Classic Short Story Collections: Thrillers Series

MOON-FACE (Excerpt) John Claverhouse was a moon-faced man. You know the kind, cheek-bones wide apart, chin and forehead melting into the cheeks to complete the perfect round, and the nose, broad and pudgy, equidistant from the circumference, flattened against the very centre of the face like a dough-ball upon the ceiling. Perhaps that is why I hated him, for truly he had become an offense to my eyes, and I believed the earth to be cumbered with his presence. Perhaps my mother may have been superstitious of the moon and looked upon it over the wrong shoulder at the wrong time. Be that as it may, I hated John Claverhouse. Not that he had done me what society would consider a wrong or an ill turn. Far from it. The evil was of a deeper, subtler sort; so elusive, so intangible, as to defy clear, definite analysis in words. We all experience such things at some period in our lives. For the first time we see a certain individual, one who the very instant before we did not dream existed; and yet, at the first moment of meeting, we say: "I do not like that man." Why do we not like him? Ah, we do not know why; we know only that we do not. We have taken a dislike, that is all. And so I with John Claverhouse. What right had such a man to be happy? Yet he was an optimist. He was always gleeful and laughing. All things were always all right, curse him! Ah I how it grated on my soul that he should be so happy! Other men could laugh, and it did not bother me. I even used to laugh myself—before I met John Claverhouse. But his laugh! It irritated me, maddened me, as nothing else under the sun could irritate or madden me. It haunted me, gripped hold of me, and would not let me go. It was a huge, Gargantuan laugh. Waking or sleeping it was always with me, whirring and jarring across my heart-strings like an enormous rasp. At break of day it came whooping across the fields to spoil my pleasant morning revery. Under the aching noonday glare, when the green things drooped and the birds withdrew to the depths of the forest, and all nature drowsed, his great "Ha! ha!" and "Ho! ho!" rose up to the sky and challenged the sun. And at black midnight, from the lonely cross-roads where he turned from town into his own place, came his plaguey cachinnations to rouse me from my sleep and make me writhe and clench my nails into my palms. I went forth privily in the night-time, and turned his cattle into his fields, and in the morning heard his whooping laugh as he drove them out again. "It is nothing," he said; "the poor, dumb beasties are not to be blamed for straying into fatter pastures."... About Jack London:  Jack London (1876-1916), was an American author and a pioneer in the then-burgeoning world of commercial magazine fiction. He was one of the first Americans to make a lucrative career exclusively from writing. London was self-educated. He taught himself in the public library, mainly just by reading books. In 1898, he began struggling seriously to break into print, a struggle memorably described in his novel, Martin Eden (1909). Jack London was fortunate in the timing of his writing career. He started just as new printing technologies enabled lower-cost production of magazines. This resulted in a boom in popular magazines aimed at a wide public, and a strong market for short fiction. In 1900, he made $2,500 in writing, the equivalent of about $75,000 today. His career was well under way. Among his famous works are: Children of the Frost (1902), The Call of the Wild (1903), The Sea Wolf (1904), The Game (1905), White Fang (1906), The Road (1907), Before Adam (1907), Adventure (1911),

This collection of Lupin short stories presents more puzzling criminal involvements of the classic French hero-thief and his men.The character of Lupin might have been based by Leblanc on French anarchist Marius Jacob, whose trial made headlines in March 1905; it is also possible that Leblanc had also read Octave Mirbeau's Les 21 jours d'un neurasthénique (1901), which features a gentleman thief named Arthur Lebeau, and seen Mirbeau's comedy Scrupules (1902), whose main character is a gentleman thief. It was not influenced by E. W. Hornung's gentleman thief, A.J. Raffles, created in 1899, whom Leblanc had not read.TWOHUNDRED THOUSAND FRANCS REWARD! (Excerpt)"Lupin," I said, "tell me something about yourself.""Why, what would you have me tell you? Everybody knows my life!" replied Lupin, who lay drowsing on the sofa in my study."Nobody knows it!" I protested. "People know from your letters in the newspapers that you were mixed up in this case, that you started that case. But the part which you played in it all, the plain facts of the story, the upshot of the mystery: these are things of which they know nothing.""Pooh! A heap of uninteresting twaddle!""What! Your present of fifty thousand francs to Nicolas Dugrival's wife! Do you call that uninteresting? And what about the way in which you solved the puzzle of the three pictures?"Lupin laughed:"Yes, that was a queer puzzle, certainly. I can suggest a title for you if you like: what do you say to The Sign of the Shadow?""And your successes in society and with the fair sex?" I continued. "The dashing Arsène's love-affairs!… And the clue to your good actions? Those chapters in your life to which you have so often alluded under the names of The Wedding-ring, Shadowed by Death, and so on!… Why delay these confidences and confessions, my dear Lupin?… Come, do what I ask you!… "It was at the time when Lupin, though already famous, had not yet fought his biggest battles; the time that preceded the great adventures of The Hollow Needle and 813. He had not yet dreamt of annexing the accumulated treasures of the French Royal House nor of changing the map of Europe under the Kaiser's nose: he contented himself with milder surprises and humbler profits, making his daily effort, doing evil from day to day and doing a little good as well, naturally and for the love of the thing, like a whimsical and compassionate Don Quixote.He was silent; and I insisted:"Lupin, I wish you would!"To my astonishment, he replied:"Take a sheet of paper, old fellow, and a pencil."...Maurice Marie Émile Leblanc (11 November 1864 – 6 November 1941) was a French novelist and writer of short stories, known primarily as the creator of the fictional gentleman thief and detective Arsène Lupin, often described as a French counterpart to Arthur Conan Doyle's creation Sherlock Holmes.The first Arsène Lupin story appeared in a series of short stories serialized in the magazine Je Sais Tout, starting in No. 6, dated 15 July 1905. Clearly created at editorial request under the influence of, and in reaction to, the wildly successful Sherlock Holmes stories, the roguish and glamorous Lupin was a surprise success and Leblanc's fame and fortune beckoned. In total, Leblanc went on to write twenty-one Lupin novels or collections of short stories.By 1907 Leblanc had graduated to writing full-length Lupin novels, and the reviews and sales were so good that Leblanc effectively dedicated the rest of his career to working on the Lupin stories. Like Conan Doyle, who often appeared embarrassed or hindered by the success of Sherlock Holmes and seemed to regard his success in the field of crime fiction as a detraction from his more "respectable" literary ambitions, Leblanc also appeared to have resented Lupin's success. Several times, he tried to create other characters, such as private eye Jim Barnett, but eventually merged them with Lupin. He continued to pen Lupin tales well into the 1930s.

