56 min listen
Death, Sex & Money: A Sociopath's Guide to Death, Sex, and Money
FromSlate Culture
ratings:
Length:
47 minutes
Released:
Apr 16, 2024
Format:
Podcast episode
Description
Patric Gagne says being a sociopath is like having an emotional learning disability. In this episode, she talks about the good and the bad of having limited access to shame and guilt, how she overcame violent compulsions, and becoming a wife and mother.
Death, Sex & Money is now produced by Slate! To support us and our colleagues, please sign up for our membership program, Slate Plus! Members get ad-free podcasts, bonus content on lots of Slate shows, and full access to all the articles on Slate.com. Sign up today at slate.com/dsmplus.
And if you’re new to the show, welcome. We’re so glad you’re here. Find us and follow us on Instagram and you can find Anna’s newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Death, Sex & Money is now produced by Slate! To support us and our colleagues, please sign up for our membership program, Slate Plus! Members get ad-free podcasts, bonus content on lots of Slate shows, and full access to all the articles on Slate.com. Sign up today at slate.com/dsmplus.
And if you’re new to the show, welcome. We’re so glad you’re here. Find us and follow us on Instagram and you can find Anna’s newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Released:
Apr 16, 2024
Format:
Podcast episode
Titles in the series (100)
The Culture Gabfest: This is Sparta Edition: Slate critics Stephen Metcalf, Julia Turner, and Dana Stevens discuss if the movie 22 Jump Street is too self aware to be any good, whether poetry can go mainstream, and how to predict your song of the summer with Slate's Chris Molanphy. by Slate Culture