In Wonder of Wonders: A Cultural History of Fiddler on the Roof (Metropolitan, 2013), Alisa Solomon, Director of the Arts and Culture concentration in the MA program at Columbia University’s Graduate School of Journalism, traces how and why the story of Tevye the milkman, the creation of the great Yiddish writer Sholem-Aleichem, was reborn as blockbuster entertainment and a cultural touchstone. She examines the pre-history of the first adaptations, the core story of the development of the broadway musical, and the fascinating afterlife of the musical including adaptations in Israel and Poland. This book is a great read and the essential volume on Fiddler on the Roof.



Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au.
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