In this collection of shorter stories we visit Malay pirates, have a couple of tales of India, a shipwreck off the Channel Islands and a bursting dam in California, and finish off escaping from captivity in China. AMONG MALAY PIRATES (excerpt) "I wish most heartily that something would happen," Harry Parkhurst, a midshipman of some sixteen years of age, said to his chum, Dick Balderson, as they leaned on the rail of her majesty's gunboat Serpent, and looked gloomily at the turbid stream that rolled past the ship as she lay at anchor. "One day is just like another—one is in a state of perspiration from morning till night, and from night till morning. There seems to be always a mist upon the water; and if it were not that we get up steam every three or four days and run out for twenty-four hours for a breath of fresh air, I believe that we should be all eaten up with fever in no time. Of course, they are always talking of Malay pirates up the river kicking up a row; but it never seems to come off." "There is one thing, Harry—there is always something to look at, for there are canoes constantly going up and down, and there is plenty of variety among them—from the sluggish dhows, laden with up country produce, to the long canoes with a score of paddlers and some picturesque ruffian sitting in the stern. It adds to the interest when you know that the crews are cutthroats to a man, and would make but the shortest possible work of you if they had got you in their power." "Yes, Dick. Look at that canoe coming up stream; what a good looking chap that is in the stern, though by the way he scowls at us I can quite believe he would, as you say, cut our throats if he had the chance. That is a pretty little child sitting by him, and what a gorgeous dress she has! There, you see, he can look pleasant enough when he speaks to her. I fancy they must have come from a long way up the river, for they look wilder than most of the fellows who pass us. If that fool who is steering her does not mind what he is about, Dick, he will either run into that canoe coming down or else get across our chain. There, I told you so." The man at the tiller was in fact, looking, with mingled curiosity and hostility, at the gunboat that he was passing but a few yards away, and did not notice a canoe, manned by six rowers, that was coming down with the stream, taking an oblique course across the bows of the Serpent, and was indeed hidden from his view by the hull of the vessel, until he had passed beyond her. Then there was a sudden shout and a yell from a dozen throats, as the two canoes came into collision, the one proceeding up the river being struck on the quarter with a force that almost cut her in two, and in an instant her occupants were in the water. As the Malays were to a man almost as much at home in the water as on land, the accident would have had little effect beyond the loss of the boat and its contents, had it not been that the stern of the other craft struck the Malay chief with such force as to completely disable him, and he would have sunk at once had not two of the boatmen grasped him and kept his head above water...

