Mark Twain Papers Series

All of these selections in this volume were comosed between 1896 and 1905. Mark Twain wrote them after the disasters of the early and middle nineties that had included the decline into bankruptcy of his publishing business, the failure of the typsetting machine in which he invested heavily, and the death of his daughter Susy. Their principal fable is that of a man who has been long favored by luck while pursuing a dream of success that has seemed about to turn into reality. Sudden reverses occur and he experiences a nightmarish time of failure. He clutches at what may be a saving thought: perhaps he is indeed living in a nightmare from which he will awaken to his former felicity. But there is also the possibility that what seems a dream of disaster may be the actuality of his life. The question is the one asked by the titles that he gave to two of his manuscripts: "Which Was the Dream?" and "Which Was It?" He posed a similar question in 1893: "I dreamed I was born, and grew up, and was a pilot on the Mississippi, and a miner and journalist...and had a wife and children...and this dream goes on and on and on, and sometimes seems so real that I almost believe it is real. I wonder if it is?" Behind this naïve query was his strong interest in conscious and unconscious levels of mental experience, which were then being explored by the new psychology.

This volume provides authoritative texts of Twain’s unpublished writings, both fictional and factual, about the people and places of his home town, Hannibal, Missouri. A significant part of only one of them, "Jane Lampton Clemens," has been published; it was inserted unjustifiably in Twain's Authobiography . Written soon after the death of Clemens's mother on 27October 1890, it arranges and assesses a son's recollections of a vibrant personality important in shaping his life. At the start the author turns to the time when he, a six-year-old, knelt with his mother by the bed on which his dead brother lay—a harassing experience that understandably seared the boy's memory. The sketch moves on to a host of details about antebellum Hannibal, its society and its attitudes toward slavery, and to vivid memories about the child, his mother, and his father in the 1840's and 1850's. The movement from a single remembered episode to a series of loosely associated recollections was a typical performance in Clemens's "autobiography" and his fiction. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1969. This volume provides authoritative texts of Twain’s unpublished writings, both fictional and factual, about the people and places of his home town, Hannibal, Missouri. A significant part of only one of them, "Jane Lampton Clemens,"

Six, years after Mark Twain's death, Albert Bigelow Paine, the author's literary executor, brought out a bowdlerized edition of The Mysterious Stranger, silently cut and cobbled from three unfinished manuscripts. This volume presents those manuscripts for the first time, exactly as mark Twain wrote them. Paine's disingenuous account of the history of his edition has, until recently, misled critics into believing that Mark Twain's creative abilities deserted him for a time, only to be recovered in the composition of The Mysterious Stranger. By writing this tale, said Bernard DeVoto, Mark Twain "saved himself in the end, and came back from the edge of insanity, and found as much peace as any man may find in his last years, and brought his talent into fruition and made it whole again." Although most critics have praised the work as the finest fiction of Mark Twain's later years, Paine and his collaborator, Frederick A. Duneka, so changed many of the book's essentials that it does not fully or accurately reflect the author's mood and thought. Paine's edition of the book was based, for the most part, on the earliest of the three versions, written during the time of Mark Twain's supposed creative paralysis. He and Duneka suppressed a quarter of the text of this manuscript and grafted onto it the last chapter of the latest version. Mark Twain began the first manuscript, "The Chronicle of Young Satan," in 1897; late in 1898, he tried to recast the story in a Hannibal setting, then returned to his first version, only to abandon it permanently in 1900. Between 1902 and 1908, he worked on the third and longest version, the only one the author called "The Mysterious Stranger." The publication of these texts therefore offers an opportunity to observe Mark Twain's sustained literary struggle with a central theme and to reevaluate the tantalizing question of the author's late work. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1969.

