We did it, folks- we've circumnavigated extreme metal itself. On the 94th installment of the only podcast that matters we return to a band featured in our very first episode. Please do not go back and listen- those were dark days- but aside from this exception, we have an episode of... primitive death metal? Today's intro review comes courtesy of Oregon-based deathrashers Phenom whose second full-length brings to mind the barbaric and primordial sounds of Master mixed with streaks of Brazilian and Teutonic thrash. Definitely a weird one, but also excellent- recommended for all sorts of extreme metal fiends regardless of genre preference.
What better way to follow up that opening barrage with the return of legendary cheeseheads Jungle Rot? TDMG brought this on the show not expecting too many surprises, but quickly realized something highly unusual was afoot here. Jungle Rot's style shines through (as always) but with a tremendous helping of thrash and hardcore. Could this be the world's heaviest crossover record? But what's with the convoluted, nested riffing structures? And what the hell is going on with all the solos? A surprise to be sure, but a welcome one.
And finally we get back to the point of origin- the newest Horn album, bringing us all the way back to Terminus Episode 1. The world's greatest (and perhaps only) purveyor of Alpine Black Folk, Horn's new record provokes some excellent discussion- the different "modes" found within single projects and the power of iterative melodic refinement. This is an expansive record, ranging from oi-infused folkblack rippers to elegiac doom works, so there's something for everyone- but where does the strongest material lie?

0:00:00 - Intro/Phenom - Ov History and Death (Death is Imminent Records)
0:26:29 - Jungle Rot - A Call to Arms (Unique Leader Records)
1:11:18 - Interlude - Murder Squad - “Bloodfreak” fr. Unsane, Insane and Mentally Deranged (Pavement Music, 2001)
1:14:15 - Horn - Verzet (Independent)
1:54:54 - Outro - Liederjan - “Schitter Tod,” fr. Volksmusik Aus Der Heilen Welt (Polydor, 1979) and “Die Weber,” fr. Mädchen, Meister, Mönche (Polydor, 1978).
The first of these is a version of “Es ist ein Schnitter, a 17c German folk song that inspires Horn. See the Bardo Methodology interview:
http://www.bardomethodology.com/articles/2018/01/11/horn-interview/



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