Tales from the Klondike. "The Faith of Men" is a short story collection originally published in 1904 and contains eight of Jack London's adventure tales, all of them set in London's favorite milieu -- the Yukon Territory. "A Relic of the Pliocene" concerns a "homely, blue-eyed, freckle-faced" hunter named Thomas Stevens and his tracking and eventual killing of a prehistoric mammoth. "A Hyperborean Brew" also concerns Thomas Stevens and his schemes. "In Batard," an evil master makes a monster of an evil dog. Other stories included are "The Faith of Men," "Too Much Gold," "The One Thousand Dozen," "The Marriage of Lit-Lit," "Batard," and "The Story of Jees Uck." .  THE FAITH OF MEN (excerpt) "Tell you what we'll do; we'll shake for it." "That suits me," said the second man, turning, as he spoke, to the Indian that was mending snow-shoes in a corner of the cabin. "Here, you Billebedam, take a run down to Oleson's cabin like a good fellow, and tell him we want to borrow his dice box." This sudden request in the midst of a council on wages of men, wood, and grub surprised Billebedam. Besides, it was early in the day, and he had never known white men of the calibre of Pentfield and Hutchinson to dice and play till the day's work was done. But his face was impassive as a Yukon Indian's should be, as he pulled on his mittens and went out the door. Though eight o'clock, it was still dark outside, and the cabin was lighted by a tallow candle thrust into an empty whisky bottle. It stood on the pine-board table in the middle of a disarray of dirty tin dishes. Tallow from innumerable candles had dripped down the long neck of the bottle and hardened into a miniature glacier. The small room, which composed the entire cabin, was as badly littered as the table; while at one end, against the wall, were two bunks, one above the other, with the blankets turned down just as the two men had crawled out in the morning. Lawrence Pentfield and Corry Hutchinson were millionaires, though they did not look it. There seemed nothing unusual about them, while they would have passed muster as fair specimens of lumbermen in any Michigan camp. But outside, in the darkness, where holes yawned in the ground, were many men engaged in windlassing muck and gravel and gold from the bottoms of the holes where other men received fifteen dollars per day for scraping it from off the bedrock. Each day thousands of dollars' worth of gold were scraped from bedrock and windlassed to the surface, and it all belonged to Pentfield and Hutchinson, who took their rank among the richest kings of Bonanza. Pentfield broke the silence that followed on Billebedam's departure by heaping the dirty plates higher on the table and drumming a tattoo on the cleared space with his knuckles. Hutchinson snuffed the smoky candle and reflectively rubbed the soot from the wick between thumb and forefinger. "By Jove, I wish we could both go out!" he abruptly exclaimed. "That would settle it all." Pentfield looked at him darkly... About Jack London:  Jack London (1876-1916), was an American author and a pioneer in the then-burgeoning world of commercial magazine fiction. He was one of the first Americans to make a lucrative career exclusively from writing. London was self-educated. He taught himself in the public library, mainly just by reading books. In 1898, he began struggling seriously to break into print, a struggle memorably described in his novel, Martin Eden (1909). Jack London was fortunate in the timing of his writing career. He started just as new printing technologies enabled lower-cost production of magazines. This resulted in a boom in popular magazines aimed at a wide public, and a strong market for short f

A collection of very early stories published posthumously, with a preface by his wife Charmian. DUTCH COURAGE (excerpt) "Just our luck!" Gus Lafee finished wiping his hands and sullenly threw the towel upon the rocks. His attitude was one of deep dejection. The light seemed gone out of the day and the glory from the golden sun. Even the keen mountain air was devoid of relish, and the early morning no longer yielded its customary zest. "Just our luck!" Gus repeated, this time avowedly for the edification of another young fellow who was busily engaged in sousing his head in the water of the lake. "What are you grumbling about, anyway?" Hazard Van Dorn lifted a soap-rimmed face questioningly. His eyes were shut. "What's our luck?" "Look there!" Gus threw a moody glance skyward. "Some duffer's got ahead of us. We've been scooped, that's all!" Hazard opened his eyes, and caught a fleeting glimpse of a white flag waving arrogantly on the edge of a wall of rock nearly a mile above his head. Then his eyes closed with a snap, and his face wrinkled spasmodically. Gus threw him the towel, and uncommiseratingly watched him wipe out the offending soap. He felt too blue himself to take stock in trivialities. Hazard groaned. "Does it hurt—much?" Gus queried, coldly, without interest, as if it were no more than his duty to ask after the welfare of his comrade. "I guess it does," responded the suffering one. "Soap's pretty strong, eh?—Noticed it myself." "'Tisn't the soap. It's—it's that!" He opened his reddened eyes and pointed toward the innocent white little flag. "That's what hurts."... About Jack London:  Jack London (1876-1916), was an American author and a pioneer in the then-burgeoning world of commercial magazine fiction. He was one of the first Americans to make a lucrative career exclusively from writing. London was self-educated. He taught himself in the public library, mainly just by reading books. In 1898, he began struggling seriously to break into print, a struggle memorably described in his novel, Martin Eden (1909). Jack London was fortunate in the timing of his writing career. He started just as new printing technologies enabled lower-cost production of magazines. This resulted in a boom in popular magazines aimed at a wide public, and a strong market for short fiction. In 1900, he made $2,500 in writing, the equivalent of about $75,000 today. His career was well under way. Among his famous works are: Children of the Frost (1902), The Call of the Wild (1903), The Sea Wolf (1904), The Game (1905), White Fang (1906), The Road (1907), Before Adam (1907), Adventure (1911), and The Scarlet Plague (1912).

