In this episode, John links up with Lizzy McAlpine and producers Philip Etherington and Ehren Ebbage, to talk about how they wrote, recorded, and produced Lizzy’s album ‘five seconds flat’.
 
Looking back at their time writing and recording in a makeshift Airbnb studio, Lizzy, Philip, and Ehren dig into their enormous archive of song versions (including John Mayer versions), talking through their process of chipping away at each track and shaping the sounds to match the core expression. 
 
As well as highlighting exactly why parts of Lizzy’s performance are so key to the foundation of each song, we’re treated to backing vocal masterclasses, stories of secret weapon synths, and beats tied together with Philip’s mouldy can of nuts. 
 
Listen to find out how to create sounds that are quietly big and impactful, why all U47s are not created equally, and why as a producer you first have to be an audience member.
 
Tracks discussed: an ego thing, ceilings, reckless driver

LINKS TO EVERYTHING TAPE NOTES  
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Listen to ‘Five Seconds Flat’ here.
Harbour Artists and Music, AWAL
 
Intro Music - Sunshine Buddy, Laurel Collective
 
GEAR MENTIONS
Philip’s Can of Mixed Nuts
Casio SK1
Korg CR4
Audio Technica Boundary Mics
AKG C414
U47 Microphone
Martin 00-17 Guitar
Martin Guitars
Nord Keyboard
Rubber Bridge Guitar
SSL Compressor
Tree Audio Branch II
 
OUR GEAR
https://linktr.ee/tapenotes_ourgear

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HELP SUPPORT THE SHOW
If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 
Donate

TAPE NOTES TEAM
Will Brown - Executive Producer, Engineer & Editor
Tim Adam-Smith - Executive Producer
Will Lyons - Editor
Herbie Elton-Rowley - Videographer
Matt Purbrick - Production Assistant
Guy Nicholls - Production Assistant
Nathan Hetherington - PR
Rebecca Ibbotson - Digital Marketing 
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