68 min listen
Mario Telò, "Archive Feelings: A Theory of Greek Tragedy" (Ohio State UP, 2020)
Mario Telò, "Archive Feelings: A Theory of Greek Tragedy" (Ohio State UP, 2020)
ratings:
Length:
62 minutes
Released:
Jan 22, 2021
Format:
Podcast episode
Description
On this episode, I interview Mario Telò, professor of Classics and Comparative Literature at the University of California, Berkeley, about his new book, Archive Feelings: A Theory of Greek Tragedy, recently published by The Ohio State University Press. In the text, Telò examines how contemporary theorizations of the archive (especially Derrida’s Mal d’Archive) and the death drive (in Freud as well as Bersani, Butler, Edelman, Deleuze, Lacan, Rancière, and Žižek) can help us understand the aesthetic experience of tragedy. Archive Feelings: A Theory of Greek Tragedy locates the tragic genre's aesthetic allure beyond catharsis in a vertiginous sense of giddy suspension, in a spiral of life and death that resists equilibrium, stabilization, and all forms of normativity. In so doing, Telò forges a new model of tragic aesthetics.
Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email.
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Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Released:
Jan 22, 2021
Format:
Podcast episode
Titles in the series (100)
George Hunka, “Word Made Flesh: Philosophy, Eros, and Contemporary Tragic Drama” (Eyecorner Press, 2011): George Hunka’s book Word Made Flesh: Philosophy, Eros, and Contemporary Tragic Drama (Eyecorner Press, 2011) offers a series of challenges, provocations and meditations on Theatre (with a capital “T”). It’s a valuable piece of work to wrestle with, by New Books in Literary Studies