Jack London gained his first and most lasting fame as the author of tales of the Klondike gold rush. This, his first collection of stories, draws on his experience in the Yukon. The stories tell of gambles won and lost, of endurance and sacrifice, and often turn on the qualities of exceptional women and on the relations between the white adventurers and the native tribes. The Son of the Wolf (excerpt) Man rarely places a proper valuation upon his womankind, at least not until deprived of them. He has no conception of the subtle atmosphere exhaled by the sex feminine, so long as he bathes in it; but let it be withdrawn, and an ever-growing void begins to manifest itself in his existence, and he becomes hungry, in a vague sort of way, for a something so indefinite that he cannot characterize it. If his comrades have no more experience than himself, they will shake their heads dubiously and dose him with strong physic. But the hunger will continue and become stronger; he will lose interest in the things of his everyday life and wax morbid; and one day, when the emptiness has become unbearable, a revelation will dawn upon him. In the Yukon country, when this comes to pass, the man usually provisions a poling boat, if it is summer, and if winter, harnesses his dogs, and heads for the Southland. A few months later, supposing him to be possessed of a faith in the country, he returns with a wife to share with him in that faith, and incidentally in his hardships. This but serves to show the innate selfishness of man. It also brings us to the trouble of 'Scruff' Mackenzie, which occurred in the old days, before the country was stampeded and staked by a tidal-wave of the che-cha-quas, and when the Klondike's only claim to notice was its salmon fisheries. 'Scruff' Mackenzie bore the earmarks of a frontier birth and a frontier life. His face was stamped with twenty-five years of incessant struggle with Nature in her wildest moods,--the last two, the wildest and hardest of all, having been spent in groping for the gold which lies in the shadow of the Arctic Circle. When the yearning sickness came upon him, he was not surprised, for he was a practical man and had seen other men thus stricken. But he showed no sign of his malady, save that he worked harder. All summer he fought mosquitoes and washed the sure-thing bars of the Stuart River for a double grubstake. Then he floated a raft of houselogs down the Yukon to Forty Mile, and put together as comfortable a cabin as any the camp could boast of. In fact, it showed such cozy promise that many men elected to be his partner and to come and live with him. But he crushed their aspirations with rough speech, peculiar for its strength and brevity, and bought a double supply of grub from the trading-post... About Jack London:  Jack London (1876-1916), was an American author and a pioneer in the then-burgeoning world of commercial magazine fiction. He was one of the first Americans to make a lucrative career exclusively from writing. London was self-educated. He taught himself in the public library, mainly just by reading books. In 1898, he began struggling seriously to break into print, a struggle memorably described in his novel, Martin Eden (1909). Jack London was fortunate in the timing of his writing career. He started just as new printing technologies enabled lower-cost production of magazines. This resulted in a boom in popular magazines aimed at a wide public, and a strong market for short fiction. In 1900, he made $2,500 in writing, the equivalent of about $75,000 today. His career was well under way. Among his famous works are: Children of the Frost (1902), The Call of the Wild (1903), The Sea Wolf (1904), The Game (1905),

Contains a number of lesser-known South Pacific tales. A SON OF THE SUN (excerpt) The Willi-Waw lay in the passage between the shore-reef and the outer-reef. From the latter came the low murmur of a lazy surf, but the sheltered stretch of water, not more than a hundred yards across to the white beach of pounded coral sand, was of glass-like smoothness. Narrow as was the passage, and anchored as she was in the shoalest place that gave room to swing, the Willi-Waw's chain rode up-and-down a clean hundred feet. Its course could be traced over the bottom of living coral. Like some monstrous snake, the rusty chain's slack wandered over the ocean floor, crossing and recrossing itself several times and fetching up finally at the idle anchor. Big rock-cod, dun and mottled, played warily in and out of the coral. Other fish, grotesque of form and colour, were brazenly indifferent, even when a big fish-shark drifted sluggishly along and sent the rock-cod scuttling for their favourite crevices. On deck, for'ard, a dozen blacks pottered clumsily at scraping the teak rail. They were as inexpert at their work as so many monkeys. In fact they looked very much like monkeys of some enlarged and prehistoric type. Their eyes had in them the querulous plaintiveness of the monkey, their faces were even less symmetrical than the monkey's, and, hairless of body, they were far more ungarmented than any monkey, for clothes they had none. Decorated they were as no monkey ever was. In holes in their ears they carried short clay pipes, rings of turtle shell, huge plugs of wood, rusty wire nails, and empty rifle cartridges. The calibre of a Winchester rifle was the smallest hole an ear bore; some of the largest holes were inches in diameter, and any single ear averaged from three to half a dozen holes. Spikes and bodkins of polished bone or petrified shell were thrust through their noses...   About Jack London:  Jack London (1876-1916), was an American author and a pioneer in the then-burgeoning world of commercial magazine fiction. He was one of the first Americans to make a lucrative career exclusively from writing. London was self-educated. He taught himself in the public library, mainly just by reading books. In 1898, he began struggling seriously to break into print, a struggle memorably described in his novel, Martin Eden (1909). Jack London was fortunate in the timing of his writing career. He started just as new printing technologies enabled lower-cost production of magazines. This resulted in a boom in popular magazines aimed at a wide public, and a strong market for short fiction. In 1900, he made $2,500 in writing, the equivalent of about $75,000 today. His career was well under way. Among his famous works are: Children of the Frost (1902), The Call of the Wild (1903), The Sea Wolf (1904), The Game (1905), White Fang (1906), The Road (1907), Before Adam (1907), Adventure (1911), and The Scarlet Plague (1912).

