ursathrax, as well as The X-Ray Rider Trilogy and a screen adaptation of Algernon Blackwood’s The Willows.
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