Atlanta visual artist, sculptor and “topophiliac” Gregor Turk on walking 250 miles of the U.S./Canada border, creating landscapes with clay, wood and recycled inner tubes, turning Landsat imagery into hundreds of hand-painted ceramic tiles, making 1:1 scale maps, chasing phantom streets, fighting real estate developers’ efforts to erase Blandtown, confusing Beltline tourists with “misinformation” wayfinding maps, unwittingly mapping bank-takeover targets for a sculpture client, and “pushing the idea of what a map can be.” See his work at gregorturk.com

“Latitudes + Legends”: 86 feet wide and 18" tall, ~200x handmade ceramic tiles 
“49th Parallel”: traveling the rule-straight part of the U.S./Canada border 
“Monumap: West Poplar (Saskatchewan)” 
“Misinformation”: Atlanta toponymy atop Chicago, San Francisco and New Orleans topography 
Rubber maps 
Blandtown
“Choke II” 
Peirce quincuncial projection, rendered in clay 
“Phalanx”
Andrew Lynch’s “Unbuilt Highways” maps
The Bellman's Map from Lewis Carroll's The Hunting of the Snark 
Lordy Rodriguez 
Maya Lin
The Center for Land Use Interpretation 
You Are Here: Personal Geographies and Other Maps of the Imagination  
The Map as Art: Contemporary Artists Explore Cartography 
Mapping Reality: An Exploration of Cultural Cartographies
The Lure of the Local: Senses of Place in a Multicentered Society

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