South Sea Tales (1911) is a collection of short stories written by Jack London. Most stories are set in island communities, like those of Hawaii, or are set aboard a ship. These are darker Pacific tales, including "Mauki" and "The Terrible Solomans." MAUKI (excerpt) He weighed one hundred and ten pounds. His hair was kinky and negroid, and he was black. He was peculiarly black. He was neither blue-black nor purple-black, but plum-black. His name was Mauki, and he was the son of a chief. He had three tambos. Tambo is Melanesian for taboo, and is first cousin to that Polynesian word. Mauki's three tambos were as follows: First, he must never shake hands with a woman, nor have a woman's hand touch him or any of his personal belongings; secondly, he must never eat clams nor any food from a fire in which clams had been cooked; thirdly, he must never touch a crocodile, nor travel in a canoe that carried any part of a crocodile even if as large as a tooth. Of a different black were his teeeth, which were deep black, or, perhaps better, LAMP-black. They had been made so in a single night, by his mother, who had compressed about them a powdered mineral which was dug from the landslide back of Port Adams. Port Adams is a salt-water village on Malaita, and Malaita is the most savage island in the Solomons--so savage that no traders or planters have yet gained a foothold on it; while, from the time of the earliest bache-de-mer fishers and sandalwood traders down to the latest labor recruiters equipped with automatic rifles and gasolene engines, scores of white adventurers have been passed out by tomahawks and soft-nosed Snider bullets. So Malaita remains today, in the twentieth century, the stamping ground of the labor recruiters, who farm its coasts for laborers who engage and contract themselves to toil on the plantations of the neighboring and more civilized islands for a wage of thirty dollars a year. The natives of those neighboring and more civilized islands have themselves become too civilized to work on plantations. Mauki's ears were pierced, not in one place, nor two places, but in a couple of dozen places. In one of the smaller holes he carried a clay pipe. The larger holes were too large for such use. The bowl of the pipe would have fallen through. In fact, in the largest hole in each ear he habitually wore round wooden plugs that were an even four inches in diameter. Roughly speaking, the circumference of said holes was twelve and one-half inches. Mauki was catholic in his tastes. In the various smaller holes he carried such things as empty rifle cartridges, horseshoe nails, copper screws, pieces of string, braids of sennit, strips of green leaf, and, in the cool of the day, scarlet hibiscus flowers... About Jack London:  Jack London (1876-1916), was an American author and a pioneer in the then-burgeoning world of commercial magazine fiction. He was one of the first Americans to make a lucrative career exclusively from writing. London was self-educated. He taught himself in the public library, mainly just by reading books. In 1898, he began struggling seriously to break into print, a struggle memorably described in his novel, Martin Eden (1909). Jack London was fortunate in the timing of his writing career. He started just as new printing technologies enabled lower-cost production of magazines. This resulted in a boom in popular magazines aimed at a wide public, and a strong market for short fiction. In 1900, he made $2,500 in writing, the equivalent of about $75,000 today. His career was well under way. Among his famous works are: Children of the

Tales from Northland. THE GOD OF HIS FATHERS (excerpt) On every hand stretched the forest primeval,—the home of noisy comedy and silent tragedy. Here the struggle for survival continued to wage with all its ancient brutality. Briton and Russian were still to overlap in the Land of the Rainbow's End—and this was the very heart of it—nor had Yankee gold yet purchased its vast domain. The wolf-pack still clung to the flank of the cariboo-herd, singling out the weak and the big with calf, and pulling them down as remorselessly as were it a thousand, thousand generations into the past. The sparse aborigines still acknowledged the rule of their chiefs and medicine men, drove out bad spirits, burned their witches, fought their neighbors, and ate their enemies with a relish which spoke well of their bellies. But it was at the moment when the stone age was drawing to a close. Already, over unknown trails and chartless wildernesses, were the harbingers of the steel arriving,—fair-faced, blue-eyed, indomitable men, incarnations of the unrest of their race. By accident or design, single-handed and in twos and threes, they came from no one knew whither, and fought, or died, or passed on, no one knew whence. The priests raged against them, the chiefs called forth their fighting men, and stone clashed with steel; but to little purpose. Like water seeping from some mighty reservoir, they trickled through the dark forests and mountain passes, threading the highways in bark canoes, or with their moccasined feet breaking trail for the wolf-dogs. They came of a great breed, and their mothers were many; but the fur-clad denizens of the Northland had this yet to learn. So many an unsung wanderer fought his last and died under the cold fire of the aurora, as did his brothers in burning sands and reeking jungles, and as they shall continue to do till in the fulness of time the destiny of their race be achieved. It was near twelve. Along the northern horizon a rosy glow, fading to the west and deepening to the east, marked the unseen dip of the midnight sun. The gloaming and the dawn were so commingled that there was no night,—simply a wedding of day with day, a scarcely perceptible blending of two circles of the sun. A kildee timidly chirped good-night; the full, rich throat of a robin proclaimed good-morrow. From an island on the breast of the Yukon a colony of wild fowl voiced its interminable wrongs, while a loon laughed mockingly back across a still stretch of river... About Jack London:  Jack London (1876-1916), was an American author and a pioneer in the then-burgeoning world of commercial magazine fiction. He was one of the first Americans to make a lucrative career exclusively from writing. London was self-educated. He taught himself in the public library, mainly just by reading books. In 1898, he began struggling seriously to break into print, a struggle memorably described in his novel, Martin Eden (1909). Jack London was fortunate in the timing of his writing career. He started just as new printing technologies enabled lower-cost production of magazines. This resulted in a boom in popular magazines aimed at a wide public, and a strong market for short fiction. In 1900, he made $2,500 in writing, the equivalent of about $75,000 today. His career was well under way. Among his famous works are: Children of the Frost (1902), The Call of the Wild (1903), The Sea Wolf (1904), The Game (1905), White Fang (1906), The Road (1907), Before Adam (1907), Adventure (1911), and The Scarlet Plague (1912).

