64 min listen
Sergio Rigoletto, "Le norme traviate: Saggi sul genere e sulla sessualità nel cinema e nella televisione italiana" (Meltemi Publishers, 2020)
Sergio Rigoletto, "Le norme traviate: Saggi sul genere e sulla sessualità nel cinema e nella televisione italiana" (Meltemi Publishers, 2020)
ratings:
Length:
63 minutes
Released:
May 31, 2021
Format:
Podcast episode
Description
What does it mean to “upend a norm,” which is the translation of the title of Sergio Rigoletto’s recent study “Upended norms: essays on gender and sexuality in Italian cinema and television.”
Rigoletto focuses on Italian audiovisual texts from the mid-20th century until today, asking questions about how these media helped mark the boundaries of social norms in Italy as well as chart the threats to those boundaries made by sexually active women, foreigners, drag queens, homosexuals and other queer subjects. How these threats move from the background (Fellini’s La Dolce Vita, 1960) to centerstage, in films like Ferzan Ozpetek’s The Ignorant Fairies (2001) and Luca Guadagnino’s Call me by Your Name (2017). What do these movements tell us about gendered subjects in Italian mainstream and popular media? What do they reveal about norms? These are some of the themes that Rigoletto’s (University of Oregon) Le norme traviate studies.
Ellen Nerenberg is a founding editor of g/s/i-gender/sexuality/Italy. Recent scholarly essays focus on serial television in Italy, the UK, and North America; masculinities in Italian cinema and media studies; and student filmmakers. Her current book project is La nazione Winx: coltivare la futura consumista/Winx Nation: Grooming the Future Female Consumer, a collaboration with Nicoletta Marini-Maio (forthcoming, Rubbettino Editore, 2021). She is President of the American Association for Italian Studies.
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Rigoletto focuses on Italian audiovisual texts from the mid-20th century until today, asking questions about how these media helped mark the boundaries of social norms in Italy as well as chart the threats to those boundaries made by sexually active women, foreigners, drag queens, homosexuals and other queer subjects. How these threats move from the background (Fellini’s La Dolce Vita, 1960) to centerstage, in films like Ferzan Ozpetek’s The Ignorant Fairies (2001) and Luca Guadagnino’s Call me by Your Name (2017). What do these movements tell us about gendered subjects in Italian mainstream and popular media? What do they reveal about norms? These are some of the themes that Rigoletto’s (University of Oregon) Le norme traviate studies.
Ellen Nerenberg is a founding editor of g/s/i-gender/sexuality/Italy. Recent scholarly essays focus on serial television in Italy, the UK, and North America; masculinities in Italian cinema and media studies; and student filmmakers. Her current book project is La nazione Winx: coltivare la futura consumista/Winx Nation: Grooming the Future Female Consumer, a collaboration with Nicoletta Marini-Maio (forthcoming, Rubbettino Editore, 2021). She is President of the American Association for Italian Studies.
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Released:
May 31, 2021
Format:
Podcast episode
Titles in the series (100)
Kristin Celello, “Making Marriage Work: A History of Marriage and Divorce in the 20th-Century U.S.” (University of North Carolina Press, 2009): When did Americans begin to think of marriage as “work,” as in, “If you want your marriage to succeed, you have to work at it.” Kristin Celello answers this question (and a lot of others) in her timely and relevant new book Making Marriage Work. by New Books in Sex, Sexuality, and Sex Work