The media landscape has changed dramatically over the past decade. One person who has lived through the changes with her dream job intact is Katrina Strickland.
The journalist and author is editor of one of Australia’s most widely-read magazines, Good Weekend, which appears in print and online every Saturday in The Sydney Morning Herald and The Age. After realising that the law career she’d studied for didn't float her boat, Strickland secured a cadetship in the business section of Melbourne's Herald Sun. Later, she transitioned to covering and editing the arts before moving into magazines, first at The Australian Financial Review, where she edited its monthly glossy magazine for three years, and then, six and a half years ago, to Good Weekend. For someone whose father warned her, when she said she wanted to be a journalist, that, “many journalists are alcoholic no-hopers”, her determination and consistency has paid off.
In 2013 her book, Affairs of the Art, about the role those left behind play in burnishing a late artist's reputation, was published by Melbourne University Publishing. Today, her gratitude for and commitment to a career she considers a huge privilege show no signs of slowing down. 
Listen in as Vince and Katrina discuss why human stories make for the most-loved content, the brutal pace of working on a weekly publication, and what can happen in the black window between when you go to print and when your publication comes out in the world.
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