Everand Logo

Welcome to Everand!

  • Discover this podcast and so much more

    Podcasts are free to enjoy without a subscription. We also offer ebooks, audiobooks, and so much more for just $11.99/month.

    Festivals, Atonement, Holy Days, Holiness, and Us (week of May 2, third to listen to)

    Festivals, Atonement, Holy Days, Holiness, and Us (week of May 2, third to listen to)

    FromThe Scriptures Are Real

    Start listeningView podcast show

    Festivals, Atonement, Holy Days, Holiness, and Us (week of May 2, third to listen to)

    FromThe Scriptures Are Real

    ratings:
    Length:
    44 minutes
    Released:
    May 5, 2022
    Format:
    Podcast episode

    Description

    Kerry interviews Julianne Muhlestein about times when they witnessed people living the Law of Moses and how it impacted them in a positive way. They especially focus on holiness and the atoning sacrifice of Christ and how it affects them and their family. Our gratitude to our sponsor, Lisa Spice, to Kaleb Muhlestein for editing the episode, and to Rich Nicholls for playing and composing the music.
    Released:
    May 5, 2022
    Format:
    Podcast episode

    Titles in the series (100)

    The Scriptures Are Real (TSAR) with Kerry Muhlestein is a podcast where we look at elements of the scriptures that have become real to us. We interview both experts (people with language, archaeological, historical backgrounds, etc.), and lay folks, and explore times when the scriptures became real to them. This is done from the viewpoint of members of the Church of Jesus Christ of Latter-day Saints. We believe that there is real power in the scriptures and that as they become more real we can better apply them to our lives and draw more power from them. If you listen to this podcast you will learn all kinds of interesting background information that will help you understand and learn more from the scriptures. We believe it will allow you to add real power to your life. My gratitude to my co-host Lamar Newmeyer. Also to my friend Rich Nicholls, who composed the introductory music.