William Ghosh talks to Saronik about Realism, and how it can both be subtly conservative and effectively radical, depending on its use. He takes us through realist tactics in texts ranging from V.S. Naipaul’s A Bend in the River to Virginie Despentes’s Vernon Subutex.
William Ghosh teaches Victorian and Modern literature and Literary Theory at Jesus College, University of Oxford. His first book, V.S. Naipaul, Caribbean Writing, and Caribbean Thought was published by OUP in October 2020. At present he is working on a book on the British writer Penelope Fitzgerald, and on a multimedia project about Caribbean poetry and poetics.
Image: ‘Still Life with Corn’ by Charles Ethan Porter
Music used in promotional material: ‘Made in the City’ by Ed Askew
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