Cannes 2023 is here—and as news of standing ovations and walkouts, throwaway raves and pans, spit takes and hot takes flood the feed, we’ll be reporting on all the cinematic goings-on, with our on-the-Croisette crew of Film Comment contributors ready to cut through the noise with a series of thoughtful dispatches, interviews, and podcasts.

On today’s episode, FC co-deputy editor Devika Girish is joined by Dennis Lim, Artistic Director of the New York Film Festival, for a special joint interview with Todd Haynes, whose new film, May December, is one of the unanimous favorites of this year’s lineup. The film was inspired by one of the great scandals of the 1990s: Julianne Moore plays Gracie, a woman who, twenty years ago, was convicted of having an affair with a 13-year-old, a lover (played by Charles Melton) with whom she now lives a cozy married life. Natalie Portman plays an actress who arrives at Gracie’s home to do research for a movie based on the affair and starts probing into the couple’s lives, slowly pulling down bother both their and her own façades. Haynes turns the tabloid-fodder source of the script into a remarkably witty, dark, and intelligent meditation on the ways in which we construct and consume identity. Devika and Dennis talked to Haynes about his references for the movie, his thoughts on the term camp, why he loves zooms, and much more.

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