51 min listen
Leigh Claire La Berge, "Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art" (Duke UP, 2019)
FromNew Books in Art
Leigh Claire La Berge, "Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art" (Duke UP, 2019)
FromNew Books in Art
ratings:
Length:
62 minutes
Released:
Jan 28, 2021
Format:
Podcast episode
Description
The last twenty years have seen a rise in the production, circulation, and criticism of new forms of socially engaged art aimed at achieving social justice and economic equality.
Leigh Claire La Berge, author of Leigh Claire La Berge, Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art (Duke UP, 2019), speaks with Pierre d'Alancaisez about what she calls decommodified labor — the slow diminishment of wages alongside an increase in the demands of work. Outlining the ways in which artists relate to work, La Berge examines how artists and organizers create institutions to address their own precarity and why the increasing presence of animals and children in contemporary art points to the turn away from paid labor.
Leigh Claire La Berge is Assistant Professor of English at Borough of Manhattan Community College, City University of New York. She's the author of Scandals and Abstraction (about which she spoke on an earlier episode), and co-editor of Reading Capitalist Realism. She's currently working on expanding her project Marx for Cats, initiated with Caroline Woolard and Or Zubalsky.
La Berge's discusses the proliferation of animals in contemporary art starting 45 minutes in the episode.
Pierre d’Alancaisez is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
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Leigh Claire La Berge, author of Leigh Claire La Berge, Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art (Duke UP, 2019), speaks with Pierre d'Alancaisez about what she calls decommodified labor — the slow diminishment of wages alongside an increase in the demands of work. Outlining the ways in which artists relate to work, La Berge examines how artists and organizers create institutions to address their own precarity and why the increasing presence of animals and children in contemporary art points to the turn away from paid labor.
Leigh Claire La Berge is Assistant Professor of English at Borough of Manhattan Community College, City University of New York. She's the author of Scandals and Abstraction (about which she spoke on an earlier episode), and co-editor of Reading Capitalist Realism. She's currently working on expanding her project Marx for Cats, initiated with Caroline Woolard and Or Zubalsky.
La Berge's discusses the proliferation of animals in contemporary art starting 45 minutes in the episode.
Pierre d’Alancaisez is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
Released:
Jan 28, 2021
Format:
Podcast episode
Titles in the series (100)
Erin Haney, “Exposures: Photography and Africa” (Reaktion Books, 2010): In Chapter 3 of Erin Haney’s excellent book Photography and Africa (Reaktion Books, 2010) there are seven photos taken in central Africa at the turn of the 19th and 20th centuries. Six advertise progress – from the smartly dressed and armed native troo... by New Books in Art