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Listeners, I heard you—a bunch of self-admitting hopeless romantics who wanted to hear more about people bound by attraction, fascination. By love. Though there are examples of romantic and sexual relationships between creators that are sprinkled throughout art history as we know it, it’s true that we have the most information about relationships from folks who lived in the last century—because we have greater access to documentation recording the lives of these people, and because, as the 20th century progressed, people—artists, perhaps especially—became more vocal about their relationships, less inhibited. Modern artists, artists especially from the first half of the 20th century, lived their art, and their relationships, out loud-- writing about them, talking about them, and sometimes even creating works of art about them.
This season, I’m rounding up stories about modern artists in love, in lust, in relationships— digging into these individuals, see how their liaisons, marriages, affairs, and connections played in or on their respective works of art, and how, if anything, they affected art history as we know it. I, for one, believe that it’s time for Modern Love.
Today: let’s enjoy learning about the surrealist life and loves of Max Ernst and Dorothea Tanning.

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