Mark Twain's letters for 1874 and 1875 encompass one of his most productive and rewarding periods as author, husband and father, and man of property. He completed the writing of The Adventures of Tom Sawyer, published the major collection Sketches, New and Old, became a leading contributor to the Atlantic Monthly, and turned The Gilded Age, the novel he had previously coauthored with Charles Dudley Warner, into one of the most popular comedies of the nineteenth-century American stage. His personal life also was gratifying, unmarred by the family tragedies that had darkened the earlier years of the decade. He and his wife welcomed a second healthy daughter and moved into the showplace home in Hartford, Connecticut, that they occupied happily for the next sixteen years. All of these accomplishments and events are vividly captured, in Mark Twain's inimitable language and with his unmatched humor, in letters to family and friends, among them some of the leading writers of the day. The comprehensive editorial annotation supplies the historical and social context that helps make these letters as fresh and immediate to a modern audience as they were to their original readers. This volume is the sixth in the only complete edition of Mark Twain's letters ever attempted. The 348 letters it contains, many of them never before published, have been meticulously transcribed, either from the original manuscripts (when extant) or from the most reliable sources now available. They have been thoroughly annotated and indexed and are supplemented by genealogical charts, contemporary notices of Mark Twain and his works, and photographs of him, his family, and his friends. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 2003. Mark Twain's letters for 1874 and 1875 encompass one of his most productive and rewarding periods as author, husband and father, and man of property. He completed the writing of The Adventures of Tom Sawyer, published the major collection Sketch

"Livy darling, it was flattering, at the Lord Mayor's dinner, tonight, to have the nation's honored favorite, the Lord High Chancellor of England, in his vast wig & gown, with a splendid, sword-bearing lackey, following him & holding up his train, walk me arm-in-arm through the brilliant assemblage, & welcome me with all the enthusiasm of a girl, & tell me that when affairs of state oppress him & he can't sleep, he always has my books at hand & forgets his perplexities in reading them!" (10 November 1872) On his first trip to England to gather material for a book and cement relations with his newly authorized English publishers, Samuel Clemens was astounded to find himself hailed everywhere as a literary lion. America's premier humorist had begun his long tenure as an international celebrity. Meanwhile, he was coming into his full power at home. The Innocents Abroad continued to produce impressive royalties and his new book, Roughing It, was enjoying great popularity. In newspaper columns he appeared regularly as public advocate and conscience, speaking on issues as disparate as safety at sea and political corruption. Clemens's personal life at this time was for the most part fulfilling, although saddened by the loss of his nineteen-month-old son, Langdon, who died of diphtheria. Life in the Nook Farm community of writers and progressive thinkers and activists was proving to be all the Clemenses had hoped for. The 309 letters in this volume, more than half of them never before published, capture the events of these years with detailed intimacy. Thoroughly annotated and indexed, they are supplemented by genealogical charts of the Clemens and Langdon families, a transcription of the journals Clemens kept during his 1872 visit to England, book contracts, his preface to the English edition of The Gilded Age, contemporary photographs of family and friends, and a gathering of all newly discovered letters written between 1865 and 1871. This volume is the fifth in the only complete edition of Mark Twain's letters ever attempted, and the twenty-fourth in the comprehensive edition known as The Mark Twain Papers and Works of Mark Twain. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1980. "Livy darling, it was flattering, at the Lord Mayor's dinner, tonight, to have the nation's honored favorite, the Lord High Chancellor of England, in his vast wig & gown, with a splendid, sword-bearing lackey, following him & holding up his train, walk

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1988. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived

"You ought to see Livy & me, now-a-days—you never saw such a serenely satisfied couple of doves in all your life. I spent Jan 1, 2, 3 & 5 there, & left at 8 last night. With my vile temper & variable moods, it seems an incomprehensible miracle that we two have been right together in the same house half the time for a year & a half, & yet have never had a cross word, or a lover's 'tiff,' or a pouting spell, or a misunderstanding, or the faintest shadow of a jealous suspicion. Now isn't that absolutely wonderful? Could I have had such an experience with any other girl on earth? I am perfectly certain I could not. . . . We are to be married on Feb. 2d." So begins Volume 4 of the letters, with Samuel Clemens anticipating his wedding to Olivia L. Langdon. The 338 letters in this volume document the first two years of a loving marriage that would last more than thirty years. They recount, in Clemens's own inimitable voice, a tumultuous time: a growing international fame, the birth of a sickly first child, and the near-fatal illness of his wife. At the beginning of 1870, fresh from the success of The Innocents Abroad, Clemens is on "the long agony" of a lecture tour and planning to settle in Buffalo as editor of the Express. By the end of 1871, he has moved to Hartford and is again on tour, anticipating the publication of Roughing It and the birth of his second child. The intervening letters show Clemens bursting with literary ideas, business schemes, and inventions, and they show him erupting with frustration, anger, and grief, but more often with dazzling humor and surprising self-revelation. In addition to Roughing It, Clemens wrote some enduringly popular short pieces during this period, but he saved some of his best writing for private letters, many of which are published here for the first time. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996. "You ought to see Livy & me, now-a-days—you never saw such a serenely satisfied couple of doves in all your life. I spent Jan 1, 2, 3 & 5 there, & left at 8 last night. With my vile temper & variable moods, it seems an incomprehensible miracle that we

