As far back as Aristotle, plots have been viewed as essential components of long-form narratives. So what happened when Modern novelists like James Joyce, Virginia Woolf, William Faulkner, and Djuna Barnes began turning away from conventional plots? Why did they do this and what were the consequences for their art? In this episode, Jacke talks to Professor Pardis Dabashi about her new book, Losing the Plot: Film and Feeling in the Modern Novel. PLUS Booker Prize-winning author Anne Enright (The Wren, The Wren) stops by to discuss her choice for the last book she will ever read.
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