You have burning questions and we've got burning answers! In this week's episode of WE'VE GOT MAIL, film critics William Bibbiani and Witney Seibold tackle the misunderstood concept of objectivity in film criticism, come up with new ways for filmmakers to use high frame rates, reflect on their favorite movies that became musicals that became movies again, and consider the very real possibility that they were completely wrong about JOKER! Email us at letters@criticallyacclaimed.net, so we can read your correspondence and answer YOUR questions in future episodes! Subscribe on Patreon at www.patreon.com/criticacclaim for exclusive content and exciting rewards, like bonus episodes, commentary tracks and much, much more! And visit our TeePublic page to buy shirts, mugs and other exciting merchandise!  Follow us on Twitter at @CriticAcclaim, join the official Fan Club on Facebook, follow Bibbs at @WilliamBibbiani and follow Witney at @WitneySeibold, and head on over to www.criticallyacclaimed.net for all their podcasts, reviews and more! Support the show: https://www.patreon.com//criticallyacclaimednetworkAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy