It was the end of The Smashing Pumpkins (for a while, of course). In 2000, the band announced their breakup and released what was to be their final album, Machina/The Machines of God. A loosely conceptual album that got buried in a time of TRL Teen Pop and Nü Metal, over the years Machina has gained the respect and admiration (we believe) it deserves. In Part 1 of our 2-part coverage of "Machina One" we discuss the high concept, Bowie-esque themes of Zero transforming to Glass, The Jekyll & Hyde nature of "The Everlasting Gaze", the Peter Hook hook of "Raindrops + Sunshowers" and the cream of the "radio, radio" songs crop that is "I of the Mourning". We delve deep into the many sonic layers of this deceptively beautiful, challenging album and explore how the band pulls elements from their entire history, circling back to their 80’s roots while implementing all the power and experience they accumulated along the way. Join us as we ponder the "Cherub Rock"/"Heavy Metal Machine" connection, the bittersweet feeling of "This Time" and this week's big thought experiment: Is Machina the daytime companion to The Cure's Disintegration? Think about it... All that and more plus Pat’s Romantic Teen Comedy epiphany with "The Sacred and Profane"!
Pale Scales cover used as bed music is by Exit Music. 

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