49 min listen
Public Enemy: Revolution, Scandal, and a Message Louder than a Bomb
FromDISGRACELAND
ratings:
Length:
41 minutes
Released:
Apr 23, 2024
Format:
Podcast episode
Description
Public Enemy were revolutionaries – both in their message and their music. In the 1980s and 1990s, they elevated hip-hop to an art form. They did this with Chuck D's booming voice, Flavor Flav's comic levity, and the auditory assault of the Bomb Squad's production. But with that revolution came scandal. Their hype man allegedly tried to shoot his neighbor while high on crack cocaine. Their so-called "Minister of Information" was so controversial that his words alone nearly derailed the group's success. They performed at a prison – after just releasing a song about a prison break. And in the summer of 1989, Public Enemy released a song that was so powerful, it put them in the middle of the cultural zeitgeist at the very moment that it seemed they were splintering apart.
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To see the full list of contributors, see the show notes at www.disgracelandpod.com.
To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership.
Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER
Follow Jake and DISGRACELAND:
YouTube
X (formerly Twitter)
Facebook Fan Group
TikTok
Learn more about your ad choices. Visit megaphone.fm/adchoices
Released:
Apr 23, 2024
Format:
Podcast episode
Titles in the series (100)
The Rolling Stones at Altamont: Bikers, Blood, and the End of the '60s: The Rolling Stones, the most dangerous band on the planet, envisioned their free concert at the Altamont speedway outside San Francisco as the triumphant capstone to their 1969 tour: a west coast Woodstock, and a celebration of free love and hippiedom. But the festival, thrown together in under seventy two hours and with security managed by Hell’s Angels paid in beer, was fated for a tragic and violent end... just like the ‘60s themselves. by DISGRACELAND