Tales from the Klondike. Children of the Frost is a collection of short stories first published in 1902. Includes: - The League of the Old Men - In the Forests of the North - The Law of Life - Nam-Bok the Unveracious - The Master of Mystery - The Sunlanders - The Sickness of Lone Chief - Keesh, the Son of Keesh - The Death of Ligoun - Li Wan, the Fair IN THE FORESTS OF THE NORTH (Excerpt) A weary journey beyond the last scrub timber and straggling copses, into the heart of the Barrens where the niggard North is supposed to deny the Earth, are to be found great sweeps of forests and stretches of smiling land. But this the world is just beginning to know. The world's explorers have known it, from time to time, but hitherto they have never returned to tell the world. The Barrens—well, they are the Barrens, the bad lands of the Arctic, the deserts of the Circle, the bleak and bitter home of the musk-ox and the lean plains wolf. So Avery Van Brunt found them, treeless and cheerless, sparsely clothed with moss and lichens, and altogether uninviting. At least so he found them till he penetrated to the white blank spaces on the map, and came upon undreamed-of rich spruce forests and unrecorded Eskimo tribes. It had been his intention, (and his bid for fame), to break up these white blank spaces and diversify them with the black markings of mountain-chains, sinks and basins, and sinuous river courses; and it was with added delight that he came to speculate upon the possibilities of timber belts and native villages. Avery Van Brunt, or, in full distinction, Professor A. Van Brunt of the Geological Survey, was second in command of the expedition, and first in command of the sub-expedition which he had led on a side tour of some half a thousand miles up one of the branches of the Thelon and which he was now leading into one of his unrecorded villages. At his back plodded eight men, two of them French-Canadian voyageurs, and the remainder strapping Crees from Manitoba-way. He, alone, was full-blooded Saxon, and his blood was pounding fiercely through his veins to the traditions of his race. Clive and Hastings, Drake and Raleigh, Hengest and Horsa, walked with him. First of all men of his breed was he to enter this lone Northland village, and at the thought an exultancy came upon him, an exaltation, and his followers noted that his leg-weariness fell from him and that he insensibly quickened the pace. The village emptied itself, and a motley crowd trooped out to meet him, men in the forefront, with bows and spears clutched menacingly, and women and children faltering timidly in the rear. Van Brunt lifted his right arm and made the universal peace sign, a sign which all peoples know, and the villagers answered in peace. But to his chagrin, a skin-clad man ran forward and thrust out his hand with a familiar "Hello." He was a bearded man, with cheeks and brow bronzed to copper-brown, and in him Van Brunt knew his kind... About Jack London:  Jack London (1876-1916), was an American author and a pioneer in the then-burgeoning world of commercial magazine fiction. He was one of the first Americans to make a lucrative career exclusively from writing. London was self-educated. He taught himself in the public library, mainly just by reading books. In 1898, he began struggling seriously to break into print, a struggle memorably described in his novel, Martin Eden (1909). Jack London was fortunate in the timing of his writing career. He started just as new printing technologies enabled lower-cost production of magazines. This resulted in a boom in popular magazines aimed at a wide public, and a strong market for short fiction. In 1900, he made $2,500 in writing, the e

The League of the Scarlet Pimpernel is a sequel book to the classic adventure tale, The Scarlet Pimpernel. Written by Baroness Orczy and first published in 1919, the book consists of eleven short stories about Sir Percy Blakeney's exploits in rescuing various aristos and French citizens from the clutches of the guillotine. The stories are set in 1793 but appear in no particular order. They occasionally refer to events in other books in the series. Sir Percy Explains Madeleine Lannoy, whose husband was killed at Versailles defending the Queen from the mob, has become a street dancer in the worst parts of Paris. She has taken on this guise in the hope of finding her only son who has been stolen by Citizen Jean Paul Marat, annoyed by her spurning his advances. All she knows is that her child "is to be reared up in the company of all that is most vile and most degraded in the disease-haunted slums of indigent Paris" and that if she doesn't find him soon he risks becoming a criminal or a drink-sodden reprobate at best. A Question of Passports Citizen Bibot of the Town Guard has command of the Porte Montmartre – the last commandant there, citizen Ferney, was guillotined for having allowed a whole batch of aristos to escape and find safety outside the walls of Paris. Citizen Marat arrives to warn Bibot to be watchful because the Pimpernel has promised to rescue the Duc and Duchesse de Montreux and their family, (who are on their way to the Conciergerie prison) that very evening, but Bibot is determined that the Scarlet Pimpernel will not get one over on him. Two Good Patriots Being the desposition of citizeness Fanny Roussell, who was brought up together with her husband, before the Tribunal of the Revolution on a charge of Treason – both being subsequently acquitted. The Old Scarecrow Nobody in the quartier could quite recollect when it was that citizen Lepine, the new public letter-writer first set up in business at the angle formed by the Quai des Augustins and the Rue Dauphine; but he certainly was there on the 28th day of February 1793, when Agnes, with eyes swollen with tears, a market basket on her arm and a look of dreary despair on her young face, turned that self same angle on her way to the Pont Neuf, and nearly fell over the rickety construction which sheltered him and his stock. Baroness Emma Magdolna Rozália Mária Jozefa Borbála "Emmuska" Orczy de Orci (23 September 1865 – 12 November 1947), pen name as Baroness Orczy, was a Hungarian-born British novelist, playwright, and artist of noble origin. She is most known for her series of novels featuring the Scarlet Pimpernel, the alter ego of Sir Percy Blakeney, a wealthy English fop who transforms into a formidable swordsman and a quick-thinking escape artist, representing the original "hero with a secret identity". Opening in London's West End on 5 January 1905, The Scarlet Pimpernel became a favourite of British audiences. Some of her paintings were exhibited at the Royal Academy in London. During World War I, Orczy formed the Women of England's Active Service League, an unofficial organisation aimed at the recruitment of female volunteers for active service.

