In the feature-film adaptation of John le Carré's TINKER, TAILOR, SOLDIER, SPY (2011), Cold War-era Britain doesn't look that much different from behind the Iron Curtain - visually, at least. We discuss the challenges of compressing an intricate novel into a two-hour movie, and try to situate le Carré politically. PLUS: Taking the temperature of the snap British election, and a fond farewell to a B-movie titan.