Author, Screenwriter, and Director Etgar Keret is a recipient of the French Chevalier des Arts et des Lettres, the Charles Bronfman Prize, and the Caméra d’Or at the Cannes Film Festival for Jellyfish, which he directed with his wife Shira Geffen. Most recently, they created the TV mini series The Middleman (L’Agent Immobilier) starring Mathieu Amalric. His books include the short story collections Fly Already, Suddenly a Knock on the Door, and his memoir The Seven Good Years. Etgar’s work has been translated into forty-five languages and has appeared in The New Yorker, The Paris Review,The New York Times, and This American Life. A frequent collaborator with visual and performing artists, an exhibition inspired by his mother called Inside Out is currently showing at the Jewish Museum in Berlin until February 5th, 2023."I think that there are many complete pictures, but in a sense, they are all kind of redacted. And the truth is that it's strange, but I feel that, let's say, if there's a collective narrative that you totally identify with, then one should go with it. It doesn't matter if it's the Catholic Church or Antifa or the Klu Klux Klan. If people say something, they say, Oh my God, yes! They got it! They cracked it. Yay! Give me a torch. Now I got it. It's good enough.But I think that, at least the experience that I've had, many times it's that I'm too passive. And there are all kinds of narratives passing by, and I hitchhike, kind of sitting on a narrative without really judging and thinking, to say, Oh, it's nice. Oh, people say it's good. You know? And from my mother, I learned to be very, very critical of all those narratives. Because the fact that many people say something and are excited about it, doesn't mean anything."www.etgarkeret.comThe Middleman www.imdb.com/title/tt11523800www.jmberlin.de/en/exhibition-inside-out-etgar-kerethttps://etgarkeret.substack.comJellyfish http://www.imdb.com/title/tt0807721www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo credit: Lielle Sand