In this episode, we return to the work of Ernst Bloch and his theory concerning “aesthetic genius” and the possibility of the red sublime. Bloch attempts to construct a Marxist account of art that can explain how it is possible for aesthetic objects to provoke experiences of beauty and sublimity long after the historical conditions of their genesis have passed. Bloch thinks certain artworks contain a utopian surplus that beckons for a not-yet existing classless society. In other words, Bloch thinks we can inherit the knowledge of the real possibility of communism from the history of class domination and catastrophe. Join us as we try to make sense of these claims, dunk on the idea of art as “resistance,” and even try (in vain) to get Gil to experience the sublime!leftofphilosophy.com | @leftofphil References:Ernst Bloch, “Ideas as Transformed Material in Human Minds, or Problems of an Ideological Superstructure (Cultural Heritage) (1972)” in The Utopian Function of Art and Literature, trans. Jack Zipes and Frank Mecklenburg (Cambridge, MA: The MIT Press, 1988), 18-71.Filippo Menozzi, "Inheriting Marx: Daniel Bensaïd, Ernst Bloch and the Discordance of Time” in Historical Materialism 28, 1 (2020): 147-182.Stuart Hall, “Marx’s Notes on Method: A ‘Reading’ of the ‘1857 Introduction’ [1974]” in Selected Writings on Marxism, ed. Gregor McLennan (Durham: Duke University Press, 2021), 19-62.Music:“Vintage Memories” by Schematist | schematist.bandcamp.com“My Space” by Overu | https://get.slip.stream/KqmvAN