Features the haunting title novella, well worth comparing to Joseph Conrad's "Heart of Darkness." THE RED ONE (Excerpt) There it was! The abrupt liberation of sound! As he timed it with his watch, Bassett likened it to the trump of an archangel. Walls of cities, he meditated, might well fall down before so vast and compelling a summons. For the thousandth time vainly he tried to analyse the tone-quality of that enormous peal that dominated the land far into the strong-holds of the surrounding tribes. The mountain gorge which was its source rang to the rising tide of it until it brimmed over and flooded earth and sky and air. With the wantonness of a sick man's fancy, he likened it to the mighty cry of some Titan of the Elder World vexed with misery or wrath. Higher and higher it arose, challenging and demanding in such profounds of volume that it seemed intended for ears beyond the narrow confines of the solar system. There was in it, too, the clamour of protest in that there were no ears to hear and comprehend its utterance. Such the sick man's fancy. Still he strove to analyse the sound. Sonorous as thunder was it, mellow as a golden bell, thin and sweet as a thrummed taut cord of silver—no; it was none of these, nor a blend of these. There were no words nor semblances in his vocabulary and experience with which to describe the totality of that sound. Time passed. Minutes merged into quarters of hours, and quarters of hours into half-hours, and still the sound persisted, ever changing from its initial vocal impulse yet never receiving fresh impulse—fading, dimming, dying as enormously as it had sprung into being. It became a confusion of troubled mutterings and babblings and colossal whisperings. Slowly it withdrew, sob by sob, into whatever great bosom had birthed it, until it whimpered deadly whispers of wrath and as equally seductive whispers of delight, striving still to be heard, to convey some cosmic secret, some understanding of infinite import and value. It dwindled to a ghost of sound that had lost its menace and promise, and became a thing that pulsed on in the sick man's consciousness for minutes after it had ceased. When he could hear it no longer, Bassett glanced at his watch. An hour had elapsed ere that archangel's trump had subsided into tonal nothingness... About Jack London:  Jack London (1876-1916), was an American author and a pioneer in the then-burgeoning world of commercial magazine fiction. He was one of the first Americans to make a lucrative career exclusively from writing. London was self-educated. He taught himself in the public library, mainly just by reading books. In 1898, he began struggling seriously to break into print, a struggle memorably described in his novel, Martin Eden (1909). Jack London was fortunate in the timing of his writing career. He started just as new printing technologies enabled lower-cost production of magazines. This resulted in a boom in popular magazines aimed at a wide public, and a strong market for short fiction. In 1900, he made $2,500 in writing, the equivalent of about $75,000 today. His career was well under way. Among his famous works are: Children of the Frost (1902), The Call of the Wild (1903), The Sea Wolf (1904), The Game (1905), White Fang (1906), The Road (1907), Before Adam (1907), Adventure (1911), and The Scarlet Plague (1912).