"I've struck it!" Mark Twain wrote in a 1904 letter to a friend. "And I will give it away—to you. You will never know how much enjoyment you have lost until you get to dictating your autobiography." Thus, after dozens of false starts and hundreds of pages, Twain embarked on his "Final (and Right) Plan" for telling the story of his life. His innovative notion—to "talk only about the thing which interests you for the moment"—meant that his thoughts could range freely. The strict instruction that many of these texts remain unpublished for 100 years meant that when they came out, he would be "dead, and unaware, and indifferent," and that he was therefore free to speak his "whole frank mind." The year 2010 marks the 100th anniversary of Twain's death. In celebration of this important milestone and in honor of the cherished tradition of publishing Mark Twain's works, UC Press is proud to offer for the first time Mark Twain's uncensored autobiography in its entirety and exactly as he left it. This major literary event brings to readers, admirers, and scholars the first of three volumes and presents Mark Twain's authentic and unsuppressed voice, brimming with humor, ideas, and opinions, and speaking clearly from the grave as he intended. Editors: Harriet E. Smith, Benjamin Griffin, Victor Fischer, Michael B. Frank, Sharon K. Goetz, Leslie Myrick

The surprising final chapter of a great American life. When the first volume of Mark Twain’s uncensored Autobiography was published in 2010, it was hailed as an essential addition to the shelf of his works and a crucial document for our understanding of the great humorist’s life and times. This third and final volume crowns and completes his life’s work. Like its companion volumes, it chronicles Twain's inner and outer life through a series of daily dictations that go wherever his fancy leads. Created from March 1907 to December 1909, these dictations present Mark Twain at the end of his life: receiving an honorary degree from Oxford University; railing against Theodore Roosevelt; founding numerous clubs; incredulous at an exhibition of the Holy Grail; credulous about the authorship of Shakespeare’s plays; relaxing in Bermuda; observing (and investing in) new technologies. The Autobiography’s "Closing Words" movingly commemorate his daughter Jean, who died on Christmas Eve 1909. Also included in this volume is the previously unpublished "Ashcroft-Lyon Manuscript," Mark Twain’s caustic indictment of his "putrescent pair" of secretaries and the havoc that erupted in his house during their residency. Fitfully published in fragments at intervals throughout the twentieth century, Autobiography of Mark Twain has now been critically reconstructed and made available as it was intended to be read. Fully annotated by the editors of the Mark Twain Project, the complete Autobiography emerges as a landmark publication in American literature. Editors: Benjamin Griffin and Harriet Elinor Smith Associate Editors: Victor Fischer, Michael B. Frank, Amanda Gagel, Sharon K. Goetz, Leslie Diane Myrick, Christopher M. Ohge

Mark Twain’s complete, uncensored Autobiography was an instant bestseller when the first volume was published in 2010, on the centennial of the author’s death, as he requested. Published to rave reviews, the Autobiography was hailed as the capstone of Twain’s career. It captures his authentic and unsuppressed voice, speaking clearly from the grave and brimming with humor, ideas, and opinions. The eagerly-awaited Volume 2 delves deeper into Mark Twain’s life, uncovering the many roles he played in his private and public worlds. Filled with his characteristic blend of humor and ire, the narrative ranges effortlessly across the contemporary scene. He shares his views on writing and speaking, his preoccupation with money, and his contempt for the politics and politicians of his day. Affectionate and scathing by turns, his intractable curiosity and candor are everywhere on view. Editors: Benjamin Griffin and Harriet E. Smith Associate Editors: Victor Fischer, Michael B. Frank, Sharon K. Goetz and Leslie Diane Myrick