A collection of Jack London sea stories. CHRIS FARRINGTON: ABLE SEAMAN (Excerpt) "If you vas in der old country ships, a liddle shaver like you vood pe only der boy, und you vood wait on der able seamen. Und ven der able seaman sing out, 'Boy, der water-jug!' you vood jump quick, like a shot, und bring der water-jug. Und ven der able seaman sing out, 'Boy, my boots!' you vood get der boots. Und you vood pe politeful, und say 'Yessir' und 'No sir.' But you pe in der American ship, and you t'ink you are so good as der able seamen. Chris, mine boy, I haf ben a sailorman for twenty-two years, und do you t'ink you are so good as me? I vas a sailorman pefore you vas borned, und I knot und reef und splice ven you play mit topstrings und fly kites." "But you are unfair, Emil!" cried Chris Farrington, his sensitive face flushed and hurt. He was a slender though strongly built young fellow of seventeen, with Yankee ancestry writ large all over him. "Dere you go vonce again!" the Swedish sailor exploded. "My name is Mister Johansen, und a kid of a boy like you call me 'Emil!' It vas insulting, und comes pecause of der American ship!" "But you call me 'Chris'!" the boy expostulated, reproachfully. "But you vas a boy." "Who does a man's work," Chris retorted. "And because I do a man's work I have as much right to call you by your first name as you me. We are all equals in this fo'castle, and you know it. When we signed for the voyage in San Francisco, we signed as sailors on the Sophie Sutherland and there was no difference made with any of us. Haven't I always done my work? Did I ever shirk? Did you or any other man ever have to take a wheel for me? Or a lookout? Or go aloft?" "Chris is right," interrupted a young English sailor. "No man has had to do a tap of his work yet. He signed as good as any of us and he's shown himself as good—" "Better!" broke in a Novia Scotia man. "Better than some of us! When we struck the sealing-grounds he turned out to be next to the best boat-steerer aboard. Only French Louis, who'd been at it for years, could beat him. I'm only a boat-puller, and you're only a boat-puller, too, Emil Johansen, for all your twenty-two years at sea. Why don't you become a boat-steerer?"... About Jack London:  Jack London (1876-1916), was an American author and a pioneer in the then-burgeoning world of commercial magazine fiction. He was one of the first Americans to make a lucrative career exclusively from writing. London was self-educated. He taught himself in the public library, mainly just by reading books. In 1898, he began struggling seriously to break into print, a struggle memorably described in his novel, Martin Eden (1909). Jack London was fortunate in the timing of his writing career. He started just as new printing technologies enabled lower-cost production of magazines. This resulted in a boom in popular magazines aimed at a wide public, and a strong market for short fiction. In 1900, he made $2,500 in writing, the equivalent of about $75,000 today. His career was well under way. Among his famous works are: Children of the Frost (1902), The Call of the Wild (1903), The Sea Wolf (1904), The Game (1905), White Fang (1906), The Road (1907), Before Adam (1907), Adventure (1911), and The Scarlet Plague (1912).

A collection of short stories set in the wilderness. Back to God's Country opens on an idyllic note at the peaceful Canadian mountain home where the innocent child-of-nature Dolores LeBeau lives with her doting father Baptiste LeBeau and a legion of animal friends. When a handsome naturalist Peter Burke stops in at their mountain paradise he is charmed by Dolores and the pair are soon announcing their engagement to Baptiste. But the always changeable mood of Back to God's Country suddenly shifts from a bucolic love story to a genuine nightmare. A murderous criminal Rydal hiding out in the mountains and traveling with his half-breed sidekick, spies Dolores skinny-dipping in a brook and vows to "have" her. Back to God's Country was based on a typically sensational James Oliver Curwood short story "Wapi, the Walrus." Curwood was known for a bizarre fiction formula in which decent women were threatened with rape, only to be rescued from a fate worse than death by a protective dog. Curwood's prototypical woman-beast storyline was also used in Back to God's Country, with Dolores finding an abused, vicious black dog Wapi, her only companion and helpmate in the barren winter landscape where she and Peter are trapped. Dolores and Wapi form a bond that transforms this fascinating, strange story yet again, from a tale of human evil, to an oddly touching story of the loving relationship between a woman and a dog.BACK TOGOD'S COUNTRY (Excerpt)When Shan Tung, the long-cued Chinaman from Vancouver, started up the Frazer River in the old days when the Telegraph Trail and the headwaters of the Peace were the Meccas of half the gold-hunting population of British Columbia, he did not foresee tragedy ahead of him. He was a clever man, was Shan Tung, a cha-sukeed, a very devil in the collecting of gold, and far-seeing. But he could not look forty years into the future, and when Shan Tung set off into the north, that winter, he was in reality touching fire to the end of a fuse that was to burn through four decades before the explosion came.With Shan Tung went Tao, a Great Dane. The Chinaman had picked him up somewhere on the coast and had trained him as one trains a horse. Tao was the biggest dog ever seen about the Height of Land, the most powerful, and at times the most terrible. Of two things Shan Tung was enormously proud in his silent and mysterious oriental way—of Tao, the dog, and of his long, shining cue which fell to the crook of his knees when he let it down. It had been the longest cue in Vancouver, and therefore it was the longest cue in British Columbia. The cue and the dog formed the combination which set the forty-year fuse of romance and tragedy burning. Shan Tung started for the El Dorados early in the winter, and Tao alone pulled his sledge and outfit. It was no more than an ordinary task for the monstrous Great Dane, and Shan Tung subserviently but with hidden triumph passed outfit after outfit exhausted by the way. He had reached Copper Creek Camp, which was boiling and frothing with the excitement of gold-maddened men, and was congratulating himself that he would soon be at the camps west of the Peace, when the thing happened. A drunken Irishman, filled with a grim and unfortunate sense of humor, spotted Shan Tung's wonderful cue and coveted it. Wherefore there followed a bit of excitement in which Shan Tung passed into his empyrean home with a bullet through his heart, and the drunken Irishman was strung up for his misdeed fifteen minutes later. Tao, the Great Dane, was taken by the leader of the men who pulled on the rope. Tao's new master was a "drifter," and as he drifted, his face was always set to the north, until at last a new humor struck him and he turned eastward to the Mackenzie. As the seasons passed, Tao found mates along the way and left a string of his progeny behind him, and he had new masters, one after another, until he was grown old and his muzzle was turning gray. And never did one of these masters turn sout